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—You don’t have to tell me, she said. I know all about it.

—That’s right, said Billy. Sally knows all about it.

Emmett put the car in gear.

 

• • •

As they entered the Lincoln Tunnel, Billy explained to Sally’s apparent dismay that they were going under the Hudson River—a river so deep that he had seen a flotilla of battleships sailing up it just a few nights before. Then for her benefit, he launched into a description of the elevated and Stew and the campfires, leaving Emmett to his own thoughts.

Now that they were in motion, what Emmett had imagined he would be thinking about, what he had looked forward to thinking about, was the road ahead. When the Gonzalez brothers had said that they put some extra horsepower under the hood, they weren’t kidding. Emmett could feel it—and hear it—every time he put his foot to the accelerator. So if the highway between Philadelphia and Nebraska was reasonably empty, he figured they could average fifty miles an hour, maybe sixty. They could drop Sally in Morgen late the following afternoon, and be on their way, finally heading west, with the landscapes of Wyoming and Utah and Nevada stretching out before them. And at their terminus, the state of California with a population on its way to sixteen million.

But as they emerged from the Lincoln Tunnel, having put the city of New York behind them, what Emmett found himself thinking about rather than the road ahead was what Townhouse had said earlier that morning: that he should gain some distance from Duchess.

It was a sound piece of advice and one consistent with Emmett’s own instincts. The only problem was that as long as the assault on Ackerly was an open matter, the police would be looking for Duchess and for him. And that was assuming that Ackerly recovered. Should Ackerly die without regaining consciousness, the authorities wouldn’t rest until they had one of the two of them in custody.

Glancing to his right, Emmett saw that Billy had gone back to looking at his map while Sally was watching the road.

—Sally. . .

—Yes, Emmett?

—Why did Sheriff Petersen come to see you?

Billy looked up from his map.

—The sheriff came to see you, Sally?

—It was nothing, she assured the two of them. I would feel silly even discussing it.

—Two days ago, it struck you as important enough to drive halfway across the country, pointed out Emmett.

—That was two days ago.

—Sally.

—All right, all right. It was something to do with that bit of trouble you had with Jake Snyder.

—You mean when Jake hit him in town? asked Billy.

—He and I were just working something out, said Emmett.

—So I gather, said Sally. Anyhow. It seems that when you and Jake were working your somethings out, there was another fellow there, a friend of Jake’s, and shortly afterward, he was hit on the head in the alley behind the Bijou. This fellow was hit so hard, he had to be taken to the hospital in an ambulance. Sheriff Petersen knows it wasn’t you who did it because you were with him at the time. But then he heard talk of a young stranger being in town that day. And that’s why he came to see me. To ask if you’d had some visitors.

Emmett looked at Sally.

—Naturally, I said no.

—You said no, Sally?

—Yes, Billy, I did. And that was a lie. But it was a white lie. Besides, the idea that one of your brother’s friends was involved with that business behind the Bijou is nonsense. Woolly would walk a mile out of his way to avoid stepping on a caterpillar. And Duchess? Well, no one who can cook a dish like Fettuccine Whatsits and then serve it on a perfectly set table would ever hit another man in the head with a two-by-four.

And thus endeth the lesson, thought Emmett.

But he wasn’t so sure. . . .

—Billy, on the morning when I went into town, were Duchess and Woolly with you?

—Yes, Emmett.

—The whole time?

Billy thought for a moment.

—Woolly was with me the whole whole time. And Duchess was with us for most of the whole time.

—When wasn’t Duchess with you?

—When he went on his walk.

—How long did that last?

Billy thought again.

—As long as The Count of Monte Cristo, Robin Hood, Theseus, and Zorro. It’s the next left, Emmett.

Seeing the Lincoln Highway marker, Emmett shifted to the other lane and took the turn.

As he drove toward Newark, Emmett could see in his mind’s eye what must have happened back in Nebraska. Having been asked by Emmett to lie low, Duchess had gone into town anyway. (Of course, he had. ) Once in town, he must have stumbled on Emmett’s confrontation with Jake, and witnessed the whole sordid business. But if so, why would he have bothered to hit Jake’s friend?

Thinking back on the tall stranger in the cowboy hat leaning against the Studebaker, Emmett remembered his lazy posture and smug expression; he remembered how he had egged Jake on during the fight; and finally, he remembered the first words that the stranger had said: Seems like Jake’s got some unfinished business with you, Watson.

That’s how he had put it, thought Emmett: unfinished business. And according to the old performer FitzWilliams, unfinished business is exactly what Duchess said he had with his father. . . .

Emmett pulled over and sat with his hands on the wheel.

Sally and Billy looked at him with curiosity.

—What is it, Emmett? asked Billy.

—I think we need to go find Duchess and Woolly.

Sally expressed surprise.

—But Mrs. Whitney said they were on their way to Salina.

—They’re not on their way to Salina, said Emmett. They’re on their way to the Wolcotts’ house in the Adirondacks. The only problem is that I don’t know where it is.

—I know where it is, said Billy.

—You do?

Looking down, Billy slid his fingertip slowly away from Newark, New Jersey, away from the Lincoln Highway, and up into the middle of northern New York, where someone had drawn a big red star.

Sally

W

hen we were driving through Why-would-anyone-on-God’s-green-earth-live-here, New Jersey, and Emmett pulled over to announce that we needed to go to upstate New York in order to find Duchess and Woolly, I didn’t say a word. Four hours later, when he pulled into a roadside motel that looked more like a place to drop off donations than to spend the night, I didn’t say a word. And when in the motel’s run-down little office, Emmett signed the register with Mr. Schulte’s name, I didn’t say a word then either.

However. . .

Once we’d found our accommodations and I’d sent Billy into the bathroom to take a bath, Emmett directed his attention right at me. Adopting a measure of gravity, he said he wasn’t sure how long it would take for him to find Duchess and Woolly. It could take a few hours, maybe more. But once he returned, the three of us could have something to eat and get a good night’s sleep, and if we were back on the road by seven in the morning, he guessed they could drop me off in Morgen on Wednesday night without going much out of their way.

And that’s when my allotment of not saying a word was all used up.

—Don’t you worry about going out of your way, I said.

—It’s no problem, he assured.

—Well, whether it is or it isn’t, doesn’t make much difference. Because I have no intention of being dropped off in Morgen.

—All right, he said a little hesitantly. Then where do you want to be dropped off?

—San Francisco would do just fine.

For a moment Emmett looked at me. Then he closed his eyes.

—Just because you close your eyes, I said, doesn’t mean that I’m not here, Emmett. Not by a long shot. As a matter of fact, when you close your eyes, not only am I here, Billy’s here, this lovely motel’s here, the whole wide world is here—right where you left it.

Emmett opened his eyes again.

—Sally, he said, I don’t know what expectations I may have given you, or what expectations you may have come to on your own. . . .

What’s this? I wondered. Expectations he may have given me? Expectations I may have come to on my own? I leaned a little closer to make sure I didn’t miss a word.

—. . . But Billy and I have been through a good deal this year. What with losing dad and the farm. . .

—Keep going, I said. You’ve got my attention.

Emmett cleared his throat.

—It’s just that. . . Given all we’ve been through. . . I think what Billy and I need right now. . . is to make a fresh start together. Just the two of us.

I stared at him a moment. Then I let out a little gasp.

—So that’s it, I said. You think I’m inviting myself on the ride to San Francisco with the intention of becoming a part of your household.

He looked a little uncomfortable.

—I’m just saying, Sally. . . .

—Oh, I know what you’re saying—because you just said it. It came through loud and clear, despite all the hemming and hawing. So let me be loud and clear right back. For the foreseeable future, Mr. Emmett Watson, the only household I intend to be a part of is mine. A household where all the cooking and cleaning that I’ll be doing is for me. Cooking my breakfast, my lunch, my dinner. Cleaning my dishes. Washing my clothes. Sweeping my floor. So don’t you worry about me putting a damper on your fresh start. Last time I checked, there were plenty of fresh starts to go around.

As Emmett walked out the door and climbed into his bright yellow car, I thought to myself that there are surely a lot of big things in America. The Empire State Building and the Statue of Liberty are big. The Mississippi River and the Grand Canyon are big. The skies over the prairie are big. But there is nothing bigger than a man’s opinion of himself.

With a shake of the head, I swung the door shut, then I knocked on the bathroom door to see how Billy was coming along.

 


 Excepting his brother, I guess I know Billy Watson better than just about anybody. I know how he eats his chicken, peas, and mashed potatoes (starting with the chicken, moving on to the peas, and saving the potatoes for last). I know how he does his homework (sitting up straight at the kitchen table and using that little rubber eraser at the end of his pencil to remove any trace of a mistake). I know how he says his prayers (always remembering to include his father, his mother, his brother, and me). But I also know how he gets himself in trouble.

It was on the first Thursday in May.

I remember because I was in the middle of making lemon meringue pies for the church social when I received the call asking me to come on down to the schoolhouse.

I admit that when I walked into the principal’s office, I was already a little miffed. I had just finished whipping the egg whites for the meringue when I received the call, so I had to turn off the oven and dump the egg whites in the sink. But when I opened the door and saw Billy sitting on a chair in front of Principal Huxley’s desk staring at his shoes, I went red. I know for a fact that Billy Watson has never once in his life had cause to stare at his shoes. So if he’s staring at his shoes, it’s because someone has made him feel the need to do so, unjustly.

—All right, I said to Principal Huxley. You’ve got us here in front of you. What seems to be the trouble?

It turned out that shortly after lunch, the school had what they call a duck-and-cover drill. In the middle of class, while the children were receiving regular instruction, the school bell rang five times in a row, at which point the children were supposed to climb under their desks and put their hands over their heads. But apparently, when the bell had rung and Mrs. Cooper had reminded the children what to do, Billy had refused.

Billy does not refuse very often. But when he chooses to refuse, he does so with a capital R. And no matter how much cajoling, insisting, or reprimanding Miss Cooper resorted to, Billy simply would not join his classmates under their desks.

—I have tried to explain to William, explained Principal Huxley to me, that the purpose of the drill is to ensure his own safety; and that by refusing to participate, he not only puts himself at risk, he gives cause for disruption at the very moment when disruption could do its greatest harm to others.

The years had not been kind to Principal Huxley. His hair had grown scarce on the top of his head, and there was talk in town that Mrs. Huxley had a friend in Kansas City. So I suppose there was some call for sympathy. But I hadn’t particularly liked Principal Huxley when I was a student at Morgen Elementary, and I saw little reason for liking him now.

I turned to Billy.

—Is this true?

Without looking up from his shoes, Billy nodded his head.

—Perhaps you could tell us why you refused to follow Miss Cooper’s instructions, suggested the principal.

For the first time, Billy looked up at me.

—In the introduction to his Compendium, Professor Abernathe says that a hero never turns his back on danger. He says a hero always meets it face-to-face. But how is someone supposed to meet danger face-to-face, if he is under his desk with his hands over his head?

Plain speaking and common sense. In my book, there’s just no substitute.

—Billy, I said, why don’t you wait outside.

—Okay, Sally.

The principal and I both watched as Billy walked out of the office, still staring at his shoes. When the door closed, I turned to the principal so he could see me face-to-face.

—Principal Huxley, I said, while doing my best to maintain my good nature, are you telling me that just nine years after the United States of America defeated the forces of Fascism around the world, you are chastising an eight-year-old boy for his refusal to stick his head under his desk like an ostrich in the sand?

—Miss Ransom. . .

—I have never claimed to be a scientist, I continued. In fact, when I was at the high school, I received a C in physics and a B- in biology. But what little I learned in these subjects suggests to me that the top of a desk is as likely to protect a child from a nuclear explosion as the hairs combed over your head are to protect your scalp from the sun.

I know. It was not a Christian thing to say. But my feathers were up. And I only had another two hours in which to reheat my oven, finish making my pies, and deliver them to the church. So this was no time for serving soft-boiled eggs.

And wouldn’t you know it: When I left the office five minutes later, Principal Huxley had agreed that to ensure the safety of the student body, one courageous soul by the name of Billy Watson would be appointed as the Duck-and-Cover Monitor. Henceforth, when the school bell rang five times in a row, rather than hide under his desk, Billy would go from room to room with a clipboard in hand in order to confirm the compliance of everybody else.

As I said, I know Billy better than just about anybody, including how he gets himself in trouble.

So I had no excuse to be surprised when after knocking on the bathroom door three times, I finally opened it to find the water in the bathtub running, the window open, and Billy gone.

Emmett

A

fter driving a mile down the winding dirt road, Emmett began to suspect he had taken a wrong turn. The man at the filling station, who knew the Wolcotts by name, had told Emmett that he should continue along Route 28 for another eight and a half miles, then take a right onto the dirt road bordered by white cedars. Emmett had measured the distance on the odometer, and though he wasn’t certain what white cedars looked like, the road he came upon was lined with evergreens, so he took the turn. But a mile later, there was still no sign of a residence. Luckily, the road wasn’t wide enough for Emmett to turn around, so he drove onward and a few minutes later came upon a large timber house at the edge of a lake—beside which was parked Woolly’s car.

Rolling to a stop behind the Cadillac, Emmett got out of the Studebaker and walked toward the lake. It was late in the afternoon and the water was so still its surface perfectly reflected the pine trees on the opposite shore and the disparate clouds overhead, giving the world an illusion of vertical symmetry. The only sign of movement was from a great blue heron that, having been disturbed by the closing of Emmett’s car door, had taken flight from the shallows and now was gliding silently about two feet above the water.

To Emmett’s left was a small building that appeared to be some kind of work shed, because resting nearby on a pair of sawhorses, awaiting repair, was an overturned dory with a breach in its bow.

To Emmett’s right was the house overlooking the lawn, the lake, and the dock. Along its front was a grand porch with rocking chairs and a wide set of steps descending to the grass. There would be a main entrance at the top of those steps, Emmett knew, but on the other side of the Cadillac was a path bordered by painted stones that led to a stoop and an open door.

Climbing the steps, Emmett opened the screen and called inside.

—Woolly? Duchess?

Hearing nothing, he entered, letting the screen door slam behind him. He found himself in a muck room with an array of fishing rods, hiking boots, slickers, and skates. Everything in the room was neatly put away except for the Adirondack chairs that were stacked in the middle of the floor. Over a rifle cabinet hung a large hand-painted sign with a checklist entitled Closing the House.

1. Remove firing pins

2. Stow canoes

3. Empty icebox

4. Take in rockers

5. Take out garbage

6. Make beds

7. Close flues

8. Lock windows

9. Lock doors

10. Go home

Leaving the muck room, Emmett entered a hallway, where he stopped, listened, and called again for Woolly and Duchess. Receiving no response, he proceeded to poke his head into various rooms. While the first two seemed untouched, in the third a cue and several balls had been left on the felt of the pool table, as if someone had stopped a game in midplay. At the hallway’s end, Emmett stepped into a high-ceilinged living room with various arrangements of couches and chairs, and an open staircase that led to the second floor.

Emmett shook his head in appreciation. It was one of the finest rooms that he had ever seen. Much of the furniture was in the Arts and Crafts style, fashioned from cherry or oak, perfectly joined and discreetly detailed. Over the center of the room hung a large light fixture that, like the lamps, was shaded with mica, ensuring that the room would be cast in a warm glow once evening fell. The fireplace, the ceilings, the couches, the staircase had all been built larger than normal, but they were in proportion to each other and remained in harmony with a human scale, such that the room seemed at once cozy and generous.

It wasn’t hard to understand why this house had maintained such a privileged position in Woolly’s imagination. It would have maintained a privileged position in Emmett’s, had he had the luxury of growing up in it.

Through a pair of open doors Emmett could see a dining room with a long oak table, and down the continuation of the hallway he could see doors leading to other rooms, including a kitchen at the end. But if Woolly and Duchess had been in one of those rooms, they would have heard him calling. So Emmett headed up the stairs.

At the top of the steps, the hallway led in both directions.

First, he checked the bedrooms to his right. Though they differed in terms of size and furnishings—some with double beds, some with single beds, one with a pair of bunks—they all shared a rough simplicity. In a house like this, Emmett understood, one wasn’t meant to linger in one’s bedroom. One was meant to join the family downstairs for breakfast at the long oak table, then spend the rest of the day out of doors. None of the rooms showed any sign of having been used the night before, so doubling back, Emmett headed for the other end of the hallway.

As Emmett walked, he glanced at the photographs on the wall, intending to give them only passing consideration. And yet he found himself slowing his pace, then stopping altogether in order to study them more closely.

Though the pictures varied in size, all were of people. Among them were portraits of groups and individuals, children and adults, some in motion, others at rest. Taken separately, there was nothing unusual about them. The faces and clothes were ordinary enough. But taken together, there was something profoundly enviable about this wall of photographs in their matching black frames. And it wasn’t due to the prevalence of sunlight and carefree smiles. It was a matter of heritage.

Emmett’s father had grown up in some version of this place. As he had written in his last letter, what had been handed down in his family from generation to generation were not simply stocks and bonds, but houses and paintings, furniture and boats. And when Emmett’s father chose to tell anecdotes of his youth, there seemed no end to the cousins, uncles, and aunts gathered around the holiday table. But for some reason, for some reason that had never been fully explained, Emmett’s father had left all of that behind when he moved to Nebraska. Left it behind without a trace.

Or almost without a trace.

There were the trunks in the attic with their exotic stickers from foreign hotels, and the picnic basket with its orderly arrangement of utensils, and the unused china in the hutch—remnants of the life that Emmett’s father had relinquished in order to pursue his Emersonian ideal. Emmett shook his head, uncertain of whether his father’s actions should give him cause for disappointment or admiration.

As usual with such puzzles of the heart, the answer was probably both.

Progressing down the hall, Emmett could tell from the quality of the photographs and the style of the clothing that the pictures were moving backward in time. Starting at some point in the 1940s, they receded through the thirties and the twenties all the way into the teens. But when Emmett passed the side table at the top of the stairs, the photographs reversed course and began advancing through the decades. It was when he had returned to the 1940s and was looking with curiosity at a blank space on the wall that Emmett heard the music—music coming faintly from somewhere down the hallway. Passing several of the rooms, he homed in on the sound until he stopped before the second-to-last door and listened.

It was Tony Bennett.

Tony Bennett singing that he would go from rags to riches, if you’d only say you care.

Emmett knocked.

—Woolly? Duchess?

When neither replied, he opened the door.

It was another simply furnished room, this one with two small single beds and a bureau. On one of the beds lay Woolly, his stocking feet extending beyond the end of the frame, his eyes closed, his hands crossed on his chest. On the bedside table were two empty medicine bottles and three pink pills.

With a terrible sense of foreboding, Emmett approached the bed. After saying Woolly’s name, he shook him gently by the shoulder, finding him stiff to the touch.

—Oh, Woolly, he said, taking a seat on the opposite bed.

Feeling the onset of nausea, Emmett turned away from his friend’s expressionless features and found himself staring at the bedside table. Having already recognized the little blue bottle as Woolly’s so-called medicine, Emmett picked up the brown bottle. He had never heard of the medication printed on the label, but he saw that it had been prescribed to Sarah Whitney.

In just this way, thought Emmett, does misery beget misery. For as good as Woolly’s sister was at forgiving, she would never be able to forgive herself for this. As he set the empty bottle back down, from the radio came a jazz number, swinging and discordant.

Rising from the bed, Emmett crossed to the radio and switched it off. On the bureau beside the radio was an old cigar box and a dictionary that could have come from anywhere, but leaning against the wall was a framed photograph that could only have come from the empty space in the hall.

It was a snapshot of Woolly as a boy sitting in a canoe between his mother and father. Woolly’s parents—a handsome couple in their late thirties—each had a paddle resting across the gunwale, as if they were on the verge of setting out. From Woolly’s expression, you could tell he was a little nervous, but he was laughing too, as if someone outside of the frame, someone on the dock, were making a face for his benefit.

Just a few days before—when they had been outside the orphanage waiting for Duchess—Billy had explained to Woolly about their mother and the fireworks in San Francisco, and Woolly, in turn, had explained to Billy about the Fourth of July celebrations his family would have here at the camp. It occurred to Emmett that this picture of Woolly sitting between his parents in the canoe could well have been taken on the very same day that Emmett had lain between his parents to watch the fireworks in Seward. And for perhaps the first time, Emmett had an inkling of why the journey west along the Lincoln Highway had become so important to his brother.

Gently, Emmett returned the photograph to its place on the bureau. Then after taking one more look at his friend, he went in search of a phone. But as he was heading down the hall, he heard a clanging coming from downstairs.

Duchess, he thought.

And the grief that had been welling up inside him was eclipsed by a feeling of fury.

Descending the stairs, Emmett moved quickly down the hallway in the direction of the kitchen, once again homing in on the source of a sound. Stepping through the first door on his left, he entered a room that looked like a gentleman’s office, but in disarray—with books pulled from the bookcases, drawers withdrawn from the desk, and papers scattered on the floor. To Emmett’s left, a framed painting jutted at a ninety-degree angle from the wall, while behind the painting stood Duchess, haplessly swinging an ax at the smooth gray surface of a safe.

—Come on, Duchess encouraged as he hit the safe again. Come on, baby.

—Duchess, called Emmett once.

Then again, more loudly.

Startled, Duchess checked his swing and looked back. But upon seeing Emmett, he broke into a smile.

—Emmett! Boy, am I glad to see you!

Emmett found Duchess’s smile to be as discordant as the jazz number that had come on the radio in Woolly’s room; and he felt the same urgent desire to switch it off. As Emmett moved toward Duchess, Duchess’s expression transitioned from elation to concern.

—What is it? What’s wrong?

—What’s wrong? Emmett said, stopping in amazement. Haven’t you been upstairs? Haven’t you seen Woolly?

Suddenly understanding, Duchess set the ax down on a chair, then shook his head with a solemn expression.

—I saw him, Emmett. What can I say? It’s terrible.

—But how. . . ? blurted Emmett. How could you let him?

—Let him? repeated Duchess in surprise. Do you seriously think if I had known what Woolly intended to do, I would have left him on his own? I’ve been keeping an eye on Woolly since the minute I met him. Not a week ago, I went so far as to take away the last bottle of his medicine. But he must have had another one stashed away. And don’t ask me where he got hold of those pills.

With all his feelings of impotency and rage, Emmett wanted to blame Duchess. He wanted to blame him, badly. But he also understood that it wasn’t Duchess’s fault. And rising up within him, like bile in the throat, came the memory of his own assurance to Woolly’s sister that all would be well.

—Did you call an ambulance, at least, Emmett asked after a moment, hearing his own voice falter.

Duchess shook his head with an expression of futility.

—By the time I found him, it was too late. He was already as cold as ice.

—All right, said Emmett. I’ll call the police.

—The police. . . ? Why would you do that?

—We’ve got to tell somebody.

—Of course we do. And we will. But whether we do it now or later won’t make any difference to Woolly. But it could make a big difference to us.

Ignoring Duchess, Emmett headed toward the telephone on the desk. When Duchess saw where Emmett was going, he scrambled in the same direction, but Emmett beat him to it.

Holding Duchess off with one hand, Emmett picked up the receiver with the other, only to find it silent—the service having yet to be restored for the season.

When Duchess realized the phone was dead, he relaxed his posture.

—Let’s talk this through for a second.

—Come on, said Emmett, taking Duchess by the elbow. We’ll drive to the station.

Steering Duchess out of the office, Emmett walked him down the hallway, barely listening as Duchess tried to make some sort of case for delay.



  

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