William Somerset Maugham 1 страница

Theatre

THE door opened and Michael Gosselyn looked up. Julia came in.

" Hulloa! I won't keep you a minute. I was just signing some let-

ters. "

" No hurry. I only came to see what seats had been sent to the

Dennorants. What's that young man doing here? "

With the experienced actress's instinct to fit the gesture to the

word, by a movement of her neat head she indicated the room thro-

ugh which she had just passed.

" He's the accountant. He comes from Lawrence and Hamphreys.

He's been here three days. "

" He looks very young. "

" He's an articled clerk. He seems to know his job. He can't get

over the way our accounts are kept. He told me he never expected a

theatre to be run on such businesslike lines. He says the way some

of those firms in the city keep their accounts is enough to turn your

hair grey. "

Julia smiled at the complacency on her husband's handsome face.

" He's a young man of tact. "

" He finishes today. I thought we might take him back with us and

give him a spot of lunch. He's quite a gentleman. "

" Is that a sufficient reason to ask him to lunch? " Michael did not

notice the faint irony of her tone. " I won't ask him if you don't want

him. I merely thought it would be a treat for him. He admires you

tremendously. He's been to see the play three times. He's crazy to

be introduced to you. "

Michael touched a button and in a moment his secretary came in.

" Here are the letters, Margery. What appointments have I got for

this afternoon? "

Julia with half an ear listened to the list Margery read out and,

though she knew the room so well, idly looked about her. It was a

very proper room for the manager of a first-class theatre. The walls

had been panelled (at cost price) by a good decorator and on them

hung engravings of theatrical pictures by Zoffany and de Wilde. The

armchairs were large and comfortable. Michael sat in a heavily car-

ved Chippendale* chair, a reproduction but made by a well-known

firm, and his Chippendale table, with heavy ball and claw feet, was

immensely solid. On it stood in a massive silver frame a photograph

of herself and to balance it a photograph of Roger, their son. Betwe-

en these was a magnificent silver ink-stand that she had herself gi-

ven him on one of his birthdays and behind it a rack in red morocco,

heavily gilt, in which he kept his private paper in case he wanted to

write a letter in his own hand. The paper bore the address, Siddons

Theatre, and the envelope his crest, a boar's head with the motto

underneath: Nemo me impune lacessit. * A bunch of yellow tulips in

a silver bowl, which he had got through winning the theatrical golf

tournament three times running, showed Margery's care. Julia gave

her a reflective glance. Notwithstanding her cropped peroxide hair

and her heavily-painted lips she had the neutral look that marks the

perfect secretary. She had been with Michael for five years. In that

time she must have got to know him inside and out. Julia wondered

if she could be such a fool as to be in love with him.

But Michael rose from his chair.

" Now, darling, I'm ready for you. "

Margery gave him his black Homburg* hat and opened the door

for Julia and Michael to go out. As they entered the office the young

man Julia had noticed turned round and stood up.

" I should like to introduce you to Miss Lambert, " said Michael.

Then with the air of an ambassador presenting an attache to the so-

vereign of the court to which he is accredited: " This is the gentle-

man who is good enough to put some order into the mess we make

of our accounts. "

The young man went scarlet. He smiled stiffly in answer to Julia's

warm, ready smile and she felt the palm of his hand wet with sweat

when she cordially grasped it. His confusion was touching. That was

how people had felt when they were presented to Sarah Siddons.

She thought that she had not been very gracious to Michael when

he had proposed asking the boy to luncheon. She looked straight in-

to his eyes. Her own were large, of a very dark brown, and starry. It

was no eftort to her, it was as instinctive as brushing away a fly that

was buzzing round her, to suggest now a faintly amused, friendly

tenderness.

" I wonder if we could persuade you to come and eat a chop with

us. Michael will drive you back after lunch. "

The young man blushed again and his adam's apple moved in his

thin neck.

" It's awfully kind of you. " He gave his clothes a troubled look. " I'm

absolutely filthy. "

" You can have a wash and brush up when we get home. "

The car was waiting for them at the stage door, a long car in

black and chromium, upholstered in silver leather, and with Micha-

el's crest discreetly emblazoned on the doors. Julia got in.

" Come and sit with me. Michael is going to drive. "

They lived in Stanhope Place, and when they arrived Julia told the

butler to show the young man where he could wash his hands. She

went up to the drawing-room. She was painting her lips when Micha-

el joined her.

" I've told him to come up as soon as he's ready. "

" By the way, what's his name? "

" I haven't a notion. "

" Darling, we must know. I'll ask him to write in our book. "

" Damn it, he's not important enough for that. " Michael asked only

very distinguished people to write in their book. " We shall never see

him again. "

At that moment the young man appeared. In the car Julia had do-

ne all she could to put him at his ease, but he was still very shy. The

cocktails were waiting and Michael poured them out. Julia took a ci-

garette and the young man struck a match for her, but his hand was

trembling so much that she thought he would never be able to hold

the light near enough to her cigarette, so she took his hand and held

it.

" Poor lamb, " she thought, " I suppose this is the most wonderful

moment in his whole life. What fun it'll be for him when he tells his

people. I expect he'll be a blasted little hero in his office. "

Julia talked very differently to herself and to other people: when

she talked to herself her language was racy. She inhaled the first

whiff of her cigarette with delight. It was really rather wonderful,

when you came to think of it, that just to have lunch with her and

talk to her for three quarters of an hour, perhaps, could make a man

quite important in his own scrubby little circle.

The young man forced himself to make a remark.

" What a stunning room this is. "

She gave him the quick, delightful smile, with a slight lift of her fi-

ne eyebrows, which he must often have seen her give on the stage.

" I'm so glad you like it. " Her voice was rather low and ever so

slightly hoarse. You would have thought his observation had taken a

weight off her mind. " We think in the family that Michael has such

perfect taste. "

Michael gave the room a complacent glance.

" I've had a good deal of experience. I always design the sets

myself for our plays. Of course, I have a man to do the rough work

for me, but the ideas are mine. "

They had moved into that house two years before, and he knew,

and Julia knew, that they had put it into the hands of an expensive

decorator when they were going on tour, and he had agreed to have

it completely ready for them, at cost price in return for the work

they promised him in the theatre, by the time they came back. But

it was unnecessary to impart such tedious details to a young man

whose name even they did not know. The house was furnished in

extremely good taste, with a judicious mixture of the antique and

the modern, and Michael was right when he said that it was quite

obviously a gentleman's house. Julia, however, had insisted that she

must have her bedroom as she liked, and having had exactly the

bedroom that pleased her in the old house in Regent's Park which

they had occupied since the end of the war she brought it over bo-

dily. The bed and the dressing-table were upholstered in pink silk,

the chaise-longue and the armchair in Nattier blue; over the bed

there were fat little gilt cherubs who dangled a lamp with a pink sha-

de, and fat little gilt cherubs swarmed all round the mirror on the

dressing-table. On satinwood tables were signed photographs, richly

framed, of actors and actresses and members of the royal family.

The decorator had raised his supercilious eyebrows, but it was the

only room in the house in which Julia felt completely at home. She

wrote her letters at a satinwood desk, seated on a gilt Hamlet stool.

Luncheon was announced and they went downstairs.

" I hope you'll have enough to eat, " said Julia. " Michael and I have

very small appetites. "

In point of fact there was grilled sole, grilled cutlets and spinach,

and stewed fruit. It was a meal designed to satisfy legitimate hun-

ger, but not to produce fat. The cook, warned by Margery that there

was a guest to luncheon had hurriedly made some fried potatoes.

They looked crisp and smelt appetizing. Only the young man took

them. Julia gave them a wistful look before she shook her head in re-

fusal. Michael stared at them gravely for a moment as though he co-

uld not quite tell what they were, and then with a little start, bre-

aking out of a brown study, said No thank you. They sat at a refec-

tory table, Julia and Michael at either end in very grand Italian cha-

irs, and the young man in the middle on a chair that was not at all

comfortable, but perfectly in character. Julia noticed that he seemed

to be looking at the sideboard and with her engaging smile, leaned

forward.

" What is it? "

He blushed scarlet.

" I was wondering if I might have a piece of bread. "

" Of course. "

She gave the butler a significant glance; he was at that moment

helping Michael to a glass of dry white wine, and he left the room.

" Michael and I never eat bread. It was stupid of Jevons not to re-

alize that you might want some. "

" Of course bread is only a habit, " said Michael. " It's wonderful how

soon you can break yourself of it if you set your mind to it. "

" The poor lamb's as thin as a rail, Michael. "

" I don't eat bread not because I'm afraid of getting fat. I don't eat

it because I see no point in it. After all, with the exercise I take I can

eat anything I like. "

He still had at fifty-two a very good figure. As a young man, with a

great mass of curling chestnut hair, with a wonderful skin and large

deep blue eyes, a straight nose and small ears, he had been the

best-looking actor on the English stage. The only thing that slightly

spoiled him was the thinness of his mouth. He was just six foot tall

and he had a gallant bearing. It was his obvious beauty that had en-

gaged him to go on the stage rather than to become a soldier like

his father. Now his chestnut hair was very grey, and he wore it much

shorter; his face had broadened and was a good deal lined; his skin

no longer had the soft bloom of a peach and his colour was high. But

with his splendid eyes and his fine figure he was still a very handso-

me man. Since his five years at the war he had adopted a military

bearing, so that if you had not known who he was (which was scar-

cely possible, for in one way and another his photograph was always

appearing in the illustrated papers) you might have taken him for an

officer of high rank. He boasted that his weight had not changed sin-

ce he was twenty, and for years, wet or fine, he had got up every

morning at eight to put on shorts and a sweater and have a run ro-

und Regent's Park.

" The secretary told me you were rehearsing this morning, Miss

Lambert, " the young man remarked. " Does that mean you're putting

on a new play? "

" Not a bit of it, " answered Michael. " We're playing to capacity. "

" Michael thought we were getting a bit ragged, so he called a re-

hearsal. "

" I'm very glad I did. I found little bits of business had crept in that

I hadn't given them and a good many liberties were being taken

with the text. I'm a great stickler for saying the author's exact

words, though, God knows, the words authors write nowadays aren't

much. "

" If you'd like to come and see our play, " Julia said graciously, " I'm

sure Michael will be delighted to give you some seats. "

" I'd love to come again, " the young man answered eagerly. " I've

seen it three times already. "

" You haven't? " cried Julia, with surprise, though she remembered

perfectly that Michael had already told her so. " Of course it's not a

bad little play, it's served our purpose very well, but I can't imagine

anyone wanting to see it three times. "

" It's not so much the play I went to see, it was your performance. "

" I dragged that out of him all right, " thought Julia, and then aloud:

" When we read the play Michael was rather doubtful about it. He

didn't think my part was very good. You know, it's not really a star

part. But I thought I could make something out of it. Of course we

had to cut the other woman a lot in rehearsals. "

" I don't say we rewrote the play, " said Michael, " but I can tell you

it was a very different play we produced from the one the author

submitted to us. "

" You're simply wonderful in it, " the young man said.

(" He has a certain charm. " ) " I'm glad you liked me, " she answe-

red.

" If you're very nice to Julia I dare say she'll give you a photograph

of herself when you go. "

" Would you? "

He blushed again and his blue eyes shone. (" He's really rather

sweet. " ) He was not particularly good- looking, but he had a frank,

open face and his shyness was attractive. He had curly light brown

hair, but it was plastered down and Julia thought how much better

he would look if, instead of trying to smooth out the wave with brilli-

antine, he made the most of it. He had a fresh colour, a good skin

and small well-shaped teeth. She noticed with approval that his clot-

hes fitted and that he wore them well. He looked nice and clean.

" I suppose you've never had anything to do with the theatre from

the inside before? " she said.

" Never. That's why I was so crazy to get this job. You can't think

how it thrills me. "

Michael and Julia smiled on him kindly. His admiration made them

feel a little larger than life-size.

" I never allow outsiders to come to rehearsals, but as you're our

accountant you almost belong to the theatre, and I wouldn't mind

making an exception in your favour if it would amuse you to come. "

" That would be terribly kind of you. I've never been to a rehearsal

in my life. Are you going to act in the next play? "

" Oh, I don't think so. I'm not very keen about acting any more. I

find it almost impossible to find a part to suit me. You see, at my ti-

me of life I can't very well play young lovers, and authors don't se-

em to write the parts they used to write when I was a young fellow.

What the French call a raisonneur. You know the sort of thing I me-

an, a duke, or a cabinet minister, or an eminent K. C. * who says cle-

ver, witty things and turns people round his little finger. I don't know

what's happened to authors. They don't seem able to write good li-

nes any more. Bricks without straw; that's what we actors are ex-

pected to make nowadays. And are they grateful to us? The authors,

I mean. You'd be surprised if I told you the terms some of them have

the nerve to ask. "

" The fact remains, we can't do without them, " smiled Julia. " If the

play's wrong no acting in the world will save it. "

" That's because the public isn't really interested in the theatre. In

the great days of the English stage people didn't go to see the plays,

they went to see the players. It didn't matter what Kemble and Mrs.

Siddons acted. The public went to see them. And even now, though I

don't deny that if the play's wrong you're dished, I do contend that if

the play's right, it's the actors the public go to see, not the play. "

" I don't think anyone can deny that, " said Julia.

" All an actress like Julia wants is a vehicle. Give her that and she'll

do the rest. "

Julia gave the young man a delightful, but slightly deprecating

smile.

" You mustn't take my husband too seriously. I'm afraid we must

admit that he's partial where I'm concerned. "

" Unless this young man is a much bigger fool than I think him he

must know that there's nothing in the way of acting that you can't

do. "

" Oh, that's only an idea that people have got because I take care

never to do anything but what I can do. "

Presently Michael looked at his watch.

" I think when you've finished your coffee, young man, we ought

to be going. "

The boy gulped down what was left in his cup and Julia rose from

the table.

" You won't forget my photograph? "

" I think there are some in Michael's den. Come along and we'll

choose one. "

She took him into a fair-sized room behind the dining-room. Tho-

ugh it was supposed to be Michael's private sitting-room - " a fellow

wants a room where he can get away by himself and smoke his pi-

pe" - it was ch iefly used as a cloak-room when they had guests.

There was a noble mahogany desk on which were signed photog-

raphs of George V and Queen Mary. Over the chimney-piece was an

old copy of Lawrence's portrait of Kemble as Hamlet. On a small tab-

le was a pile of typescript plays.

The room was surrounded by bookshelves under which were cup-

boards, and from one of these Julia took a bundle of her latest pho-

tographs. She handed one to the young man.

" This one is not so bad. "

" It's lovely. "

" Then it can't be as like me as I thought. "

" But it is. It's exactly like you. "

She gave him another sort of smile, just a trifle roguish; she lowe-

red her eyelids for a second and then raising them gazed at him for

a little with that soft expression that people described as her velvet

look. She had no object in doing this. She did it, if not mechanically,

from an instinctive desire to please. The boy was so young, so shy,

he looked as if he had such a nice nature, and she would never see

him again, she wanted him to have his money's worth; she wanted

him to look back on this as one of the great moments of his life. She

glanced at the photograph again. She liked to think she looked like

that. The photographer had so posed her, with her help, as to show

her at her best. Her nose was slightly thick, but he had managed by

his lighting to make it look very delicate, not a wrinkle marred the

smoothness of her skin, and there was a melting look in her fine

eyes.

" All right. You shall have this one. You know I'm not a beautiful

woman, I'm not even a very pretty one; Coquelin always used to say

I had the beaute du diable. * You understand French, don't you? "

" Enough for that. "

" I'll sign it for you. "

She sat at the desk and with her bold, flowing hand wrote: Yours

sincerely, Julia Lambert.

WHEN the two men had gone she looked through the photog-

raphs again before putting them back.

" Not bad for a woman of forty-six, " she smiled. " They are like me,

there's no denying that. " She looked round the room for a mirror,

but there wasn't one. " These damned decorators. Poor Michael, no

wonder he never uses this room. Of course I never have photograp-

hed well. "

She had an impulse to look at some of her old photographs. Mic-

hael was a tidy, business-like man, and her photographs were kept

in large cardboard cases, dated and chronologically arranged. His

were in other cardboard cases in the same cupboard.

" When someone comes along and wants to write the story of our

careers he'll find all the material ready to his hand, " he said.

With the same laudable* object he had had all their press cuttings

from the very beginning pasted in a series of large books.

There were photographs of Julia when she was a child, and pho-

tographs of her as a young girl, photographs of her in her first parts,

photographs of her as a young married woman, with Michael, and

then with Roger, her son, as a baby. There was one photograph of

the three of them, Michael very manly and incredibly handsome,

herself all tenderness looking down at Roger with maternal feeling,

and Roger a little boy with a curly head, which had been an enormo-

us success. All the illustrated papers had given it a full page and

they had used it on the programmes. Reduced to picture-postcard

size it had sold in the provinces for years. It was such a bore that

Roger when he got to Eton refused to be photographed with her any

more. It seemed so funny of him not to want to be in the papers.

" People will think you're deformed or something, " she told him.

" And it's not as if it weren't good form. You should just go to a first

night and see the society people how they mob the photographers,

cabinet ministers and judges and everyone. They may pretend they

don't like it, but just see them posing when they think the camera-

man's got his eye on them. " But he was obstinate.

Julia came across a photograph of herself as Beatrice. It was the

only Shakespearean part she had ever played. She knew that she

didn't look well in costume; she could never understand why, beca-

use no one could wear modern clothes as well as she could. She had

her clothes made in Paris, both for the stage and for private life, and

the dressmakers said that no one brought them more orders. She

had a lovely figure, everyone admitted that; she was fairly tall for a

woman, and she had long legs. It was a pity she had never had a

chance of playing Rosalind, she would have looked all right in boy's

clothes, of course it was too late now, but perhaps it was just as well

she hadn't risked it. Though you would have thought, with her brilli-

ance, her roguishness, her sense of comedy she would have been

perfect. The critics hadn't really liked her Beatrice. It was that dam-

ned blank verse. Her voice, her rather low rich voice, with that effec-

tive hoarseness, which wrung your heart in an emotional passage or

gave so much humour to a comedy line, seemed to sound all wrong

when she spoke it. And then her articulation; it was so distinct that,

without raising her voice, she could make you hear her every word

in the last row of the gallery; they said it made verse sound like pro-

se. The fact was, she supposed, that she was much too modern.

Michael had started with Shakespeare. That was before she knew

him. He had played Romeo at Cambridge, and when he came down,

after a year at a dramatic school, Benson had engaged him. He to-

ured the country and played a great variety of parts. But he realized

that Shakespeare would get him nowhere and that if he wanted to

become a leading actor he must gain experience in modern plays. A

man called James Langton was running a repertory theatre at Mid-

dlepool that was attracting a good deal of attention; and after Mic-

hael had been with Benson for three years, when the company was

going to Middlepool on its annual visit, he wrote to Langton and as-

ked whether he would see him. Jimmie Langton, a fat, bald-headed,

rubicund man of forty-five, who looked like one of Rubens' prospero-

us burghers, had a passion for the theatre. He was an eccentric, ar-

rogant, exuberant, vain and charming fellow. He loved acting, but

his physique prevented him from playing any but a few parts, which

was fortunate, for he was a bad actor. He could not subdue his natu-

ral flamboyance, and every part he played, though he studied it with

care and gave it thought, he turned into a grotesque. He broadened