MARIE BYRD LAND 3 страница

He scratched his tousled hair unself-consciously.

“Where’s everybody else? ” Quentin asked. There didn’t seem to be any point in being formal, since they were both wearing bathrobes. And the cold hash browns were unbelievably good. He hadn’t realized how hungry he was.

“I gave them the morning. ” He waved in no particular direction. “Classes begin in the afternoon. ”

Quentin nodded, his mouth full.

“What kind of classes? ” he managed.

“What kind of classes, ” the man repeated. “Here at Brakebills South you will begin your education in magic. Or I suppose you thought that was what you were doing with Professor Fogg? ”

Questions like that always confused Quentin, so he resorted to honesty.

“Yes, I did think that. ”

“You are here to internalize the essential mechanisms of magic. You think”—his accent made it theenk —“that you have been studying magic. ” Medzhik. “You have practiced your Popper and memorized your conjugations and declensions and modifications. What are the five Tertiary Circumstances? ”

It popped out automatically. “Altitude, Age, Position of the Pleiades, Phase of the Moon, Nearest Body of Water. ”

“Very good, ” he said sarcastically. “Magnificent. You are a genius. ”

With an effort Quentin decided not to be stung by this. He was still enjoying the Zen afterglow of having been a goose. And the hash browns.

“Thank you. ”

“You have been studying magic the way a parrot studies Shakespeare. You recite it like you are saying the Pledge of Allegiance. But you do not understand it. ”

“I don’t? ”

“To become a magician you must do something very different, ” the man said. This was clearly his set piece. “You cannot study magic. You cannot learn it. You must ingest it. Digest it. You must merge with it. And it with you.

“When a magician casts a spell, he does not first mentally review the Major, Minor, Tertiary, and Quaternary Circumstances. He does not search his soul to determine the phase of the moon, and the nearest body of water, and the last time he wiped his ass. When he wishes to cast a spell he simply casts it. When he wishes to fly, he simply flies. When he wants the dishes done, they simply are. ”

The man muttered something, tapped once resonantly on the table, and the dishes began noisily arranging themselves into stacks as if they were magnetized.

“You need to do more than memorize, Quentin. You must learn the principles of magic with more than your head. You must learn them with your bones, with your blood, your liver, your heart, your deek. ” He grabbed his crotch through his dressing gown and gave it a shake. “We are going to submerge the language of spellcasting deep into who you are, so that you have it always, wherever you are, whenever you need it. Not just when you have studied for a test.

“You are not going on a mystical adventure here, Quentin. This process will be long and painful and humiliating and very, very ”—he practically shouted the word—“boring. It is a task best performed in silence and isolation. That is the reason for your presence here. You will not enjoy the time you spend at Brakebills South. I do not encourage you to try. ”

Quentin listened to this in silence. He didn’t especially like this man, who had just referred to his penis and whose name he still didn’t know. He put it out of his mind and focused on cramming starch into his depleted body.

“So how do I do that? ” Quentin mumbled. “Learn things in my bones? Or whatever? ”

“It is very hard. Not everybody does. Not everybody can. ”

“Uh-huh. What happens if I can’t? ”

“Nothing. You go back to Brakebills. You graduate. You spend your life as a second-rate magician. Many do. Probably you never realize it. Even the fact that you failed is beyond your ability to comprehend. ”

Quentin had no intention of letting that happen to him, though it occurred to him that probably nobody actually set out to have that happen to them, and, statistically speaking, it had to happen to somebody. The hash browns no longer tasted quite so scrumptious. He put his fork down.

“Fogg tells me you are good with your hands, ” the sandy-haired man said, relenting a little. “Show me. ”

Quentin’s fingers were still stiff and sore from having served as wings, but he picked up a sharp knife that looked decently balanced, carefully cleaned it off with a napkin, and held it between the last two fingers in his left hand. He spun it, finger by finger, as far as his thumb, then he tossed it up almost to the ceiling—still spinning, careful to let it pass between two rafters—with the idea that it would fall and bury itself in the table between the third and fourth fingers of his outstretched left hand. This was best done without looking, maintaining eye contact with his audience for maximum effect.

Quentin’s breakfast companion picked up a loaf of bread and stuck it out so that the falling knife speared it. He tossed loaf and knife contemptuously on the table.

“You take stupid risks, ” the man said stonily. “Go on and join your friends. I think”—theenk —“you will find them on the roof of the West Tower. ” He pointed to a doorway. “We begin in the afternoon. ”

Okay, Mr. Funnylaffs, Quentin thought. You’re the boss.

He stood up. The stranger stood up, too, and shuffled off in another direction. He had the air of a disappointed man.

Stone for stone, board for board, Brakebills South was the same house as the House at Brakebills. Which was reassuring, in a way, but it was incongruous to find what looked like an eighteenth-century English country house planted in the middle of a soaring Antarctic wasteland. The roof of the West Tower was be broad and round and paved with smooth flagstones, with a stone wall running around the edge. It was open to the elements, but some kind of magical arrangement kept the air warm and humid and protected it from the wind, or mostly. Quentin imagined he could feel a deep chill lurking underneath the warmth somewhere. The air was tepid, but the floor, the furniture, everything he touched was cool and clammy. It was like being in a warm greenhouse in the dead of winter.

As promised, the rest of the Brakebills group was up there, standing around dazed in threes and fours, staring out at the snowpack and talking in low tones, bathed in the eerie, even Antarctic light. They looked different. Their waists were trimmer, and their shoulders and chests were sturdier, huskier. They’d lost fat and packed on muscle during their flight south. Their jaws and cheekbones were sharply defined. Alice looked lovely and gaunt and lost.

“Honk honk honkonk honk honk! ” Janet said when she saw Quentin. People laughed, though Quentin had the impression she’d already made that joke a few times.

“Hey, man, ” Josh said, trying to sound nonchalant. “Is this place fucked up or what? ”

“Doesn’t seem so bad, ” Quentin said. “What time is skinny-dipping? ”

“I might have been a little off base with that, ” Eliot said gloomily, also probably not for the first time. “We did all get naked, anyway. ”

They were all wearing identical white pajamas. Quentin felt like an inmate in an insane asylum. He wondered if Eliot was missing his secret boyfriend of the moment, whoever it was.

“I ran into Nurse Ratched downstairs, ” he said. The pajamas had no pockets, and Quentin kept looking for somewhere to put his hands. “He gave me a speech about how stupid I am and how miserable he’s going to make me. ”

“You slept through our little meet’n’greet. That’s Professor Mayakovsky. ”

“Mayakovsky. Like Dean Mayakovsky? ”

“He’s the son, ” Eliot said. “I always wondered what happened to him. Now we know. ”

The original Mayakovsky had been the most powerful magician in a wave of international faculty brought in during the 1930s and 1940s. Until then Brakebills taught English and American magic almost exclusively, but in the 1930s a vogue for “multicultural” spellcasting had swept the school. Professors were imported at huge expense from around the world, the more remote the better: skirt-wearing shamans from Micronesian dot-islands; hunch-shouldered, hookah-puffing wizards from inner-city Cairo coffeehouses; blue-faced Tuareg necromancers from southern Morocco. Legend had it that Mayakovsky senior was recruited from a remote Siberian location, a cluster of frozen Soviet blockhouses where local shamanic traditions had hybridized with sophisticated Muscovite practices brought there by gulag inmates.

“I wonder how badly you have to fuck up to get this assignment, ” Josh mused.

“Maybe he wanted it, ” Quentin said. “Maybe he likes it here. Dude must be in creepy loner heaven. ”

“I think you were right, I think I am going to be the first one to crack, ” Eliot said, as if he were having a different conversation. He felt the fluffy stubble on his cheek. “I don’t like it here. This stuff is giving me a rash. ” He fingered the material of the Brakebills South pajamas. “I think it might have a stain on it. ”

Janet rubbed his arm comfortingly. “You’ll be okay. You survived Oregon. Is this worse than Oregon? ”

“Maybe if I ask nicely he’ll turn me back into a goose. ”

“Oh my God! ” said Alice. “Never again. Do you realize we ate bugs? We ate bugs! ”

“What do you mean, never again? How do you think we’re getting back? ”

“You know what I liked about being a goose? ” Josh said. “Being able to crap wherever I wanted. ”

“I’m not going back. ” Eliot threw a white pebble out into the white bleakness, where it became invisible before it hit the ground. “I could fly to Australia from here. Or New Zealand—the vineyards there are really coming along. Some nice sheep farmer will adopt me and feed me sauvignon blanc and turn my liver into a wonderful foie gras. ”

“Maybe Professor Mayakovsky can turn you into a kiwi bird, ” Josh said helpfully.

“Kiwi birds can’t fly. ”

“Anyway, he didn’t strike me as the kind of guy who’s going to do us a lot of favors, ” Alice said.

“He must spend a lot of time alone, ” Quentin said. “I wonder if we should we feel bad for him. ”

Janet snorted.

“Honk honk honk honk honk! ”

There was no reliable way to measure time at Brakebills South. There were no clocks, and the sun was a dull white fluorescence permanently thumb-tacked half an inch above the white horizon. It made Quentin think of the Watcherwoman, how she was always trying to stop time. She would have loved this place.

That first morning they talked and mingled on the roof of the West Tower for what felt like hours, huddling together to cope with all the strangeness. Nobody felt like going back downstairs, even after they got tired of standing and ran out of things to talk about, so they all sat around the edge of the roof with their backs against the stone wall and just stared off into the pale, hazy distance, bathed in the weird, directionless, all-permeating white light reflecting off the snow.

Quentin leaned his back against the cool stone and closed his eyes. He felt Alice put her head on his shoulder. If nothing else, he could hang on to her. Whatever else changed, she was always the same. They rested.

Later, it might have been minutes or hours or days, he opened his eyes. He tried to say something and discovered that he couldn’t talk.

Some of the others were on their feet already. Professor Mayakovsky had appeared at the head of the stairs, his white bathrobe belted over his gut. He cleared his throat.

“I’ve taken the liberty of depriving you of the power of speech, ” he said. He tapped his Adam’s apple. “There will be no talking at Brakebills South. It is the hardest thing to adjust to, and I find it eases the transition if I simply prevent you from speaking for your first weeks here. You may vocalize for the purposes of spellcasting, but for no other reason. ”

The class stared at him mutely. Mayakovsky seemed to be more comfortable now that nobody could answer back.

“If you will all follow me downstairs, it is time for your first lesson. ”

One thing had always confused Quentin about the magic he read about in books: it never seemed especially hard to do. There were lots of furrowed brows and thick books and long white beards and whatnot, but when it came right down to it, you memorized the incantation—or you just read it off the page, if that was too much trouble—you collected the herbs, waved the wand, rubbed the lamp, mixed the potion, said the words—and just like that the forces of the beyond did your bidding. It was like making salad dressing or driving stick or assembling Ikea furniture—just another skill you could learn. It took some time and effort, but compared to doing calculus, say, or playing the oboe—well, there really was no comparison. Any idiot could do magic.

Quentin had been perversely relieved when he learned that there was more to it than that. Talent was part of it—that silent, invisible exertion he felt in his chest every time a spell came out right. But there was also work, hard work, mountains of it. Every spell had to be adjusted and modified in a hundred ways according to the prevailing Circumstances—they adorned the word with a capital letter at Brakebills—under which it was cast. These Circumstances could be just about anything: magic was a complicated, fiddly instrument that had to be calibrated precisely to the context in which it operated. Quentin had committed to memory dozens of pages of closely printed charts and diagrams spelling out the Major Circumstances and how they affected any given enchantment. And then, once you had all that down, there were hundreds of Corollaries and Exceptions to memorize too.

As much as it was like anything, magic was like a language. And like a language, textbooks and teachers treated it as an orderly system for the purposes of teaching it, but in reality it was complex and chaotic and organic. It obeyed rules only to the extent that it felt like it, and there were almost as many special cases and one-time variations as there were rules. These Exceptions were indicated by rows of asterisks and daggers and other more obscure typographical fauna which invited the reader to peruse the many footnotes that cluttered up the margins of magical reference books like Talmudic commentary.

It was Mayakovsky’s intention to make them memorize all these minutiae, and not only to memorize them but to absorb and internalize them. The very best spellcasters had talent, he told his captive, silent audience, but they also had unusual under-the-hood mental machinery, the delicate but powerful correlating and cross-checking engines necessary to access and manipulate and manage this vast body of information.

That first afternoon Quentin expected a lecture, but instead, when Mayakovsky was done jinxing their larynxes, he showed each of them to what looked like a monk’s cell, a small stone room with a single high, barred window, a single chair, and a single square wooden table. A shelf of magical reference books was bolted to one wall. It had the clean, industrious air of a room that had just been vigorously swept with a birch-twig broom.

“Sit, ” Mayakovsky said.

Quentin sat. The professor placed in front of him, one by one, like a man setting up a chessboard, a hammer, a block of wood, a box of nails, a sheet of paper, and a small book bound in pale vellum.

Mayakovsky tapped the paper.

“Hammer Charm of Legrand, ” he said. “You know it? ”

Everybody knew it. It was a standard teaching charm. While simple in theory—all it did was ensure that a hammered nail would go in straight, in one shot—it was extraordinarily persnickety to cast. It existed in literally thousands of permutations, depending on the Circumstances. Casting Legrand was probably harder than just hammering the damn nail in the old-fashioned way, but it came in handy for didactic purposes.

Mayakovsky tapped the book with a thick-nailed finger.

“This book, each page describes a different set of Circumstances. All different. Understand? Place, weather, stars, season—you will see. You turn the page, you cast the spell according to each set of Circumstances. Good practice. I’ll come back when you finish book. Khorosho? ”

Mayakovsky’s Russian accent was getting thicker as the day wore on. He was dropping his contractions and definite articles. He closed the door behind him. Quentin opened the book. Somebody not very creative had written ABANDON HOPE ALL YE WHO ENTER HERE on the first page. Something told Quentin that Mayakovsky had noticed the graffiti but let it stand.

Soon Quentin knew Legrand’s Hammer Charm better than he wanted to know any spell ever. Page by page the Circumstances listed in the book became more and more esoteric and counterfactual. He cast Legrand’s Hammer Charm at noon and at midnight, in summer and winter, on mountaintops and a thousand yards beneath the earth’s surface. He cast the spell underwater and on the surface of the moon. He cast it in early evening during a blizzard on a beach on the island of Mangareva, which would almost certainly never happen since Mangareva is part of French Polynesia, in the South Pacific. He cast the spell as a man, as a woman, and once—was this really relevant? —as a hermaphrodite. He cast it in anger, with ambivalence, and with bitter regret.

By then Quentin’s mouth was dry. His fingertips were numb. He had pounded his thumb with the hammer four times. The block of wood was now crammed with flattened iron nail heads. Quentin groaned soundlessly and let his head loll back against the hard back of the chair. The door flew open, and Professor Mayakovsky entered carrying a jingling tray.

He set the tray down on the desk. It supported a cup of hot tea, a tumbler of water, a plate with a pat of yeasty European butter and a thick slab of sourdough bread on it, and a glass containing what would turn out to be two fingers of peppery vodka, one finger of which Mayakovsky drank off himself before placing it on the table.

When he was done he slapped Quentin hard across the face.

“That is for doubting yourself, ” he said.

Quentin stared at him. He lifted a hand to his cheek, thinking: This man is batshit insane. He could do anything to us out here.

Mayakovsky turned the book back to the first page again. He turned the piece of paper with the spell on it over and patted it. On the back was written another spell: Bujold’s Sorcerous Nail Extraction.

“Begin again, please. ”

Wax on, wax off.

When Mayakovsky was gone, Quentin stood up and stretched. Both his knees cracked. Instead of beginning again he went over to the tiny window looking out on the lunar snowfields. The sheer monochromaticity of the landscape was beginning to make him hallucinate colors. The sun had not moved at all.

That was how Quentin’s first month at Brakebills South went. The spells changed, and the Circumstances were different, but the room was the same, and the days were always, always, always the same: empty, relentless, interminable wastelands of repetition. Mayakovsky’s ominous warnings had been entirely justified, and arguably a little understated. Even during his worst moments at Brakebills, Quentin had always had a niggling suspicion that he was getting away with something by being there, that the sacrifices asked of him by his instructors, however great, were cheap by comparison with the rewards of the life he could look forward to as a magician. At Brakebills South, for the first time, he felt like he was giving value for money.

And he understood why they’d been sent here. What Mayakovsky was asking of them was impossible. The human brain was not meant to ingest these quantities of information. If Fogg had tried to enforce this regimen back at Brakebills, there would have been an insurrection.

It was difficult to gauge how the others were holding up. They met at mealtimes and passed in the hall, but because of the prohibition against speech there was no commiserating, just glances and shrugs and not much of that. Their gazes met bleakly over the breakfast table and turned away. Eliot’s eyes were empty, and Quentin supposed his own probably looked the same way. Even Janet’s animated features were set and frozen. No notes were exchanged. Whatever enchantment kept them from talking was global: their pens wouldn’t write.

Quentin was losing interest in communicating anyway. He should have been ravenous for human contact, but instead he felt himself falling away from the others, deeper inside himself. He shuffled like a prisoner from bedroom to dining room to solitary classroom, down the stone corridors, under the tediously unblinking gaze of the white sun. Once he wandered up to the roof of the West Tower and found one of the others, a gangly extrovert named Dale, putting on a mime show for a listless audience, but it really wasn’t worth the effort of turning his head to follow what was going on. His sense of humor had died in the vastness.

Professor Mayakovsky seemed to expect this, as if he’d known it was going to happen. After the first three weeks he announced that he had lifted the spell that kept them from talking. The news was received in silence. Nobody had noticed.

Mayakovsky began to vary the routine. Most days were still devoted to grinding through the Circumstances and their never-ending Exceptions, but once in a while he introduced other exercises. In an empty hall he erected a three-dimensional maze composed of wire rings through which the students would levitate objects at speed, to sharpen their powers of concentration and control. At first they used marbles, then later steel balls only slightly narrower than the rings. When a ball brushed a ring a spark cracked between them, and the spellcaster felt a shock.

Later still they would guide fireflies through the same maze, influencing their tiny insect minds by force of will. They watched one another do this in silence, feeling envy at one another’s successes and contempt for one another’s failures. The regime had divided them against each other. Janet in particular was bad at it—she tended to overpower her fireflies, to the point where they would crisp up in midair and become puffs of ash. Mayakovsky, stony-faced, just made her start over, while tears of wordless frustration ran down her face. This could and did go on for hours. No one could leave the hall before everyone had completed the exercise. They slept there more than once.

As the weeks went by, and still no one spoke, they plowed deeper and deeper into areas of magic Quentin never thought he’d have the guts to try. They practiced transformations. He learned to unpack and parse the spell that had turned them into geese (much of the trick, it turned out, was in shedding, storing, and then restoring the difference in body mass). They spent a hilarious afternoon as polar bears, wandering clumsily in a herd over the packed snow, swatting harmlessly at each other with giant yellow paws, encased as they were in layers of fur, hide, and fat. Their bear bodies felt clumsy and top heavy, and they kept toppling over sideways onto their backs by accident. More hilarity.

Nobody liked him, but it became apparent that Mayakovsky was no fraud. He could do things Quentin had never seen done at Brakebills, things he didn’t think had been done for centuries. One afternoon he demonstrated, but did not allow them to try, a spell that reversed the flow of entropy. He smashed a glass globe and then neatly restored it again, like a film clip run in reverse. He popped a helium balloon and then knitted it back together and refilled it with its original helium atoms, in some cases fishing them from deep inside the lungs of spectators who had inhaled them. He used camphor to smother a spider—he showed no particular remorse about this—and then, frowning with the effort, brought the spider back to life. Quentin watched the poor thing creep around in circles on the tabletop, hopelessly traumatized, making little dazed rushes at nothing and then retreating to a corner, hunched up and twitching, while Mayakovsky moved on to another topic.

One day, about three months into the semester, Mayakovsky announced that they would be transforming into Arctic foxes for the afternoon. It was an odd choice—they’d already done a few mammals, and it was no tougher than becoming a goose. But why quibble? Being an Arctic fox turned out to be a hell of a lot of fun. As soon as the change was in effect Quentin shot out across the snowpack on his four twinkling paws. His little fox body was so fast and light, and his eyes were so close to the ground, that it was like flying a high-performance jet at low altitude. Tiny ridges and crumbs of snow loomed up like mountains and boulders. He leaped over them and dodged around them and crashed through them. When he tried to turn he was going so fast he skidded and wiped out in a huge plume of snow. The rest of the pack gleefully piled on top of him, yipping and yapping and snapping.

It was an amazing outpouring of collective joy. Quentin had forgotten he was capable of that emotion, the way a lost spelunker feels like there never was such a thing as sunlight, that it was just a cruel fiction. They chased one another around in circles, panting and rolling and acting like idiots. It was funny, Quentin thought, with his stupid little miniature fox brain, the way he could automatically recognize everybody as foxes. That was Eliot with the snaggle-teeth. That plump blue-white critter was Josh. That small, silky specimen with the wide eyes was Alice.

Somewhere in the goofing off a game spontaneously evolved. It had something to do with pushing around a chunk of ice with your paws and your nose as fast as possible. Beyond that the point of the game wasn’t really clear, but they frantically pounced on the chunk of ice, or pounced on whoever had pounced on it just before them, and pushed it until the next person pounced on them.

An Arctic fox’s eyes weren’t all that much to brag about, but its nose was unbelievable. Quentin’s new nose was a Goddamned sensory masterpiece. Even in the middle of the fray he could recognize classmates by snuffing their fur. Increasingly, Quentin noticed one scent more than the others. It was a sharp, acrid, skunky musk that probably would have smelled like cat piss to a human being, but to a fox it was like a drug. He caught flashes of it in the fray every few minutes, and every time he did it grabbed his attention and jerked him around like a fish on a hook.

Something was happening to the game. It was losing its cohesion. Quentin was still playing, but fewer and fewer of his fellow foxes were playing with him. Eliot lit out in a streak off into the snow dunes. The pack dwindled to ten, then eight. Where were they going? Quentin’s fox brain barked. And what the hell was that unbe-fucking-lievable smell he kept stumbling on? There it was again! This time he tackled the source of the smell, buried his snuffling muzzle in her fur, because of course he had known all along, with what was left of his consciousness, that what he was smelling was Alice.

It was totally against the rules, but breaking the rules turned out to be as much fun as obeying them. How had he never figured that out before? The others were playing more and more wildly—they weren’t even trying to go after the chunk of ice anymore—and the game was disintegrating into little knots of tussling foxes, and he was tussling with Alice. Vulpine hormones and instincts were powering up, taking over, manhandling what was left of his rational human mind.

He locked his teeth in the thick fur of her neck. It didn’t seem to hurt her any, or at least not in a way that was easily distinguishable from pleasure. Something crazy and urgent was going on, and there was no way to stop it, or probably there was but why would you? Stopping was one of those pointless, life-defeating human impulses for which his merry little fox brain had nothing but contempt.

He caught a glimpse of Alice’s wild dark fox’s eye rolling with terror and then half shutting with pleasure. Their tiny quick breaths puffed white in the air and mingled and disappeared. Her white fox fur was coarse and smooth at the same time, and she made little yipping snarls every time he pushed himself deeper inside her. He never wanted to stop.

The snow burned underneath them. It glowed hot like a bed of coals. They were on fire, and they let the fire consume them.

To an outside observer breakfast the next day wouldn’t have looked much different than it usually did. Everybody shuffled in in their loose-fitting, all-white Brakebills South uniforms, sat down without speaking or looking at one another, and ate what was put in front of them. But Quentin felt like he was walking on the moon. Giant slow-motion steps, ringing silence, vacuum all around him, a television audience of millions. He didn’t dare look at anybody else, least of all Alice.

She was sitting across the table and three people down from him, impassive and unperturbed, calmly focused on her oatmeal. He couldn’t have guessed within a light-year what she was thinking. Though he knew what was on everybody else’s minds. He was sure they all knew what had happened. They’d been right out in the open, for God’s sake. Or had they all been doing the same thing? Did everybody pair off? His face felt hot. He didn’t even know if she was a virgin. Or, if she had been whether she still was one.

⇐ Предыдущая 7 8 9 10 111213 14 15 16 Следующая ⇒