An Analytical Scheme Base. 1_1/Мета-A_Маc-A_Маc-s-A. Strong and Concerto Dialectics. The Strong Dialectics has very accurate structures, almost without any micro-structures enlargements.. This is a principal thing, appeared after the Benda’s harpsichord c

An Analytical Scheme Base

For easy “copy-paste” while an analyzing procedure.

Contents both Macro and Macro-Sub blocks for easy “copy-paste” right to the proper place of working out scheme.

You need of course to correct the Micro-Structure count, expressions and synthesis type according to the actual value of an analyzing musical fragment.

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Analytical Scheme Description:

For unnumbered lines:

` count the rhythm for one

`` count the rhythm for two

``` count the rhythm for three

```` count the rhythm for four.. etc.

C[ABC(ab)] - Structure Synthesis, count the rhythm until the end of the current structure idea (may content large, repeat and cadenza structures, which must be pointed especially)

C{ab} – Idea Synthesis, count the rhythm of the next unnumbered line instead (this is a part of the Sequent Idea Lines)

a – chords (long note)

m – melody

mS – melody sequence

iS – interval sequence

dS - dialogue sequence

f - fugato

For numbered lines:

Мета-... -- Meta-Structure

_Mac-... -- Macro-Structure

_Mac-s-... -- Macro-sub-Structure

``A[m]+``B[m]=C[ABC(ab)] -- Micro-Structure

Other:

|K: Metathesis |

1_1/Мета-A_Маc-A_Маc-s-A

` A [m]+` B [m]= C[ABC(ab)]

…

: / - repeat these dialectical structures

Strong and Concerto Dialectics

There are two types of dialectical structures in the music of Corelli’s disciples (as I suppose):

Strong Dialectics
Concerto Dialectics

The Strong Dialectics has very accurate structures, almost without any micro-structures enlargements.

The Concerto Dialectics, on a contrary, has this kind of dialectics in a Micro-Structure:

- Thesis + Anti-Thesis = Some kind of enlargement (in dialectical style) in the Structure Synthesis -

This is a principal thing, appeared after the Benda’s harpsichord concertos (I think) and hardly took its place in the Corelli’s disciples dialectical philosophy.

large structure: enlarged Structure Synthesis, which generally contents some kind of modulation appendix. Ends when a brand new idea comes (there is an obvious change of the idea context).

repeated structure: enlarged Structure Synthesis, in which mostly repeats all current Micro-Structure. May be similar to the large structure in the end of repeat.

cadenza structure: very enlarged Structure Synthesis, similar to the large structure but with some musical improvisations (contents an enlarged musical development).

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