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The Strong Dialectics has very accurate structures, almost without any micro-structures enlargements.The Strong Dialectics has very accurate structures, almost without any micro-structures enlargements. The Concerto Dialectics, on a contrary, has this kind of dialectics in a Micro-Structure: - Thesis + Anti-Thesis = Some kind of enlargement (in dialectical style) in the Structure Synthesis - This is a principal thing, appeared after the Benda’s harpsichord concertos (I think) and hardly took its place in the Corelli’s disciples dialectical philosophy. large structure: enlarged Structure Synthesis, which generally contents some kind of modulation appendix. Ends when a brand new idea comes (there is an obvious change of the idea context). repeated structure: enlarged Structure Synthesis, in which mostly repeats all current Micro-Structure. May be similar to the large structure in the end of repeat. cadenza structure: very enlarged Structure Synthesis, similar to the large structure but with some musical improvisations (contents an enlarged musical development). The Analytical Scheme Base
|K: Metathesis | \: : / - repeat these dialectical structures large structure repeated structure cadenza structure 1/Мета-A_Маc-A `` A [m]+`` B [m]= C[ABC(ab)]
2/Мета-A_Маc-B `` A [m]+`` B [m]= C[ABC(ab)] 3/Мета-A_Маc-C(a) `` A [m]+`` B [m]= C[ABC(ab)] 4/Мета-A_Маc-C(b) `` A [m]+`` B [m]= C[ABC(ab)] ------------- 1_1/Мета-A_Маc-A_Маc-s-A `` A [m]+`` B [m]= C[ABC(ab)] 2/Мета-A_Маc-A_Маc-s-B `` A [m]+`` B [m]= C{ab} 3/Мета-A_Маc-A_Маc-s-C(a) `` A [m]+`` B [m]= C{ab} 4/Мета-A_Маc-A_Маc-s-C(b) `` A [m]+`` B [m]= C[ABC(ab)] 2_1/Мета-A_Маc-B_Маc-s-A `` A [m]+`` B [m]= C[ABC(ab)] 2/Мета-A_Маc-B_Маc-s-B `` A [m]+`` B [m]= C{ab} 3/Мета-A_Маc-B_Маc-s-C(a) `` A [m]+`` B [m]= C{ab} 4/Мета-A_Маc-B_Маc-s-C(b) `` A [m]+`` B [m]= C[ABC(ab)] 3_1/ Мета-A_Маc-C(a)_Маc-s-A `` A [m]+`` B [m]= C[ABC(ab)] 2/Мета-A_Маc-C(a)_Маc-s-B `` A [m]+`` B [m]= C{ab}
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