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THE LIGHTHOUSE 2 страница



" Like a work of art, " she repeated, looking from her canvas to the drawing-room steps and back again. She must rest for a moment. And, resting, looking from one to the other vaguely, the old question which traversed the sky of the soul perpetually, the vast, the general question which was apt to particularise itself at such moments as these, when she released faculties that had been on the strain, stood over her, paused over her, darkened over her. What is the meaning of life? That was all-a simple question; one that tended to close in on one with years. The great revelation had never come. The great revelation perhaps never did come. Instead there struck unexpectedly in the dark; here was one. This, that, and the other; herself and Charles Tansley and the breaking wave; Mrs Ramsay bringing them together; Mrs Ramsay saying, " Life stand still here"; Mrs Ramsay making of the moment something permanent (as in another sphere Lily herself tried to make of the moment something permanent)-this was of the nature of a revelation. In the midst of chaos there was shape; this eternal passing and flowing (she looked at the clouds going and the leaves shaking) was struck into stability. Life stand still here, Mrs Ramsay said. " Mrs Ramsay! Mrs Ramsay! " she repeated. She owed it all to her.

All was silence. Nobody seemed yet to be stirring in the house. She looked at it there sleeping in the early sunlight with its windows green and blue with the reflected leaves. The faint thought she was thinking of Mrs Ramsay seemed in consonance with this quiet house; this smoke; this fine early morning air. Faint and unreal, it was amazingly pure and exciting. She hoped nobody would open the window or come out of the house, but that she might be left alone to go on thinking, to go on painting. She turned to her canvas. But impelled by some curiosity, driven by the discomfort of the sympathy which she held undischarged, she walked a pace or so to the end of the lawn to see whether, down there on the beach, she could see that little company setting sail. Down there among the little boats which floated, some with their sails furled, some slowly, for it was very calm moving away, there was one rather apart from the others. The sail was even now being hoisted. She decided that there in that very distant and entirely silent little boat Mr Ramsay was sitting with Cam and James. Now they had got the sail up; now after a little flagging and silence, she watched the boat take its way with deliberation past the other boats out to sea.

 

 

The sails flapped over their heads. The water chuckled and slapped the sides of the boat, which drowsed motionless in the sun. Now and then the sails rippled with a little breeze in them, but the ripple ran over them and ceased. The boat made no motion at all. Mr Ramsay sat in the middle of the boat. He would be impatient in a moment, James thought, and Cam thought, looking at her father, who sat in the middle of the boat between them (James steered; Cam sat alone in the bow) with his legs tightly curled. He hated hanging about. Sure enough, after fidgeting a second or two, he said something sharp to Macalister's boy, who got out his oars and began to row. But their father, they knew, would never be content until they were flying along. He would keep looking for a breeze, fidgeting, saying things under his breath, which Macalister and and Macalister's boy would overhear, and they would both be made horribly uncomfortable. He had made them come. He had forced them to come. In their anger they hoped that the breeze would never rise, that he might be thwarted in every possible way, since he had forced them to come against their wills.

All the way down to the beach they had lagged behind together, though he bade them " Walk up, walk up, " without speaking. Their heads were bent down, their heads were pressed down by some remorseless gale. Speak to him they could not. They must come; they must follow. They must walk behind him carrying brown paper parcels. But they vowed, in silence, as they walked, to stand by each other and carry out the great compact-to resist tyranny to the death. So there they would sit, one at one end of the boat, one at the other, in silence. They would say nothing, only look at him now and then where he sat with his legs twisted, frowning and fidgeting, and pishing and pshawing and muttering things to himself, and waiting impatiently for a breeze. And they hoped it would be calm. They hoped he would be thwarted. They hoped the whole expedition would fail, and they would have to put back, with their parcels, to the beach.

But now, when Macalister's boy had rowed a little way out, the sails slowly swung round, the boat quickened itself, flattened itself, and shot off. Instantly, as if some great strain had been relieved, Mr Ramsay uncurled his legs, took out his tobacco pouch, handed it with a little grunt to Macalister, and felt, they knew, for all they suffered, perfectly content. Now they would sail on for hours like this, and Mr Ramsay would ask old Macalister a question-about the great storm last winter probably-and old Macalister would answer it, and they would puff their pipes together, and Macalister would take a tarry rope in his fingers, tying or untying some knot, and the boy would fish, and never say a word to any one. James would be forced to keep his eye all the time on the sail. For if he forgot, then the sail puckered and shivered, and the boat slackened, and Mr Ramsay would say sharply, " Look out! Look out! " and old Macalister would turn slowly on his seat. So they heard Mr Ramsay asking some question about the great storm at Christmas. " She comes driving round the point, " old Macalister said, describing the great storm last Christmas, when ten ships had been driven into the bay for shelter, and he had seen " one there, one there, one there" (he pointed slowly round the bay. Mr Ramsay followed him, turning his head). He had seen four men clinging to the mast. Then she was gone. " And at last we shoved her off, " he went on (but in their anger and their silence they only caught a word here and there, compact to fight tyranny to the death). At last they had shoved her off, they had launched the lifeboat, and they had got her out past the point-Macalister told the story; and though they only caught a word here and there, they were conscious all the time of their father-how he leant forward, how he brought his voice into tune with Macalister's voice; how, puffing at his pipe, and looking there and there where Macalister pointed, he relished the thought of the storm and the dark night and the fishermen striving there. He liked that men should labour and sweat on the windy beach at night; pitting muscle and brain against the waves and the wind; he liked men to work like that, and women to keep house, and sit beside sleeping children indoors, while men were drowned, out there in a storm. So James could tell, so Cam could tell (they looked at him, they looked at each other), from his toss and his vigilance and the ring in his voice, and the little tinge of Scottish accent which came into his voice, making him seem like a peasant himself, as he questioned Macalister about the eleven ships that had been driven into the bay in a storm. Three had sunk.

He looked proudly where Macalister pointed; and Cam thought, feeling proud of him without knowing quite why, had he been there he would have launched the lifeboat, he would have reached the wreck, Cam thought. He was so brave, he was so adventurous, Cam thought. But she remembered. There was the conpact; to resist tyranny to the death. Their grievance weighed them down. They had been forced; they had been bidden. He had borne them down once more with his gloom and his authority, making them do his bidding, on this fine morning, come, because he wished it, carrying these parcels, to the Lighthouse; take part in these rites he went through for his own pleasure in memory of after him, all the pleasure of the day was spoilt.

Yes, the breeze was freshening. The boat was leaning, the water was sliced sharply and fell away in green cascades, in bubbles, in cataracts. Cam looked down into the foam, into the sea with all its treasure in it, and its speed hypnotised her, and the tie between her and James sagged a little. It slackened a little. She began to think, How fast it goes. Where are we going? and the movement hypnotised her, while James, with his eye fixed on the sail and on the horizon, steered grimly. But he began to think as he steered that he might escape; he might be quit of it all. They might land somewhere; and be free then. Both of them, looking at each other for a moment, had a sense of escape and exaltation, what with the speed and the change. But the breeze bred in Mr Ramsay too the same excitement, and, as old Macalister turned to fling his line overboard, he cried out aloud, " We perished, " and then again, " each alone. " And then with his usual spasm of repentance or shyness, pulled himself up, and waved his hand towards the shore.

" See the little house, " he said pointing, wishing Cam to look. She raised herself reluctantly and looked. But which was it? She could no longer make out, there on the hillside, which was their house. All looked distant and peaceful and strange. The shore seemed refined, far away, unreal. Already the little distance they had sailed had put them far from it and given it the changed look, the composed look, of something receding in which one has no longer any part. Which was their house? She could not see it.

" But I beneath a rougher sea, " Mr Ramsay murmured. He had found the house and so seeing it, he had also seen himself there; he had seen himself walking on the terrace, alone. He was walking up and down between the urns; and he seemed to himself very old and bowed. Sitting in the boat, he bowed, he crouched himself, acting instantly his part-the part of a desolate man, widowed, bereft; and so called up before him in hosts people sympathising with him; staged for himself as he sat in the boat, a little drama; which required of him decrepitude and exhaustion and sorrow (he raised his hands and looked at the thinness of them, to confirm his dream) and then there was given him in abundance women's sympathy, and he imagined how they would soothe him and sympathise with him, and so getting in his dream some reflection of the exquisite pleasure women's sympathy was to him, he sighed and said gently and mournfully, But I beneath a rougher sea Was whelmed in deeper gulfs than he, so that the mournful words were heard quite clearly by them all. Cam half started on her seat. It shocked her-it outraged her. The movement roused her father; and he shuddered, and broke off, exclaiming: " Look! Look! " so urgently that James also turned his head to look over his shoulder at the island. They all looked. They looked at the island.

But Cam could see nothing. She was thinking how all those paths and the lawn, thick and knotted with the lives they had lived there, were gone: were rubbed out; were past; were unreal, and now this was real; the boat and the sail with its patch; Macalister with his earrings; the noise of the waves-all this was real. Thinking this, she was murmuring to herself, " We perished, each alone, " for her father's words broke and broke again in her mind, when her father, seeing her gazing so vaguely, began to tease her. Didn't she know the points of the compass? he asked. Didn't she know the North from the South? Did she really think they lived right out there? And he pointed again, and showed her where their house was, there, by those trees. He wished she would try to be more accurate, he said: " Tell me-which is East, which is West? " he said, half laughing at her, half scolding her, for he could not understand the state of mind of any one, not absolutely imbecile, who did not know the points of the compass. Yet she did not know. And seeing her gazing, with her vague, now rather frightened, eyes fixed where no house was Mr Ramsay forgot his dream; how he walked up and down between the urns on the terrace; how the arms were stretched out to him. He thought, women are always like that; the vagueness of their minds is hopeless; it was a thing he had never been able to understand; but so it was. It had been so with her-his wife. They could not keep anything clearly fixed in their minds. But he had been wrong to be angry with her; moreover, did he not rather like this vagueness in women? It was part of their extraordinary charm. I will make her smile at me, he thought. She looks frightened. She was so silent. He clutched his fingers, and determined that his voice and his face and all the quick expressive gestures which had been at his command making people pity him and praise him all these years should subdue themselves. He would make her smile at him. He would find some simple easy thing to say to her. But what? For, wrapped up in his work as he was, he forgot the sort of thing one said. There was a puppy. They had a puppy. Who was looking after the puppy today? he asked. Yes, thought James pitilessly, seeing his sister's head against the sail, now she will give way. I shall be left to fight the tyrant alone. The compact would be left to him to carry out. Cam would never resist tyranny to the death, he thought grimly, watching her face, sad, sulky, yielding. And as sometimes happens when a cloud falls on a green hillside and hills is gloom and sorrow, and it seems as if the hills themselves must ponder the fate of the clouded, the darkened, either in pity, or maliciously rejoicing in her dismay: so Cam now felt herself overcast, as she sat there among calm, resolute people and wondered how to answer her father about the puppy; how to resist his entreaty-forgive me, care for me; while James the lawgiver, with the tablets of eternal wisdom laid open on his knee (his hand on the tiller had become symbolical to her), said, Resist him. Fight him. He said so rightly; justly. For they must fight tyranny to the death, she thought. Of all human qualities she reverenced justice most. Her brother was most god-like, her father most suppliant. And to which did she yield, she thought, sitting between them, gazing at the shore whose points were all unknown to her, and thinking how the lawn and the terrace and the house were smoothed away now and peace dwelt there.

" Jasper, " she said sullenly. He'd look after the puppy.

And what was she going to call him? her father persisted. He had had a dog when he was a little boy, called Frisk. She'll give way, James thought, as he watched a look come upon her face, a look he remembered. They look down he thought, at their knitting or something. Then suddenly they look up. There was a flash of blue, he remembered, and then somebody sitting with him laughed, surrendered, and he was very angry. It must have been his mother, he thought, sitting on a low chair, with his father standing over her. He began to search among the infinite series of impressions which time had laid down, leaf upon leaf, fold upon fold softly, incessantly upon his brain; among scents, sounds; voices, harsh, hollow, sweet; and lights passing, and brooms tapping; and the wash and hush of the sea, how a man had marched up and down and stopped dead, upright, over them. Meanwhile, he noticed, Cam dabbled her fingers in the water, and stared at the shore and said nothing. No, she won't give way, he thought; she's different, he thought. Well, if Cam would not answer him, he would not bother her Mr Ramsay decided, feeling in his pocket for a book. But she would answer him; she wished, passionately, to move some obstacle that lay upon her tongue and to say, Oh, yes, Frisk. I'll call him Frisk. She wanted even to say, Was that the dog that found its way over the moor alone? But try as she might, she could think of nothing to say like that, fierce and loyal to the compact, yet passing on to her father, unsuspected by James, a private token of the love she felt for him. For she thought, dabbling her hand (and now Macalister's boy had caught a mackerel, and it lay kicking on the floor, with blood on its gills) for she thought, looking at James who kept his eyes dispassionately on the sail, or glanced now and then for a second at the horizon, you're not exposed to it, to this pressure and division of feeling, this extraordinary temptation. Her father was feeling in his pockets; in another second, he would have found his book. For no one attracted her more; his hands were beautiful, and his feet, and his voice, and his words, and his haste, and his temper, and his oddity, and his passion, and his saying straight out before every one, we perish, each alone, and his remoteness. (He had opened his book. ) But what remained intolerable, she thought, sitting upright, and watching Macalister's boy tug the hook out of the gills of another fish, was that crass blindness and tyranny of his which had poisoned her childhood and raised bitter storms, so that even now she woke in the night trembling with rage and remembered some command of his; some insolence: " Do this, "

" Do that, " his dominance: his " Submit to me. "

So she said nothing, but looked doggedly and sadly at the shore, wrapped in its mantle of peace; as if the people there had fallen asleep, she thought; were free like smoke, were free to come and go like ghosts. They have no suffering there, she thought.

 

 

Yes, that is their boat, Lily Briscoe decided, standing on the edge of the lawn. It was the boat with greyish-brown sails, which she saw now flatten itself upon the water and shoot off across the bay. There he sits, she thought, and the children are quite silent still. And she could not reach him either. The sympathy she had not given him weighed her down. It made it difficult for her to paint.

She had always found him difficult. She never had been able to praise him to his face, she remembered. And that reduced their relationship to something neutral, without that element of sex in it which made his manner to Minta so gallant, almost gay. He would pick a flower for her, lend her his books. But could he believe that Minta read them? She dragged them about the garden, sticking in leaves to mark the place.

" D'you remember, Mr Carmichael? " she was inclined to ask, looking at the old man. But he had pulled his hat half over his forehead; he was asleep, or he was dreaming, or he was lying there catching words, she supposed.

" D'you remember? " she felt inclined to ask him as she passed him, thinking again of Mrs Ramsay on the beach; the cask bobbing up and down; and the pages flying. Why, after all these years had that survived, ringed round, lit up, visible to the last detail, with all before it blank and all after it blank, for miles and miles?

" Is it a boat? Is it a cork? " she would say, Lily repeated, turning back, reluctantly again, to her canvas. Heaven be praised for it, the problem of space remained, she thought, taking up her brush again. It glared at her. The whole mass of the picture was poised upon that weight. Beautiful and bright it should be on the surface, feathery and evanescent, one colour melting into another like the colours on a butterfly's wing; but beneath the fabric must be clamped together with bolts of iron. It was to be a thing you could ruffle with your breath; and a thing you could not dislodge with a team of horses. And she began to lay on a red, a grey, and she began to model her way into the hollow there. At the same time, she seemed to be sitting beside Mrs Ramsay on the beach.

" Is it a boat? Is it a cask? " Mrs Ramsay said. And she began hunting round for her spectacles. And she sat, having found them, silent, looking out to sea. And Lily, painting steadily, felt as if a door had opened, and one went in and stood gazing silently about in a high cathedral-like place, very dark, very solemn. Shouts came from a world far away. Steamers vanished in stalks of smoke on the horizon. Charles threw stones and sent them skipping.

Mrs Ramsay sat silent. She was glad, Lily thought, to rest in silence, uncommunicative; to rest in the extreme obscurity of human relationships. Who knows what we are, what we feel? Who knows even at the moment of intimacy, This is knowledge? Aren't things spoilt then, Mrs Ramsay may have asked (it seemed to have happened so often, this silence by her side) by saying them? Aren't we more expressive thus? The moment at least seemed extraordinarily fertile. She rammed a little hole in the sand and covered it up, by way of burying in it the perfection of the moment. It was like a drop of silver in which one dipped and illumined the darkness of the past.

Lily stepped back to get her canvas-so-into perspective. It was an odd road to be walking, this further, until at last one seemed to be on a narrow plank, perfectly alone, over the sea. And as she dipped into the blue paint, she dipped too into the past there. Now Mrs Ramsay got up, she remembered. It was time to go back to the house-time for luncheon. And they all walked up from the beach together, she walking behind with William Bankes, and there was Minta in front of them with a hole in her stocking. How that little round hole of pink heel seemed to flaunt itself before them! How William Bankes deplored it, without, so far as she could remember, saying anything about it! It meant to him the annihilation of womanhood, and dirt and disorder, and servants leaving and beds not made at mid-day-all the things he most abhorred. He had a way of shuddering and spreading his fingers out as if to cover an unsightly object which he did now-holding his hand in front of him. And Minta walked on ahead, and presumably Paul met her and she went off with Paul in the garden.

The Rayleys, thought Lily Briscoe, squeezing her tube of green paint. She collected her impressions of the Rayleys. Their lives appeared to her in a series of scenes; one, on the staircase at dawn. Paul had come in and gone to bed early; Minta was late. There was Minta, wreathed, tinted, garish on the stairs about three o'clock in the morning. Paul came out in his pyjamas carrying a poker in case of burglars. Minta was eating a sandwich, standing half-way up by a window, in the cadaverous early morning light, and the carpet had a hole in it. But what did they say? Lily asked herself, as if by looking she could hear them. Minta went on eating her sandwich, annoyingly, while he spoke something violent, abusing her, in a mutter so as not to wake the children, the two little boys. He was withered, drawn; she flamboyant, careless. For things had worked loose after the first year or so; the marriage had turned out rather badly.

And this, Lily thought, taking the green paint on her brush, this making up scenes about them, is what we call " knowing" people, " thinking" of them, " being fond" of them! Not a word of it was true; she had made it up; but it was what she knew them by all the same. She went on tunnelling her way into her picture, into the past.

Another time, Paul said he " played chess in coffee-houses. " She had built up a whole structure of imagination on that saying too. She remembered how, as he said it, she thought how he rang up the servant, and she said, " Mrs Rayley's out, sir, " and he decided that he would not come home either. She saw him sitting in the corner of some lugubrious place where the smoke attached itself to the red plush seats, and the waitresses got to know you, and he played chess with a little man who was in the tea trade and lived at Surbiton, but that was all Paul knew about him. And then Minta was out when he came home and then there was that scene on the stairs, when he got the poker in case of burglars (no doubt to frighten her too) and spoke so bitterly, saying she had ruined his life. At any rate when she went down to see them at a cottage near Rickmansworth, things were horribly strained. Paul took her down the garden to look at the Belgian hares which he bred, and Minta followed them, singing, and put her bare arm on his shoulder, lest he should tell her anything.

Minta was bored by hares, Lily thought. But Minta never gave herself away. She never said things like that about playing chess in coffee-houses. She was far too conscious, far too wary. But to go on with their story-they had got through the dangerous stage by now. She had been staying with them last summer some time and the car broke down and Minta had to hand him his tools. He sat on the road mending the car, and it was the way she gave him the tools-business-like, straightforward, friendly-that proved it was all right now. They were " in love" no longer; no, he had taken up with another woman, a serious woman, with her hair in a plait and a case in her hand (Minta had described her gratefully, almost admiringly), who went to meetings and shared Paul's views (they had got more and more pronounced) about the taxation of land values and a capital levy. Far from breaking up the marriage, that alliance had righted it. They were excellent friends, obviously, as he sat on the road and she handed him his tools.

So that was the story of the Rayleys, Lily thought. She imagined herself telling it to Mrs Ramsay, who would be full of curiosity to know what had become of the Rayleys. She would feel a little triumphant, telling Mrs Ramsay that the marriage had not been a success.

But the dead, thought Lily, encountering some obstacle in her design which made her pause and ponder, stepping back a foot or so, oh, the dead! she murmured, one pitied them, one brushed them aside, one had even a little contempt for them. They are at our mercy. Mrs Ramsay has faded and gone, she thought. We can over-ride her wishes, improve away her limited, old-fashioned ideas. She recedes further and further from us. Mockingly she seemed to see her there at the end of the corridor of years saying, of all incongruous things, " Marry, marry! " (sitting very upright early in the morning with the birds beginning to cheep in the garden outside). And one would have to say to her, It has all gone against your wishes. They're happy like that; I'm happy like this. Life has changed completely. At that all her being, even her beauty, became for a moment, dusty and out of date. For a moment Lily, standing there, with the sun hot on her back, summing up the Rayleys, triumphed over Mrs Ramsay, who would never know how Paul went to coffee-houses and had a mistress; how he sat on the ground and Minta handed him his tools; how she stood here painting, had never married, not even William Bankes.

Mrs Ramsay had planned it. Perhaps, had she lived, she would have compelled it. Already that summer he was " the kindest of men. " He was " the first scientist of his age, my husband says. " He was also " poor William-it makes me so unhappy, when I go to see him, to find nothing nice in his house-no one to arrange the flowers. " So they were sent for walks together, and she was told, with that faint touch of irony that made Mrs Ramsay slip through one's fingers, that she had a scientific mind; she liked flowers; she was so exact. What was this mania of hers for marriage? Lily wondered, stepping to and fro from her easel.

(Suddenly, as suddenly as a star slides in the sky, a reddish light seemed to burn in her mind, covering Paul Rayley, issuing from him. It rose like a fire sent up in token of some celebration by savages on a distant beach. She heard the roar and the crackle. The whole sea for miles round ran red and gold. Some winey smell mixed with it and intoxicated her, for she felt again her own headlong desire to throw herself off the cliff and be drowned looking for a pearl brooch on a beach. And the roar and the crackle repelled her with fear and disgust, as if while she saw its splendour and power she saw too how it fed on the treasure of the house, greedily, disgustingly, and she loathed it. But for a sight, for a glory it surpassed everything in her experience, and burnt year after year like a signal fire on a desert island at the edge of the sea, and one had only to say " in love" and instantly, as happened now, up rose Paul's fire again. And it sank and she said to herself, laughing, " The Rayleys"; how Paul went to coffee-houses and played chess. )

She had only escaped by the skin of her teeth though, she thought. She had been looking at the table-cloth, and it had flashed upon her that she would move the tree to the middle, and need never marry anybody, and she had felt an enormous exultation. She had felt, now she could stand up to Mrs Ramsay-a tribute to the astonishing power that Mrs Ramsay had over one. Do this, she said, and one did it. Even her shadow at the window with James was full of authority. She remembered how William Bankes had been shocked by her neglect of the significance of mother and son. Did she not admire their beauty? he said. But William, she remembered, had listened to her with his wise child's eyes when she explained how it was not irreverence: how a light there needed a shadow there and so on. She did not intend to disparage a subject which, they agreed, Raphael had treated divinely. She was not cynical. Quite the contrary. Thanks to his scientific mind he understood-a proof of disinterested intelligence which had pleased her and comforted her enormously. One could talk of painting then seriously to a man. Indeed, his friendship had been one of the pleasures of her life. She loved William Bankes.



  

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