Chapter 9

The Capps crisis passed in two weeks without disaster, thanks largely to a string of eighteen-hour days by the newest member of The Firm, a member who had not yet passed the bar exam and who was too busy practicing law to worry about it. In July he billed an average of fifty-nine hours a week, a firm record for a nonlawyer. Avery proudly informed the partners at the monthly meeting that McDeere’s work was remarkable for a rookie. The Capps deal was closed three days ahead of schedule, thanks to McDeere. The documents totaled four hundred pages, all perfect, all meticulously researched, drafted and redrafted by McDeere. Koker-Hanks would close within a month, thanks to McDeere, and would earn close to a quarter of a mill. He was a machine.

Oliver Lambert expressed concern over his study habits. The bar exam was less than three weeks away, and it was obvious to all that McDeere was not ready. He had canceled half his review sessions in July and had logged less than twenty hours. Avery said not to worry, his boy would be ready.

Fifteen days before the exam, Mitch finally complained. He was about to flunk it, he explained to Avery over lunch at the Manhattan Club, and he needed time to study. Lots of time. He could cram it in for the next two weeks and pass by the hair of his ass. But he had to be left alone. No deadlines. No emergencies. No all-nighters. He pleaded. Avery listened carefully, and apologized. He promised to ignore him for the next two weeks. Mitch said thanks.

* * *

On the first Monday in August, a firm meeting was called in the main library on the first floor. It was the meeting room, the largest of the four libraries, the showplace. Half the lawyers sat around the antique cherry conference table with twenty chairs under it. The rest stood next to the shelves of thick leather law books which had not been opened in decades. Every member was present, even Nathan Locke. He arrived late and stood next to the door by himself. He spoke to no one, and no one looked at him. Mitch stole a glance at Black Eyes when possible.

The mood was somber. No smiles. Beth Kozinski and Laura Hodge were escorted through the door by Oliver Lambert. They were seated at the front of the room facing a wall where two veiled portraits hung. They held hands and tried to smile. Mr. Lambert stood with his back to the wall and faced the small audience.

He spoke softly, his rich baritone exuding sympathy and compassion. He almost whispered at first, but the power of his voice made every sound and every syllable clear throughout the room. He looked at the two widows and told of the deep sadness felt, how they would always be taken care of as long as there was a firm. He talked of Marty and Joe, of their first few years with, of their importance to The Firm, of the vast voids their deaths created. He spoke of their love for their families, their dedication to their homes.

The man was eloquent. He spoke in prose, with no forethought as to what the next sentence would be. The widows cried softly and wiped their eyes. And then some of the closer ones, Lamar Quin and Doug Turney, began to sniffle.

When he had said enough, he unveiled the portrait of Martin Kozinski. It was an emotional moment. There were more tears. There would be a scholarship established at the Chicago Law School in his name. The Firm would set up trusts for his children’s education. The family would be taken care of. Beth bit her lip, but cried louder. The seasoned, hardened, tough-as-nails negotiators of the great Bendini firm swallowed rapidly and avoided looking at each other. Only Nathan Locke was unmoved. He glared at the wall with his penetrating lasers and ignored the ceremony.

Then the portrait of Joe Hodge, and a similar biography, similar scholarship and trust funds. Mitch had heard a rumor that Hodge purchased a two-million-dollar life insurance policy four months before his death.

When the eulogies were complete, Nathan Locke disappeared through the door. The lawyers surrounded the widows and offered quiet words and embraces. Mitch did not know them and had nothing to say. He walked to the front wall and examined the paintings. Next to those of Kozinski and Hodge were three slightly smaller, but equally dignified portraits. The one of the woman caught his attention. The brass plate read:

Alice Knauss

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