27 August, 1924 12 страница

'Well, I'm going to sleep, ' Del said, going up the stairs.

'And what if you want a glass of water? What if you have to take a leak? '

'There's a bathroom attached to your room. '

'What if you want to look outside? We don't have any windows? '

'Look, aren't you tired? ' Del said furiously. 'I'm going to sleep. I'm not going to parade around and look at stuff I'm not supposed to see, I'm not going to look at the stars, I'm just going to bed. You do what you want to. '

'Don't get so angry. '

'I am angry, damn you, ' Del said, and moved away from Tom to open his door and disappear inside.

Tom went to his door. Del was tearing his shirt off over his head, not bothering to unbutton it. Their beds had been turned down. 'So why are you so all — fired hot all of a sudden? '

'I'm going to bed. '

'Del. '

His friend softened. 'Look. I'm tired enough to drop. It's our first night. ' Del sat on his bed and kicked off his shoes. He undid his belt, stood up, and pushed his pants down. 'And I'm going to close these doors so I don't have to know if you're going to get into trouble. '

'But Del, he wants us to think about — '

'You're tired, aren't you? ' Del said, tugging one of the pocket doors out of the stub wall.

'Yes. '

'Then go to bed and forget it. ' He went to the other stub wall and pushed its door across, cutting off his room from Tom's.

'Del? ' Tom said to the door.

'I'll see you in the morning. I'm too tired to think about anything. '

Tom turned away. His own room glowed: bed so neat it appeared to have been opened by can opener, soft lights. The second Rex Stout book he had brought in his suitcase lay on the bedside table. He touched the switch beside the door, and the overhead lights darkened. The light beside the book made that end of the room, the book and the bed and the lamp, as inviting as a cave. He undressed quickly to his underpants and slipped into bed. Tom picked up the Rex Stout book and turned to the first page. After a few minutes the print swam, and then seemed to make unrelated but pointed comments about some other story. He realized that he was dreaming about reading. Tom turned off the light and rolled into his cool pillow.

An indeterminate length of time later the barking of dogs brought him back up to consciousness. First one dog, then two. Sounds of a fight followed. A door slammed somewhere, men cursed, one dog screamed in rage or pain. A man shouted 'Bastard! ' and the dog's sound of agony turned into a yelp. Tom sat up in bed. His hand was asleep, and he rubbed it until it throbbed. Downstairs, men were moving with heavy footsteps across the floor, going in and out. A glass broke, the other dog began to growl. 'Del? ' Tom said. Several loud male voices raised at once.

Tom went to the pocket doors and pushed one a few inches back into the wall. Del lay face down in the dark, breathing deeply. Tom slid the door to again and groped across the room to the hall door, expecting that it would be locked.

But it was not: he opened it a crack. The lights in the hall dimly glowed. Now he could hear the voices and the dogs more clearly. The men sounded as brutish as the animals. Tom opened the door wide and saw himself reflected in the big window opposite. The lights in the woods shone through his body. He stepped out into the hall. Downstairs, at the back of the house, a man shouted, 'Get that mutt over — god damn — shake that damn. . . ' It was not the voice of Coleman Collins.

A pool of light suddenly appeared on the flagstone terrace beneath his window, outlining a man's tall shadow. Tom stepped back from the window. A burly man in an army jacket stepped into view, hauling a large black dog on a chain. The dog turned to snarl at him and the man jumped forward and cuffed its mouth. 'Jesus! ' the man bawled. Protruding from one of the pockets of the green army jacket was the neck of a bottle. He dropped the chain, vanished back under the window for a moment, and reappeared with a shovel. He feinted at the dog with it, set it down, and vanished into the house again. When he came back he carried a set of long-handled tongs with metal-banded clamps at the end. This too clattered down onto the flagstones, and the man swaggered back toward the house, shouting something. He had a short bristly brown beard. One of the men from the train: Tom's heart nearly stopped, and his eyes jumped up to the illuminated woods.

Oh, no.

On a flat boulder directly under a light, so far away Tom could not see details of face or clothing, a slight figure in a long blue wrap and red cap set on blond hair was holding up a small glittering box. The little figure wonderingly turned the box over in its hands. Then the head turned and looked directly at him. He backed away in panic, and the boy's head looked aimlessly away, first to one side, then to the other. 'Del, ' Tom whispered. He looked back at the boy on the rock. 'Del! ' The boy was still turning the box over and over in his hands. Tom sidled over to Del's door and rapped his knuckles against it twice. 'Get out here, ' he said, only just not whispering. He knocked again — the noise downstairs was so loud they would not hear him if he took a hammer to the door. The blond boy set the box down on the slab and dreamily brushed his fingers along the rock. 'You have to see this, ' Tom said, speaking almost normally.

The door opened a crack. 'Go away. Go in your room. '

'Look, ' Tom said.

Now the boy held up an object that must have been a silver key.

'Oh, ' Del said, and opened his door all the way and came a step out into the hall. The men downstairs roared.

On his little stage of rock, the boy held the key to the box.

'He wanted us to see it, ' Tom whispered. In his pajamas, Del hugged himself beside him. One of the black dogs screeched again — had the bearded man struck it with the tongs? He did not want to get close enough to the window to find out.

The boy in the blue coat put the box to his ear and then held it out at arm's length. He must have used his thumbs to pop open the lid.

Evil black smoke gouted from the box. They were able to see the figure on the rock dropping it, then the smoke obliterated the entire scene in a coiling, billowing mass.

'Like our show, '_Tom murmured. 'When the smoke blows away, no boy. '

'That wasn't a boy, ' Del said, going back into his room.

'It was a girl? ' Tom asked.

'That was Rose Armstrong. Now go to bed. ' Del turned around and closed his door.

Tom glanced back at the light: the last vestiges of black smoke drifted over a deserted rock. The leaves around it shook. Down below the windows, the dogs continued their argument.

A man's loud voice rose: 'Get that fucking. . . '

Another answered: 'Goddamn soon. Okay with you? '

'Oh, everything's dandy with me. '

Coleman Collins, very clear: 'Are you finally ready? '

The downstairs door slammed open and shadows sprang across the flags, immediately followed by a crowd of men, most of them carrying shovels, two of them pulling the chained dogs. Coleman Collins came behind, now wearing a bright plaid shut, wash pants, and laced boots; a lumberjack. 'Give me that bottle, ' he ordered. The man in the army jacket pulled the bottle from his pocket. Collins tilted it over his mouth and handed it back. 'Okay. I'll be back after I. . . ' Check on my guests? Tom hurried back into his bedroom.

He jumped into bed, pulled the sheets over himself, and waited. I might even go to sleep, he told himself, and not have to do anything else. But his heart drummed, his nerves simmered. He heard the sounds of men moving randomly around on the flags, then the sound of boots coming up the stairs.

Tom stiffened. The boots came along the hall to Del's door and paused. Del's door opened. A second's silence; Del's door closed and the boots moved along to his own door. It opened, and light filtered into his room. 'Keep your head under your wing, ' Collins said softly: it sounded almost tender. The door closed, and the room was black again. Tom heard Collins moving back down the hall, down the stairs.

He waited only a second, then jumped out of bed and groped for his shirt and pants. His feet found his loafers. When he opened the door and went on his knees to the window, he saw the men and the dogs heading out across the flagstones to the woods. Some of the men held flaming torches. Behind them, Collins strode along, carrying a knobbly walking stick. As soon as they had left the flagstones, he trotted to the staircase and began to descend.

In the entry the candles still burned, now only inches from their holders. When he turned back toward the body of the house, he saw weak light spilling from the living room into the hall. He saw that he was passing a row of tall posters in frames — a series of theatrical bills behind glass, like time capsules. They loomed beside him, the glass reflecting a little of the dim light from the living room, a little more of Tom's own outline. In the silence, he felt observed.

Chairs in the living room had been shoved here and there, cigars still burned in ashtrays, glasses stood empty on the wooden tables beside the couches and on the coffee table.

The glass doors at the far side of the living room were open onto the flagstone patio. Across the clutter of the wide room, Tom saw the lights of the men's torches winding through the woods. He stepped onto soft thick carpet. Cigar smoke drifted through the air.

Would he keep his head under his wing? He dodged furniture, going toward the open glass doors, and caught beneath the cigar smoke the odors of trees, earth, and night. Head under your wing, Tom?

'Nuts to that, ' he whispered, and stepped through the open glass doors onto the flagstones.

The torches bobbed through the woods a hundred yards ahead, appearing and disappearing as the men who held them skirted trees. Tom could hear their loud voices melting into the snarling of the dogs, and sensed their anticipation without hearing their words. They were going off to the left side of the lake, along the curve of the hill where he and Del had seen Rose Armstrong.

He left the flags, wondering if they were looking for her. On his right a long rickety iron staircase cut straight down the hill to where the moon laid a silvery path across the lake. Tom descended as the men had, his heart stopping when the iron ladder shook and trembled, to a small beach. A building that must have been a boathouse hovered black against the dark water; a few feet from the shape of the boathouse, a white pier thrust out into the lake. No, that scene on the illuminated stage of rock had been public: whatever Mr. Peet and the others were doing now was not.

Still, he wondered what men like that would do if they caught a girl. Then he wondered what they would do if they caught him.

Fortunately, he could follow the torches and keep far enough behind so that they would never see him. He looked back as soon as he got into the woods and saw that the lights of the house gave him a clear beacon for his return.

Twice he walked straight into trees, scraping his forehead and nearly knocking himself down. The moon, sometimes so bright that he could see the blades of rough grass as silvery individual waves in a leaning, breathed — upon ocean, at times abruptly receded behind tall black trees and left him wandering in a black vastness punctuated only by the weaving torches up ahead.

Like Hansel, he kept looking back, seeing the house retreat into a dense, dreamy integument of branches and bushy leaves. Before long the house was less a beacon than a half-dozen scattered points of light chinking the forest.

This was nature of a kind he had met only in books — nature fighting for its own breath, crowded and tangled, populated with a hundred thrusting and bending shapes. Every step brought him near fingers and arms of wood reaching out for him; his loafers slipped on wet moss. The third tune he walked into a tree, the moon having temporarily departed, the tree did knock him down.

Then the lights of torches disappeared. Tom stood absolutely still, afraid to. turn around — if he lost his direction, he would be lost indeed. He thought: Insects. Since leaving the house, he had not heard one; just hours ago, at the station, their noises had crowded the darkness.

From over the rise where the men had disappeared with the dogs and torches, indistinguishable shouts erupted.

Very slowly he went forward, his hands out before his face. Something, an animal or bird, chattered at him from far up: he bent back his neck, and furry needles brushed his forehead. The thought that it was a spider sent him vaulting forward. His foot snagged a root immovable as an anvil, and Tom went sprawling face and elbows first into mushy loam.

He was conscious of a thudding heart, a muddy face, and a drenched shirt. He rubbed his hands over his face and crawled the rest of the way forward.

Finally the voices were very near. He was on his belly, inching up the little slope behind which the torches had vanished. A man said, 'Buster's ready. ' The dogs grumbled; some of the men laughed. Coleman Collins said in a sharp voice, 'Take care with that fire, Root. You want to be able to see. '

'Umz plug whuzza right place? ' asked someone in a thick voice — presumably Root, for Collins answered, 'I said it was, didn't I? Just watch your tinder. Be careful where you squirt that stuff! We want a blaze, not a conflagration. '

Crawling forward, so scared of being seen that his breath froze in his throat, Tom could now see the lights of the torches — or of Root's conflagration — reddening the trees before him.

'Herbie, you sure this is the set? ' asked Mr. Peet.

'Of course this is it, ' Collins said.

Herbie?

Tom crawled to the top of the rise and peeked around the trunk of a red maple set glowing by the fire.

Mr. Peet and Coleman Collins stood together beside a leaping fire tended by a thick-bodied man in a yellow T-shirt and baggy carpenter's pants — Root. His head was shaved nearly down to the skull. The others had jabbed their torches into the soft ground and were furiously digging. Dirt flew. 'There's your set right there, ' said Collins, pointing to a grassy mound on the other side of the fire. In his lumberjack shut, his face ruddied by the fire, the magician looked extravagantly healthy, muscular as Mr. Peet. 'Where'd you get the dogs this time, Thorn? ' he asked.

The man in the army jacket came from the other side of the mound, holding both black dogs by the chains around then — necks. 'Same old shit. Paid 'im fifty-five apiece — claims they're the strongest he had. Couldn't get no bulls. ' Thorn's face had been battered into a Halloween jack-o'-lantern. 'Bulls is best, for this. '

'Bulldogs or terriers, ' Collins said.

'Bulls is best, ' Thorn repeated.

'Thorn, you're an idiot. Give me that bottle again. ' Thorn sulkily fetched the whiskey from his pocket. Collins drank and passed the bottle to Mr. Peet. 'Those two will work out fine. I'm pleased. Now, give the chains to Root and help with the pit. '

'Yeah, ' Thorn said. He swaggered away to do as he was told.

'Hey, let's send the little one in, ' Root called.

'Jesus Christ, ' one of the men shoveling dirt said. 'Why not give us a break, huh? Or come over here and shovel for yourself, shithead. '

'Now, . . . ' Mr. Peet said warningly but too late.

Root had wrapped the chains around a tree and was charging the man who held a shovel. The others stopped digging and watched the man plant his feet and swipe at Root with the flat of the shovel. Hit in the side, Root went down. 'Shithead, ' the man said.

'Okay, Pease, ' Mr. Peet said calmly. 'Root, just hold the dogs. It's too early to try them out. Keep that fire stoked up. '

'Fucking animal asshole, ' muttered the one called Pease, taking up his shovel and digging so hard that dirt flew nearly all the way to Root.

Half an hour later, the four men digging had opened up a pit almost five feet deep and four feet long. Root sullenly jerked at the dogs' chains whenever he inexpertly tossed more wood on the fire. Tom watched all this, now and then nearly dozing, mystified. What was it the dogs were to be tried out on? What was the long trench for? It looked uncomfortably like a grave.

Finally the magician said, 'Let's get them stirred up. Seed, you and Rock go to work on the set for a while. '

'Yeah, ' said one of the diggers, a fat bearded man who resembled a depraved Burl Ives. He grinned, showing a hockey player's gap where his front teeth should have been.

Seed sprang up out of the trench, followed by another man. They carried their shovels to the mound and immediately began pitching earth from it.

'Faster, faster, ' ordered Mr. Peet. 'We want them to know you're there. '

'Shit, they hear us okay, ' said Seed, displaying the gap in his teeth.

'You know how many there are, Herbie? ' asked Rock.

'One is enough, ' Collins answered. 'Look, let's get that other man out of the pit. Snail, you go over to the other side. '

Snail, Seed, Rock, Pease, Thorn, Root: were those names?

The one called Snail crawled from the pit, went to the mound, hefted his shovel and slammed the flat of the blade down onto the earth. 'Shake 'em up good, ' he said, and began to pitch dirt as earnestly as Seed and Rock.

They resembled three monstrous dwarfs, these heavy-set men. Snail and Rock had vast tattooed biceps; and when Snail pulled off his shirt, Tom saw that tattoos blanketed his chest: a white skull with black eyeholes housed the tail of a glittering, scaly dragon with eagle's wings.

'Mr. Snail, move those wings for me, ' ordered Cole Collins, and the tattooed man laughed and dug more ferociously.

'A goddamned hole, ' Snail shouted. 'Here's one of the goddamned holes. '

Thorn jumped out of the pit, bellowing like a lunatic, and charged toward Snail; instead of attacking him, as Tom feared, jolted fully awake by the man's din, Thorn jabbed his shovel in the earth next to Snail and began to peel back the earth over the entrance to the burrow.

'Get that little one in there, Root, ' said Mr. Peet.

'Wish we had a bull, ' Thorn said from his jack-o'-lantern face. Root pulled the smaller dog up, untied its chain, and pointed it to the uncovered hole. 'Get in there, mutt, ' Root said, but the dog needed no command: it streaked into the hole.

'Now, get the other one ready, ' said Mr. Peet. 'I'll bet anybody twenty it comes out in under a minute. ' He looked at his watch, and Thorn said, 'Twenty. '

Snail's tattoos widened and trembled in the firelight. The effect was so distracting that it was a moment before Tom realized that he was laughing. 'Ground-pounder. '

'A minute, ' Thorn said, shrugging his shoulders.

Yelps, growls, barks came from the hole. Then the sound of screaming that Tom had heard in the bedroom.

'Watch your tail, boy, ' said Mr. Peet, and a second later the dog came boiling out of the hole. Bright red lines bisected its head.

'Twenty from Thorn, ' said Mr. Peet. 'Send in the other one, ' and Root positioned the second quivering dog. Pease and Seed, the fat one like Burl Ives, began scrabbling with their shovels on the top of the mound.

For hours it seemed — Tom lay at the base of the red maple, dozing off and waking to some new horror — the dogs nipped into the tunnels Pease and Seed uncovered in the 'set, ' emerged whining and bleeding, were sent back in. Money flowed among the eight men, most of it going to Root, Mr. Peet, and Collins. During one of his spells of wakefulness Tom saw Collins grab a shovel from tattooed Snail and attack the 'set' as fiercely as any of the younger men. He realized that Collins was not limping, and was so tired he thought only that in front of these men he would not limp either. 'Paydirt! Paydirt! ' the one called Rock kept screaming.

There was another thing, Tom told himself, something else you would not think to notice unless you looked at these men for a long time: they were all very white. Their skin looked compressed, like cheap unhealthy meat, smudgy; they were strong, but they were indoor men.

Indoors, late-night men toiling outside, the ferocity of their labor and their shouts, the guttering torches and the leaping fire, the yells and the exchanges of bills and the bloody dogs — this phantasmagoric scene unrolling before Tom sometimes seemed so unreal he thought he was back in his bed in the windowless room. . . then he was truly asleep, and dreamed that Del was lying on the little hill beside him, explaining things. 'Mr. Snail is the treasurer of a big corporation in Boston, Mr. Seed and Mr. Thorn are both lawyers, Mr. Pease and Mr. Root are major stockholders in U. S. Steel and race in the America's Cup every year — Mr. Peet is the United States Secretary of Commerce. '

'Get those tongs ready! ' someone was shouting. 'Get hold of those goddamned tongs! '

Tom groaned and rolled over, brushing the bottom branches of the maple with his elbow; then he remembered where he was, and compressed himself down as small as he could and went back on his belly. His neck hurt, his knees ached, his head sparkled with pain; but as he looked down at the men, the dream stuck to him, and so he saw the Secretary of Commerce gripping the handles of the metal tongs, swearing at the corporation treasurer to back away. One of the major stockholders in U. S. Steel held a dog at the ready over the pit. A pumpkin-faced lawyer in an army jacket was yelling 'Gid 'im! Gid 'im! ' Another lawyer waved a fistful of folded bills: deep in the mound, the second dog wailed like a soul tormented in hell.

'Soon, ' said the Secretary, and the Boston treasurer crouched over, grinning tensely like an ape.

Then two shocking things happened, so close together they were nearly simultaneous. Spouting blood, a tortured dog windmilled out of the mound; a lawyer whose body was covered with a glittering, moving dragon tattoo took one look at it and raised his shovel over his head. Tom saw one front leg hanging by a bloody thread, ribs opened up to shine like painted matchsticks, and then the lawyer brought down the shovel and crushed the dog's head. The lawyer kicked the dog's body into the trees.

The second shocking thing, like the first, was a succession of images so brightly colored they might have been a series of slides. A furry, stubby head wet with blood poked into visibility for a second; the Secretary of Commerce jabbed with the metal tongs, and all the financiers howled gleefully; the Secretary jerked his arms powerfully upward like a man making a home run in another language, and the metal bands of the tongs clasped the belly of a squalling, crazed, bleeding badger and carried it in a wide arc through the firelit air. The Secretary pivoted, whirling the heavy body in the tongs, and dropped the animal into the pit. The U. S. Steel stockholder loosed the foaming dog and it too went headfirst into the pit. Instantly the financiers began shouting out bets.

The bets, Tom suddenly knew, were on how long the badger would live.

The shouting men closed around the pit, passing money back and forth, and Tom could not see what was happening inside it. But he could imagine it, which was worse. At times, when a spray of blood flew up, one or another of the financiers backed away, cursing, and Tom saw rolling hair. The dragon bled on its iridescent scales; a florid rose bled on a bicep; miraculous blood appeared on a yellow T-shirt, dazzling and unexpected as stigmata.

After twenty minutes one man raised his arms and crowed. Money came to him in loud waves. Then there was only the sound of breathing, the ragged breathing of hardworked men and the punctured, frothy breathing of a badly wounded dog. The Secretary of Commerce took a pistol from his pocket and fired it once into the pit.

Tom shuddered back, rustling along the ground like a leaf. 'All right. You've had your blood, ' said Coleman Collins; but it was too late, because the magician was looking up the hill right into his eyes, and saying, 'There's another one for the pit. Go to sleep, boy. '

A thick, slobbering man spun around and ran toward him; and Tom passed out.

Go to sleep, boy. Tom found himself back on the train going north from Boston. Coleman Collins, not Del, sat beside him, saying, 'Of course, this isn't your train. This is Level One. '

'Trance, ' Tom said. 'Voice. '

'That's right. Wonderful memory. While we're here, I want to thank you for all you've done for Del. He's needed someone like you for a long time. '

A wave of sick feeling, disguised as friendliness, flowed from the magician, and Tom knew he was in deeper trouble than any the troll-like men could have caused him.

'Would you like to see Ventriloquism? That's fun. I always enjoy Ventriloquism. ' He smiled down at the boy as they swayed along in the crowded train. 'This is all very elementary, of course. I hope you'll stay long enough for me to show you some of the more difficult things. It's all within your power, I assure you. ' 'We'll be with you all summer. ' 'Two and a half months is not long enough, little bird. Not nearly. Now. Where should that voice come from? Up there, I fancy. ' He lifted his distinguished face and nodded at a grille set in the car's ceiling.

Instantly a hysterical voice crackled out: 'EMERGENCY! EMERGENCY! BRACE YOURSELVES AGAINST THE SEAT IN FRONT OF YOU! BRACE YOURSELVES. . . '

The magician was gone. A fat woman in the aisle beside Tom's seat shrieked; she had been holding a paper carton containing several cups of coffee. As she shrieked, the coffee sailed upward, spinning into the air.

Now many were shrieking. Tom folded his head down between his knees and felt hot coffee spattering his back. The jolt knocked him off the seat entirely, and the noise of the wreck was a nail driven into his eardrums. He could see the woman staggering backward down the aisle, her face caught in an expression between terror and dismay. The railroad car lifted its nose into the air and began to tilt sideways. 'They broke my leg! ' a man yelled. 'Jeeesus! ' His yell was the last thing Tom heard before the sound of an explosion going off loud as a bomb a short distance down the track. 'Light, ' came the voice of the magician. A shattering burst of whiteness, caused by another explosion, flashed through the car. Inches from Tom's head, a Dixie cup shot up into flame. Tom batted it away, but could not see where it went. 'Jeesus! ' screeched the man with the broken leg. The uptilted car swayed far over to the right and began to topple.

All about Tom, who was now lying faceup in the aisle, the burns on his back singing like an open wound, people groaned and screamed: the car sounded like a burning zoo.

He gripped one of the seat supports and thought: I'm going to die here. Didn't a lot of people die?

When the car struck the ground, the screams intensified, became almost exalted.

Tom opened his eyes. He was lying in the hollow where Pease and Thorn and the others had labored over their badger-baiting. Coleman Collins, looking ruddy and healthy and ten years younger in his outdoorsy clothes, took a pull off a bottle and winked at him from where he sat beside the shredded mound.

'That wasn't just magic, ' Tom said.

'What is 'just magic'? ' The magician smiled at him. 'I'm sure there is no such thing. But you went to sleep. I imagine that you were dreaming. ' He lifted a knee and extended an arm along it. He looked like a scoutmaster having a chat around the fire with a favored boy.

'I was up there — ' Tom pointed. 'You said, 'All right. You've had your blood. ' Then you saw me. And you said, 'There's another one to throw in the pit. Go to sleep, boy. ''

'Now I know you are tired, ' Collins said, leaning against what was left of the mound. 'You have had a very long day. I promise you, I never said any of those things. '