Хелпикс

Главная

Контакты

Случайная статья





Fire From Heaven 5 страница



He submitted easily, having known the man all his life. As early as he had been able to run about, he had sat on his knee to hear his stories. Timanthes indeed had said of him to Leonidas that he was, rather than a scholar, a learned schoolboy. The boy at least was glad to see him, and confided to him the whole tale of his day in the woods, not without bragging.

‘Did you walk on that foot just now? '

'I can't, I hopped. ' He frowned at it with displeasure; it was hurting him. Lysimachos eased the pillow under.

'Look after it. The ankle was Achilles' weakness. His mother held him by it, when she dipped him in the Styx, and forgot to wet it after. '

'Is that in the book, how Achilles died? '

'No. But he knows he will, because he has fulfilled his death-fate. '

'Didn't the diviners warn him? '

'Yes, he was warned that his death would follow Hektor's, but still he killed him. He was avenging Patroklos, his friend, whom Hektor had killed. '

The boy considered this intently. 'He was his best friend of all? '

'Yes, from when they were boys together. '

'Why didn't Achilles save him first, then? '

'He had taken his men out of the battle, because the High King had insulted him. The Greeks were getting the worst of it without him; that was as he'd been promised by the god. But Patroklos, who had a feeling heart, when he saw old comrades falling came to Achilles weeping for pity. " Lend me only your armour, " he said, " and let me show myself in the field. They will think you are back; it will be enough to scare them off. " So Achilles gave him leave, and he did great deeds, but... ' He was stopped by the boy's shocked stare.

'He couldn't do that! He was a general! And he sent a junior officer, when he wouldn't go! It was his fault Patroklos died. '

'Oh, yes, he knew. He had sacrificed him to his pride. That was why he fulfilled his death-fate. '

'How did the King insult him? How did it start? '

Lysimachos settled himself on the stool of dyed sheepskin by the bed.

As the tale unfolded, Alexander found to his surprise that it could all have happened, any day, in Macedon.

The harebrained younger son, stealing the wife of his powerful host; bringing her and the feud to his father's hold - the old houses of Macedon and Epiros could tell such tales by the score. The High King had called up his levies and his under-chiefs. King Peleus, being over age, had sent his own son, Achilles, born of a goddess queen. When at sixteen he came to the plain of Troy, he was already the best of the warriors.

The war itself was just like some tribal skirmish in the hills: warriors whooping each other on into single combats without asking leave; the infantry, it seemed, scrambling about in rabbles behind the lords. He had heard of a dozen such wars in the lifetime of men who told the story, breaking out from old feuds, or flaring up over blood shed in a drinking-brawl, the moving of a boundary stone, an unpaid bride-price, a cuckold mocked at a feast.

Lysimachos told it as he had pictured it in his youth. He had read the speculations of Anaxagoras, the maxims of Herakleitos, the history of Thukydides, the philosophy of Plato, Euripides' melodramas and Agathon's romantic plays; but Homer returned him to his childhood, when he had sat on his father's knee to hear the bard, and watched his tall brothers walk clanking sword at hip, as men still did in the streets of Pella.

The boy, who had always thought less of Achilles for making all this trouble only about a girl, now learned that she was a prize for valour, which the King had taken away to humble him. Now he well understood Achilles' anger. He pictured Agamemnon as a stocky man, with a strong black beard.

So, then, Achilles was sitting in his war-hut, self-exiled from his glory, playing his lyre to Patroklos, the only one who understood his mind, when the King's envoys came to him. The Greeks were in extremity; the King had had to eat dirt. Achilles should have his girl returned. Also, he could marry Agamemnon's own daughter with a huge dowry of lands and cities. If he liked, he could even have the dowry without her.

As people do at the crux of a tragedy though they know the end, the boy willed that all should be well now: that Achilles should relent, that he and Patroklos should go into battle side by side, happy and glorious. But Achilles turned away his face. They still asked too much, he said. 'For my goddess mother has told me I bear two death-fates within me. If I stay before Troy and fight, I lose my homecoming, but win everlasting fame. Or, if I go home to my dear fatherland, I lose the height of my glory, but have a long life left me, death will not come for me soon. ' Now his honour had been blown on, he would choose the second fate, and sail home.

The third envoy had not yet spoken. Now he came forward; old Phoinix, who had known Achilles since he was a child upon his knee. King Peleus had adopted him, after his own father had cursed him out of doors. He had been happy at Peleus' court; but the father's curse had worked, making him forever childless. Achilles was the child he had chosen for his own, so that one day he would keep the hard times from him. Now, if he sailed, he would go along with him; he would never foresake him, even in exchange for being made young again. But he begged Achilles rather to heed his prayers, and lead out the Greeks to battle.

A moral digression followed; the boy, his attention wandering, withdrew into himself. Impatient of delays, he wished to bestow at once on Lysimachos some gift he had always wanted. It seemed to him that he could.

'I'd have said yes, if you had asked me. ' Scarcely feeling his sprained foot as he moved, he clasped Lysimachos' neck.

Lysimachos embraced him, openly weeping. The boy was undisturbed at it; Herakles allowed such tears. It was great luck to have had the right gift at hand. It was real too, he had not lied at all to him; he truly loved him, would be like his son and keep the hard times from him. If he had come like Phoinix to Achilles, he would have given him what he asked: have led out the Greeks to fight, taking the first of the death-fates, never to come home to the dear fatherland, never to grow old. It was all quite true, and had given happiness. Why add, then, that though he would give consent, it would not be for Phoinix' sake? He would do it for the everlasting fame.

 

The great city of Olynthos, on the north-east coast, had fallen to King Philip. His gold got in first, his soldiers later.

The Olynthians had looked askance at his rising power. For years they had harboured two bastard half-brothers of his who claimed his throne; had played him and Athens off against each other whenever it served their turn, and then allied with Athens.

First he took care that his bought men in the town should grow rich, and show it. Their party grew. Down south in Euboia, he fomented a rising to keep the Athenians minding their own business. Meantime he kept exchanging envoys with Olynthos, haggling at length over peace terms, while he reduced strategic country all around.

This done, he sent them an ultimatum. Either they or he would have to go; he had decided they should. If they surrendered, they could leave with a safe-conduct. No doubt their Athenian allies would look after them.

In spite of Philip's party, the vote went for holding out. They gave him some costly fighting, before his clients contrived to lose a couple of battles, and let him through the gates.

Now, he thought, was the time to warn others against giving so much trouble. Let Olynthos be an example. The rebel half-brothers died by the Companions' spears. Soon the chain-gangs of slaves were going down through Greece, driven by the dealers, or men whose usefulness had deserved a gift. Cities which had seen, time out of mind, their heavy work done by Thracians or Ethiops or broad-cheeked Scythians, gazed in outrage at Greek men bearing burdens under the lash, Greek girls sold to the brothels in the open market. Demosthenes' voice rallied all decent men to stand against the barbarian.

The boys of Macedon saw the hopeless convoys pass, the children wailing in the dust as they trudged at their mothers' skirts. It brought the millennial message. This is defeat: avoid it.

At the sea-foot of Mount Olympos stood the town of Dion, the holy footstool of Olympian Zeus. Here Philip held his victory feast, in the god's sacred month, with splendours which Archelaos had never equalled. Distinguished guests came north from all over Greece; kitharists and flautists, rhapsodes and actors, competed for gold wreaths, purple gowns, and bags of silver.

Euripides' Bachkai was to be staged; Euripides had first put it on in this very theatre. The best scene-painter of Corinth was painting the flats with Theban hills and a royal palace; the tragedians were heard each morning in their lodgings, practising the gamut of all their voices from the boom of gods to maiden trebles. Even the schoolmasters were on holiday. Achilles and his Phoinix (the nickname had stuck at once) had the threshold of Olympos, and the sights of the festival, to themselves. Phoinix had given Achilles his own Iliad, a secret from Timanthes. They gave trouble to no one, absorbed in their private game.

On the god's annual feast day, the King gave a grand banquet. Alexander was to appear, but to leave before the drinking. He wore a new blue chiton stitched with gold; his heavy loose-waving hair was curled. He sat on the end of his father's supper-couch, his own silver bowl and cup beside him. The hall was brilliant with lamps; the lords' sons of the royal bodyguard came and went between the King and his guests of honour, bringing them his gifts.

There were some Athenians, of the party which favoured peace with Macedon. The boy noticed his father taking care with his accent. The Athenians might have helped his enemies; they might have sunk to intrigue with the Persians their forbears had fought at Marathon; but they still had in their gift the prize of Greekness.

The King, shouting down the hall, was asking some guest why he looked so glum. It was Satyros, the great comedian of Athens. Having got the feed he had worked for, he mimed fear amusingly, and said he hardly dared ask for what he wanted. Only name it, cried the King with extended hand. It turned out to be the freedom of two young girls he had seen among the slaves, daughters of an old Olynthian guest-friend; he wanted to save them from their fate and give them marriage-portions. A happiness, cried the King, to grant a request itself so generous. There was a buzz of applause; good feeling warmed the room. The guests who had passed the slave-pens found their food taste a little better.

The garlands were coming in, and big wine-coolers packed with Olympian snow. Philip turned to his son, stroked back the moist fair hair, already losing its curl, from his warm brow, gave it a bristly kiss while the guests murmured delight, and bade him run off to bed. He slipped down, said good night to the guard at the door, who was a friend of his; and made his way to his mother's room to tell her all about it.

Before his hand was on the door, some warning reached him from within.

The place was in confusion. The women stood huddled like frightened hens. His mother, still dressed in the robe she had worn for the choral odes, was pacing to and fro. The mirror-table was overturned; a maid was on hands and knees, scrambling for jars and pins. As the door opened she dropped a jar and the kohl spilled out. Olympias strode across, and sent her sprawling with a blow on the head.

'Out, all of you! ' she shouted. 'Sluts, useless gaping half-wits! Get out, and leave me with my son. '

He came in. The flush of the hot hall and his watered wine drained from his face; his stomach clenched itself on its meal; Silently he walked forward. As the women scurried out, she flung herself on the bed, beating and biting the pillows. He came and knelt beside her, feeling the coldness of his own hands as he stroked her hair. He did not ask the trouble.

Olympias writhed round on the bed, and grasped him by the shoulders, calling all gods to witness her injuries and avenge her. She gripped him to her so that they both shook to and fro; the heavens forbid, she cried, that he should ever learn what she suffered from this vilest of all men; it was unfit for the innocence of his years. She always said this at first. He moved his head so that he could breathe. Not a young man this time, he thought; it must be a girl.

It was a proverb in Macedon, that the King took a wife for every war. It was true these matches, always sealed with rites to please the kindred, were a good way of making reliable allies. The boy only knew the fact. He now remembered a sleekness about his father which he had known before. 'A Thracian! ' his mother cried. 'A filthy, blue-painted Thracian! ' Somewhere in Dion, then, all this while, the girl had been hidden away. Hetairas went about, everyone saw them.

 'I'm sorry, Mother, ' he said leadenly. 'Did Father marry her? '

'Don't call that man your father! ' She held him at arms' length, staring into his face; her lashes were matted, the lids streaked with black and blue; her dilated eyes showed white all round the iris. One shoulder of her gown had fallen; her thick dark-red hair stood out all round her face and fell tangled on her bared breast. He remembered the Gorgon's head in the Perseus room, and shook off the thought with horror. 'Your father! ' she cried to him. 'Zagreus be my witness, you are clean of that! ' Her fingers dug into his shoulders, so that he clenched his teeth with pain. 'The day will come, yes it will come, when he will learn what part he had in you! Oh yes, he will learn a greater was here before him! ' Letting go, she flung herself back on her elbows and began to laugh.

She rolled in her red hair, laughing in sobs, catching her breath with shrill crowing gasps, the pitch of her laughter mounting louder and higher. The boy, to whom this was new, knelt by her in stifling terror, pulling at her hands, kissing her sweat-smeared face, calling in her ear to her to stop, to speak to him; he was here with her, he, Alexander; she must not go mad or he would die.

At last she moaned deeply, sat up, gathered him in her arms and stroked her cheek against his head. Weak with relief, he lay against her with closed eyes. 'Poor boy, poor child. It was only the laughing-sickness; that is what he has brought me to. I should be ashamed, before anyone but you; but you know what I have to bear. See darling, I know you, I am not mad. Though he would gladly see it, the man who calls himself your father. '

He opened his eyes and sat up. 'When I'm a man, I'll see right done you. '

'Ah, he does not guess what you are. But I know. I and the god. '

He asked no question. Enough had happened. Later, in the night, when, empty with vomiting, he lay dry-lipped in bed listening to the distant roar of the feast, her words came back to him.

Next day the games began. The two-horse chariots ran their laps, the dismounter leaping off and running with the car and vaulting on again. Phoinix, who had noticed the boy's hollow eyes and guessed the cause, was glad to see him held by it.

He woke just before midnight, thinking of his mother. He got out of bed and dressed. He had dreamed she called to him from the sea, like the goddess mother of Achilles. He would go to her, and ask her what she had meant last night.

Her room was empty. Only an old crone, belonging to the house, crept muttering about, picking things up; they had all forgotten her. She looked at him with a little wet red eye, and said the Queen had gone to the Hekate shrine.

He slipped out into the night, among the drunks and whores and soldiers and pickpurses. He needed to see her, whether she saw him or not. He knew the way to the crossroads.

The city gates stood open for the festival. Far ahead were the black cloaks and the torch. It was a Hekate night, moonless; they did not see him stalking them. She had to fend for herself, because she had not a son of age to help her. It was his business, what she did.

She had made her women wait, and gone on alone. He skirted the oleanders and the tamarisks, to the shrine with its three-faced image. She was there, with something whining and whimpering in her hands. She had set her torch in the sooty socket by the altar-slab. She was all in black, and what she held was a young black dog. She held it up by the nape, and hacked a knife at its throat. It writhed and squealed, the whites of its eyes shone in the torchlight. Now she grasped it by its hindfeet, jerking and choking while the blood ran down; when it only twitched, she laid it down on the altar. Kneeling before the image, she beat her fists on the ground. He heard the furious whisper, soft as a snake's, rise to a howl the dog itself might have made; the unknown words of the incantation, the known words of the curse. Her long hair trailed in the puddled blood; when she got up the ends were sticky, and her hands were clotted with black.

When it was over he tracked her home, keeping himself hidden. She looked familiar again, in her black cloak, walking among her women. He did not want to let her out of his sight.

Next day Epikrates said to Phoinix, 'You must spare him to me today. I want to take him to the music-contest. ' He had meant to go with friends, with whom he could discuss technique; but the boy's looks disturbed him. Like everyone else, he had heard the talk.

It was the contest for the kitharists. There was hardly a leading artist from the mainland or Greek Asia or the cities of Sicily and Italy who had not come. The unguessed-at beauty caught the boy up, breaking his mood and throwing him straight into ecstasy. So Hektor, stunned by Ajax's great stone, had looked up at a voice that raised the hair on his head, and found Apollo standing by him.

After this, he took up his life much as before. His mother reminded him often with a sigh or a meaning look; but the shock had passed the worst, his body was strong and his age resilient; he sought healing as nature taught him. On the footslopes of Mount Olympos, he rode with Phoinix through chestnut groves, chanting line for line of Homer, first in Macedonian and then in Greek.

Phoinix would gladly have kept him from the women's rooms. But if once the Queen mistrusted his loyalty, the boy would be lost to him for ever. She must not look for her son in vain. At least he seemed now to come away in better spirits.

He had found her busy with some plan which made her almost cheerful. He had waited in dread, at first, for her to come with her midnight torch, and fetch him to the Hekate shrine. She had never yet bade him call down a curse himself upon his father; the night they went to the tomb, he had only had to hold things and stand by.

Time passed; it was clearly no such thing; at last he even questioned her. She smiled, the subtle shadows curving under her cheekbones. He should know in good time, and it would surprise him. It was a service she had vowed to Dionysos; she promised he should be there. His spirits lightened. It must be the dancing for the god. These last two years she had been saying he was too old for women's mysteries. He was eight now. It had been bitter to think that Kleopatra would soon go with her instead.

Like the King, she gave audience to many foreign guests. Aristodemos the tragedian had come not to perform, but as a diplomat, a role often entrusted to well-known actors; he was arranging ransoms for Athenians taken at Olynthos. A slender elegant man, he managed his voice like a polished flute; one could almost see him caress it. Alexander admired the good sense of his mother's questions about the theatre. Later she received Neoptolemos of Skyros, a protagonist even more distinguished, who was rehearsing for The Bachkai, playing the god. This time, the boy was absent.

He would not have known his mother was working magic, if he had not heard her through the door one day. Though the wood was thick, he caught some of the incantation. It was one he did not know, about killing a lion on the mountain; but the meaning was always the same. So he went away without knocking.

It was Phoinix who roused him at dawn to see the play. He was too young for the chairs of honour; he would sit with his father when he came of age. He had asked his mother if he could sit with her, as he had done till only last year; but she said she would not be watching, she had other business then. He must tell her afterwards how he had liked it.

He loved the theatre; waking to a treat which would begin at once; the sweet morning smells, dew-laid dust, grass and herbs bruised by many feet, the smoke of the early workers' torches just quenched at daybreak; people clambering down the tiers, the deep buzz of the soldiers and peasants up at the top, the fuss with cushions and rugs down among the seats of honour, the chatter from the women's block; then suddenly the first notes of the flute, all other sound dying but the morning bird-song.

The play began eerily in the dawn-dusk; the god, masked as a beautiful fair-haired youth, saluting the fire on his mother's tomb, and planning revenge on the Theban King who scorned his rites. His young voice, the boy perceived, was being skilfully done by a man; his maenads had flat breasts, and cool boys' voices; but, this knowledge once stored away, he gave himself to the illusion.

Dark-haired young Pentheus spoke wickedly of the maenads and their rites. The god was bound to kill him. Several friends had described the plot beforehand. Pentheus' death was the most dreadful one could conceive; but Phoinix had promised one did not see it.

While the blind prophet rebuked the King, Phoinix whispered that this old voice from the mask was the same actor's who played the youthful god; such was the tragedian's art. When Pentheus had died offstage, this actor too would change masks, and enact the mad queen Agave.

Imprisoned by the King, the god broke out with fire and earthquake; the effects, set up by Athenian craftsmen, entranced the boy. Pentheus, defying miracles, infatuate for doom, still rejected the divinity. His last chance gone, Dionysos wound him in deadly magic and stole his wits away. He saw two suns in the sky; thought he could move mountains; yet let the mocking god disguise him absurdly as a woman, to spy on the maenad rites. The boy joined in the laughter whose edge was sharpened by the sense of terrors to come.

The King went off to his agony; the chorus sang; then the Messenger brought the news. Pentheus had climbed a tree to spy from; the maenads had seen him, and in their god-crazed strength uprooted it. His mad mother, seeing only a wild beast, had led them to tear him in pieces. It was over, and as Phoinix had said, need not be seen. The mere telling had been enough.

Agave was coming, cried the Messenger, with the trophy of her kill.

They ran in through the parodos in bloody robes. Queen Agave carried the head, spiked on a spear as hunters did it. It was made of the Pentheus mask and wig with stuffing in them, and bits of red rag hanging down. She wore a terrible mad mask, with an agonized brow, deep staring eyes and frenziedly grimacing mouth. From this mouth came a voice. At its first words, he sat as if he too had seen two suns in the sky. He was not far above the stage; his ears and eyes were sharp. The wig of her mask was fair; but in its streaming tresses live hair was spilling through, the dark red showed clearly. The Queen's arms were bare. He knew them; even their bracelets.

The players, enacting shock and horror, drew back to give her the stage. The audience began to buzz; they had heard at once, after the sexless boys, that this was a real woman. Who... what...? The boy seemed to himself to have been hours alone with his knowledge, before questions began to get answers and the word ran round. It spread like a brush-fire; good eyes insisting to dim ones, the women's high chatter and outraged sibilance; the deep ebb-shoal murmur from the men above; from the seats of honour, a stunned dead silence.

The boy sat as if his own head had been transfixed. His mother tossed her hair and gestured at the bleeding trophy. She had grown into the dreadful mask, it had become her face. He broke his nails, gripping the edge of his stone seat. The flautist blew on his double pipes; she sang.

 

'I am exalted

Great upon earth!

Let men praise me –

This hunt was mine! '

 

Two rows down, the boy saw his father's back, as he turned towards a guest beside him. His face was out of sight.

The curse in the tomb, the black dog's blood, the thorn-pierced mammet, had all been secret rites. This was the Hekate spell by daylight, a sacrifice for a death. The head on the Queen's spear was her son's.

It was the voices all around that roused him from the nightmare. They waked him into another. They rose like the hum of flies disturbed from carrion, almost drowning the actors' lines.

It was of her they were talking, not of Queen Agave in the play. They were talking of her! The southerners who said Macedon was barbarous; the lords and farmers and peasants. The soldiers were talking.

A sorceress they might call her. The goddesses worked magic. This was another thing; he knew these voices. So the men of the phalanx talked in the guardroom, about a woman half of them had had; or some village wife with a bastard.

Phoinix too was suffering. A steady man rather than a quick one, he had been stunned at first; he had not thought even Olympias capable of such wildness. Without doubt, she had vowed this to Dionysos while giddy with wine and dancing at her rites. He began to put out a hand for comfort; looked again and refrained.

Queen Agave came out of frenzy to knowledge and despair; the relentless god appeared above, to close the play. The chorus sang the tag-lines.

 

'The gods have many faces.

And many fates fulfil,

To work their will.

The end expected comes not;

God brings the unthought to be,

As here we see.

 

It was finished; but no one stirred to go. What would she do? She made a reverence to the cult-statue of Dionysos in the orchestra, before sweeping out with the others; some extra picked up the head; it was clear she would not return. From high up in the faceless crush of men came a long shrill whistle.

The protagonist came back to take absent-minded applause. He had not been at his best, with this freak on his mind; however, it had been made well worth his while.

The boy rose, without looking at Phoinix. Chin up, looking straight ahead, he thrust his way through the lingering chattering crowd. All along their way, talk stopped for them; but not soon enough. Just outside the propylon, he turned round, looked Phoinix in the face, and said, 'She was better than the actors. '

'Yes indeed. The god inspired her. It was her dedication to do him honour. Such offerings are very pleasing to Dionysos. '

They came out into the square of tramped earth outside the theatre. The women, in twittering groups, were drifting homeward, the men standing about. Close by, exempt from convention, stood a cluster of well-dressed hetairas, expensive girls from Ephesos and Corinth, who served the officers at Pella. One said in a sweet carrying voice, 'Poor dear little lad, you can see he feels it. ' Without turning, the boy walked on.

They were nearly out of the press; Phoinix was starting to breathe more easily, then found him gone. How not, indeed? But no; there he was not twenty feet off, near a huddle of talking men. Phoinix heard their laughter; he ran, but was still too late.

The man who had spoken the last and unambiguous word, had been aware of nothing amiss. But another, whose back was to the boy, felt a quick low tug at his sword-belt. Looking about at man-height, he was only just in time to knock up the boy's arm. The man who had spoken got the dagger along his side, instead of straight in his belly.

It had been so swift and silent, no bystander had turned. The group stood stock-still; the stabbed man with a snake of blood running down his leg; the dagger's owner, who had grabbed the boy before he saw who it was, gazing blankly at the stained weapon in his hand; Phoinix behind the boy, both hands on his shoulders; the boy staring into the face of the wounded man, and finding it one he knew. The man, clutching the warm ooze from his side, stared back in astonishment and pain; then with a shock of recognition.

Breath was drawn in all round. Before anyone spoke, Phoinix lifted his hand as if he had been at war; his square face grew bull-like, they would hardly have known him. 'It will be better for you all to keep your mouths shut. ' He pulled at the boy, breaking off the exchange of looks still unresolved, and led him away.

Knowing nowhere else to hide him, he took him to his own lodging in the one good street of the little town. The small room was frowsty with old wool, old scrolls, old bedding, and the ointment Phoinix rubbed on his stiff knees. On the bed, with its blanket of blue and red squares, the boy fell face down and lay soundless. Phoinix patted his shoulders and his head, and, when he broke into convulsive weeping, gathered him up.



  

© helpiks.su При использовании или копировании материалов прямая ссылка на сайт обязательна.