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Chapter Thirty-two



Marilyn meandered through the Seneca crash site and remem­bered a movie she'd seen years before, one where the wife of a Hollywood movie executive is hacked to bits and left strewn about a lemon grove. But Seneca—this was no movie, this was the odor of burning plastics, her shin scraped from bumping into a sheared aluminum panel. This was the crackle of walkie-talkies, the wail of competing sirens. She saw a drink service trolley, little liquor bottles and all, flattened like a cardboard. She saw a Nike gym bag run over by a fire truck. She saw pre­scription bottles, juice cartons and exploded cans of ginger ale pressed into the Ohio soil like seeds, watered with aviation fuel and germinated by fire.

She'd been at O'Hare in Chicago, and was heading back to Cheyenne after helping organize a regional pageant in Win-netka. Inside one of the air terminal's snack bars, she'd seen crash footage with Susan's old promo shot inset in the upper left corner. Within a blink she had checked the departure screens, purchased an electronic ticket and boarded a flight to Colum­bus, where she rented a car. She was at the crash scene within three hours. Once there, Marilyn learned that there are no rules for crash sites. They occupy huge amounts of space in the strangest locations. Most local disaster crews are overwhelmedby the workload and are sickened by the things they see. There had been a yellow plastic tape hastily strung up around much of the site to keep away the gawkers, and Marilyn knew that the easiest way to get inside the tape without hassle was to give the impression of already having been there. To this end she smeared her face, blouse and jacket with rich Ohio soil and nimbly stepped inside, into the space where chaotic orders were barked through megaphones, past blue vinyl tarps fluttering over stacked bodies and inside the supermarket meat trucks used to refrigerate body fragments for later DNA examination.

There were any number of photographers on the scene, and one photo of Marilyn in particular, with her lost face and soiled wardrobe, made the cover of several national publications (" One Mother's Loss" ). Marilyn bought four dozen copies of each issue.

In Marilyn's mind, Susan was either completely intact or completely incinerated. Any point between these two extremes was intolerable, for Susan was a beauty, a result of Marilyn's own good looks and teaching. Marilyn's own pursuit of beauty had raised her out of the Ozarks of the Pacific, out of the family's Oregonian mountain shit shack, with its seven chil­dren, two of whom were alcoholic by the time Marilyn began generating memories. Hers was a beautiful-looking family, but one with a hellish ugly core, no morals, too many guns, no God to fear, reared in isolation, mostly illiterate and sticking their dicks wherever the opposition was overcome. She abandoned the shit shack at sixteen, pregnant by one of two brothers, and miscarried in a Dairy Queen bathroom after a fourteen-hour walk into McMinnville. Using one of three dollar bills she'd stolen from her father's rifle bag, she bought a banana split and marveled at the free red plastic spoon that came with it. The other two dollars she used to buy foundation at the Rexall to

cover up her tear-blotched complexion. She hitchhiked out of town and got a ride with Duran, a half-Cajun drainage pipe salesman. Almost immediately he asked her to marry him, and she accepted because she had nothing else going for her, and besides, Duran was a gentleman who didn't wake her up in the middle of the night, heavy, wet and pounding. In fact, except for the first few times that produced Susan, Duran didn't touch her much, and that was just fine. Duran's love was more like wor­ship, and he insisted Marilyn do all she could with what she had, yet he was also a pragmatist and insisted she learn a non-beauty skill. To this end he oversaw Marilyn's two-part educa­tion of daytime courses at the Miss Eva Lorraine Institute of Cosmetology (since 1962), and night school courses in typing and office procedures, which Marilyn soaked up like a cotton ball.

Susan was born, but Duran insisted Marilyn continue with her studies, which ultimately raised her to paralegal status. " Marilyn, please stop talking and study the woman on TV"

" I'm tired of watching her. "

" That is not an issue. Just keep watching. " Duran was con­vinced that the most useful accent a woman could use was the concise nasal telegraph of the network news goddesses, and made Marilyn watch and mimic their style.

" Durrie, why are you making me learn all of this stuff? "

" Because, Marilyn, you know I'm not going to be here for­ever, and please don't talk like such a heek. "

" What do you mean you're not going to be around? And by the way, it's hick, not heek, and please don't call me a hick. "

" I need to know you'll be able to make it on your own. The world is hard. You need skills. "

" And when am I going to be alone? "

" When you're twenty-one. " wwniMa,

" And then what, Durrie? "

What Duran did was leave, just as he said he would, and Marilyn accepted it without rancor and thought she had gotten good value for her time with him. As Marilyn had cultivated no friends, and had pretty well jettisoned her family, she didn't mention him again to anybody else.

But when the screen door slammed, Marilyn sensed an ab­sence in her life as blunt and frightening as a freshly cut tree stump. And it was at this point that her enthusiasm for Susan's entry into the world of pageants was born.

Miss Eva Lorraine's primary cosmetological message was that the traits humans perceive as beautiful are those that bespeak of fertility. " Big titties mean milk, girls, no secret about that. Shiny hair means healthy follicles, and our eggs, girls, come from fol­licles just as surely as does our hair and fingernails. And so that's why we keep a buffin' and a primpin'. "

Marilyn found the message eminently scientific, and there­after as a rule she let the pursuit of babies govern all of her fu­ture beauty decisions—push-up bras, rouge in the decolletage, cellophane rinses on her hair and, as time wore on, silicone injections to plump up some facial sagging. But the injections didn't come until long after Don Colgate entered her life, a hefty logger from Hood River. He was blown away by a looker who worked at a genuine legal office, with a daughter like a china figurine on his granny's mantelpiece.

After they got married, he insisted she quit working, and so she did. Marilyn saw this as decidedly old-fashioned thinking, but it also implied that Don wouldn't go leaving her like Duran.

It was with her conquest of Don Colgate that Marilyn ob­tained the final proof she needed that fertility and the proven ability to bear beautiful babies were integral to her allure and her sense of being. But then there was the issue of Don and his

fertility. His sperm were dead or lazy or stupid or overheated, and he and Marilyn didn't conceive. As his sterility became more evident, so did his drinking and the number of pag­eants in which young Susan was entered increased. The bunny hutches behind the trailer increased, too, and it was a trailer, never a house, because Don just didn't seem to get promoted at the lumberyard.

Marilyn found that she could funnel her native intelligence into the world of pageants, an intelligence she was convinced she had passed on to Susan. Other pageant girls whined and screeched and pulled princess routines, but Susan sat like a hawk on one of the Interstate light posts, scanning for roadkill, watching and learning from the others. She tended to win, and after a point released Marilyn from the need to shuck bunnies.

Don said that some of the makeup and attire Marilyn made Susan wear was cheap and slutty. She told Don that she'd once read that girls in China have babies at the age of nine, " so if girls can have babies that early, there's nothing wrong with high­lighting that capacity. "

" It's bad morals is what it is, Marilyn. "

" Don, cool your jets. Get off the pulpit. "

" Marilyn, nine-year-old girls do not wear tittie-bar stilettos. "

" Don't be so coarse. They're evening shoes. "

" I thought hill folk were supposed to be so wise, like the Waltons. "

The issue of morals usually quieted Marilyn, if only briefly. Knowing about morals was in no way the same thing as actually having them. She'd been raised in a hog pen and was lacking in ethics. Some nights she genuinely did worry about the sins of the parent being handed down to the child—her own feral up­bringing overriding Susan's angelic manner. But she wouldn't speak these thoughts aloud. Instead, for example, she told Donthat morals were whatever got the job done at the time. " Like those Polynesians who eat Spam. "

" The whats who eat what? "

" Spam. That's what Mr. Jordan, my old boss, told me. He'd read that in supermarkets down in the South Pacific they have whole aisles that are devoted to nothing but Spam. The Americans tried to figure out why these island people liked Spam so much, and it turns out that nothing else approximates the taste of cooked human flesh like the salty porky taste of Spam. "

Don's mouth hung open.

" We think of those jolly little Island people down there in their jolly little hula skirts and being oh so moral. But to them, cannibalism is perfectly moral, so it seems to me, Don Colgate, that morals are a pretty flexible little concept, so don't go get­ting preachy on me. "

But it was Marilyn whose mouth was agape while walking through the sprays of cooked human flesh at Seneca. She was asked her name by a person inside one of the many biohazard protection suits swarming the site. She replied, " Susan Col­gate is my daughter. I'm her mother. Have you seen her? " Mari­lyn's shoes' heels had broken. She was wearing a pair of pink women's running shoes she'd found intertwined with a stereo headset a few minutes back when she'd scraped her shin.

At sunset a Gannett reporter named Sheila drove Marilyn to the local Holiday Inn and gave Marilyn her bed. Sheila filed her stories and bounced between her laptop PC, her cell phone and the TV. Marilyn called Don. He arrived the next morning. Both spent the day at the local ice rink, temporarily converted into a morgue. Skating music serenaded family members of crash vic­tims who appraised what remains were " readable. " There were rows upon rows of limbs and torsos and shards, all covered in black vinyl tarps, arranged like 4-H projects atop plywood

sheets that straddled sawhorses. Five days went by and still they found no trace of Susan, Marilyn donated blood samples for DNA testing, to help analyze those bodies too far gone for visual or dental identification. They returned to Cheyenne, their spirits fogged like wet car windows, their emotions on hold. Sheila called each day to see if an ID had been made, but no. This in itself became a story, and the local coroner, in conjunction with the airline and the civil aviation authorities, were at a total loss as to where Susan's remains might have ended up. There hadn't been enough heat for vaporization to occur, and all eye­lashes and fingernail clippings within a half-mile radius had been DNA-cataloged. It was at this point that Sheila hooked up Marilyn with a prominent claims litigator, Julie Poyntz, who spent the next year winning her claim, arguing about the pro­found stress for family members arising from the airline's losing the body of a passenger, a body that might very well be in the deep freeze of some psychotic fan.

" You just don't lose a body, Mrs. Colgate—Marilyn. " It was early on in their lawyer-client relationship. " And I don't want to dwell on the possibilities of what might have become of her re­mains, but... "

" What if she's alive? " asked Marilyn.

Julie tsk-tsked. " You were there, Marilyn. Everybody on that flight was dead and/or severely mutilated. "

Marilyn squeaked.

" I'm sorry, Marilyn, bat you can't be squeamish. Not now. We're going to win this. They know it. We know it. It's only a matter of how much and how soon. It's no compensation for losing Susan—who, I might add, was a role model for me from Meet the Blooms—but at least the money is something. "

Money was flowing into Marilyn's life from many directions at that point, and each new development, or each new recentlydiscovered baby photo of Susan was carefully brokered with all facets of print and electronic media. She bought two new cars, a Mercedes sedan for Don, and a BMW the color of homemade cherry wine for herself. She also took out a mortgage on a Span­ish mission-style house and indulged herself with clothing and jewelry, her prize being a pair of genuine Fendi wraparound sunglasses which, not five minutes after buying, she wore as she snapped arms off the fakes she'd bought years ago at a Laramie swap meet. Marilyn spent like a drunk in a casino gift shop. There was no overall scheme to her buying—she simply thrilled with the burst of power each time a piece of loot that once be­longed to somebody else suddenly belonged to her.

Yet for all this, Don and Marilyn didn't speak much about Su­san, mostly because long before the crash, back in 1990 after her TV show was canceled, Susan had eliminated them from her life with a finality that approached death. Marilyn truly saw no reason why Susan should be as angry about the money as she was. Hadn't Marilyn done half the work?

They'd read of Susan's marriage to Chris in the Arts St. Life­style section of the local weekend paper. They met Chris only once, at a midnight vigil for Susan that Marilyn had staged in a Cheyenne town square (exclusive continental European photo rights to Paris Match, UK rights to Hello! magazine, U. S. and Cana­dian rights to the Star, film and TV rights reserved, as live footage was to be inserted into a possible A& E special about Susan to be­gin production the following year). Marilyn and Chris hugged for the cameras, lit candles, and bowed their heads for the cameras. All the while, Chris's young fans chanted from across the square. Afterward, Chris left and didn't speak with Marilyn again. (" Guess what, Don—I think Sir Frederick Rock Star is an asshole. " )

Then came Julie's phone call one morning: " Marilyn, come

to New York. It's over. " When Marilyn found out the amount, she whooped with pleasure, then immediately apologized to Julie for whooping in her ear. She tried to find Don, and did, passed out in the back corner of his favorite seedy sports bar. So that afternoon she left for Manhattan without him. The next day, with Julie, she walked down the courthouse steps and spoke with the press. That afternoon she spent $28, 000 while shop­ping on upper Madison Avenue.

The next day Marilyn went home to Cheyenne, and the day after that she got the call from a sparkle-voiced airline PR woman about Susan's return to the living. She hung up the phone and reached for half a Shitsicle Don had left beside the phone book. Susan would be home the next morning.



  

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