An Analytical Scheme Base. Strong and Concerto Dialectics

An Analytical Scheme Base

For easy “copy-paste” while an analyzing procedure.

Contents both Macro and Macro-Sub blocks for easy “copy-paste” right to the proper place of working out scheme.

You need of course to correct the Micro-Structure count, expressions and synthesis types according to the actual value of an analyzing musical fragment.

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Analytical Scheme Description:

For unnumbered lines:

` count the rhythm for one

`` count the rhythm for two

``` count the rhythm for three

```` count the rhythm for four.. etc.

``A[m]+``B[m] -- Micro-Thesis+Micro-Anti-Thesis (there are also a general count and an expression in this structure)

C{ab} – Idea Synthesis, count the rhythm of the next unnumbered line instead (this is a part of

Sequent Idea Lines)

C[ABC(ab)] - Structure Synthesis, count the rhythm until the end of the current structure idea

(may content large, repeat and cadenza structures, which must be pointed especially).

Normal Structure Synthesis Types:

``A[m]+``B[m]=``C[a-b] - Triada

``A[m]+``B[m]=``C[a]+``C[b] – Context

``A[m]+``B[m]=``C[a-mod]+``C[b-mod] – Modulation (by default isn’t pointed)

a – chords (long note)

m – melody

mS – melody sequence

iS – interval sequence

dS - dialogue sequence

f - fugato

For numbered lines:

Мета-... -- Meta-Structure

_Mac-... -- Macro-Structure

_Mac-s-... -- Macro-sub-Structure

``A[m]+``B[m]=C[ABC(ab)] -- Micro-Structure

Other:

|K: Metathesis |

1_1/Мета-A_Маc-A_Маc-s-A

`A[m]+`B[m]=C[ABC(ab)]

…

: / - repeat these dialectical structures

|K: Metathesis | - comments

Strong and Concerto Dialectics

There are two types of dialectical structures in the music of Corelli’s disciples (as I suppose):

Strong Dialectics
Concerto Dialectics

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