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Chapter 23



Chapter 23

I

Yes, that was what I was doing. It was all over now. The last of the fight, the last of the struggle. The last phase of the journey.   It seemed so long ago to the time of my ________ youth. The days of "I want, I want". But it wasn't long. Less than a year...   I went over it all – lying there in my bunk, and thinking. Meeting Ellie – our times in Regent's Park – our marriage in the Registrar's office. The house – Santonix building it – the house completed. Mine, all mine. I was me – me – me as I wanted to be. As I'd always wanted to be. I'd got everything I'd wanted and I was going home to it.   Before I left New York I ________ one letter and sent it off by air mail to get there ahead of me. I'd written to Phillpot. Somehow I felt that Phillpot would understand, though others mightn't.   It was easier to write than to tell him. Anyway, he'd got to know. Everyone had got to know. Some people probably wouldn't understand, but I thought he would. He'd seen for himself how close Ellie and Greta had been, how Ellie had depended on Greta. I thought he'd realise how I'd come to depend upon her also, how it would be impossible for me to live alone in the house where I'd lived with Ellie unless there was someone there to help me. I don't know if I put it very well. I did my best.   "I'd like you," I wrote, "to be the first one to know. You've been so kind to us, and I think you'll be the only person to understand. I can't face ________ all alone at Gipsy's Acre. I've been thinking all the time I've been in America and I've decided that as soon as I get home I'm going to ask Greta to marry me. She's the only person I can really talk to about Ellie, you see. She'll understand. Perhaps she won't marry me, but I think she will... It will make everything as though there were the three of us together still."   I wrote the letter three times before I could get it to express just what I wanted to say. Phillpot ought to get it two days before my return.   I came up on deck as we were approaching England. I looked out as the land came ________ . I thought "I wish Santonix was with me". I did wish it. I wished he could know how everything was all coming true. Everything I'd planned - everything I'd thought - everything I'd wanted.   I'd shaken off America, I'd shaken off the crooks and the sycophants and all the whole lot of them whom I hated and whom I was pretty sure hated me and looked down on me for being so low class! I was coming back in triumph. I was coming back to the pine trees and the curling dangerous road that made its way up through Gipsy's Acre to the house on the hilltop. My house! I was coming back to the two things I wanted. My house – the house that I'd dreamed of, that I'd planned, that I'd wanted above everything. That and a wonderful woman... I'd known always that I'd meet one day a wonderful woman. I had met her. I'd seen her and she'd seen me. We'd come together. A wonderful woman. I'd known the moment I saw her that I ________ to her, belonged to her absolutely and for always. I was hers. And now, at last - I was going to her.   Nobody saw me arrive at Kingston Bishop. It was almost dark and I came by train and I walked from the station, taking a roundabout side road. I didn't want to meet any of the people in the village. Not that night...   The sun had set when I came up the road to Gipsy's Acre. I'd told Greta the time I'd arrive. She was up there in the house waiting for me. At last! We'd done with subterfuges now and all the pretences – the pretence of disliking her – I thought now, laughing to myself, of the part I'd played, a part I'd played carefully right from the beginning. Disliking Greta, not wanting her to come and stay with Ellie. Yes, I'd been very careful. Everyone must have been taken in by that ________ . I remembered the quarrel we'd faked up so that Ellie should overhear it.   Greta had known me for what I was the first moment we met. We'd never had any silly illusions about each other. She had the same kind of mind, the same kind of desires as I had. We wanted the world, nothing less! We wanted to be on top of the world. We wanted to fulfil every ambition. We wanted to have everything, deny ourselves nothing. I remembered how I'd poured out my heart to her when I first met her in Hamburg, telling my frenzied desire for things. I hadn't got to conceal my inordinate greed for life from Greta, she had the same greed herself. She said:   "For all you want out of life you've got to have money."   "Yes," I said, "and I don't see how I'm going to get it."   "No," said Greta, "you won't get it by hard work. You're not the kind."   "Work!" I said, "I'd have to work for years! I don't want to wait. I don't want to be middle-aged." I said "You know the story about that chap Schliemann how he worked, toiled, and made a fortune so that he could have his life's dream come true and go to Troy and dig it up and find the graves of Troy. He got his dream but he had to wait till he was forty. But I don't want to wait till I'm a middle-aged man. Old. One foot in the grave. I want it now when I'm young and strong. You do too, don't you?" I said.   "Yes. And I know the way you can do it. It's easy. I wonder you haven't thought of it already. You can get girls easily enough, can't you? I can see that. I can feel it."   "Do you think I care about girls - or ever have really? There's only one girl I want," I said. "You. And you know that. I belong to you. I knew it the moment I saw you. I knew always that I'd meet someone like you. And I have. I belong to you."   "Yes," said Greta, "I think you do."   "We both want the same things out of life," I said.   "I tell you it's easy," said Greta. "Easy. All you've got to do is to marry a rich girl, one of the _______ girls in the world. I can put you in the way of doing that."   "Don't be fantastic," I said.   "It's not fantastic, it'll be easy."   "No," I said, "that's no good to me. I don't want to be the husband of a rich wife. She'll buy me things and we'll do things and she'll keep me in a golden cage, but that's not what I want. I don't want to be a fed up slave."   "You needn't be. It's the sort of thing that needn't last for long. Just long enough. Wives do die, you know."   I stared at her.   "Now you're shocked," she said.   "No," I said, "I'm not shocked."   "I thought you wouldn't be. I thought perhaps already -?" She looked at me inquiringly, but I wasn't going to answer that. I had still some self-preservation left. There are some secrets one doesn't want anyone to know. Not that they were much in the way of secrets, but I didn't like to think of them. I didn't like to think of the first one. Silly though. Puerile. Nothing that mattered. I had had a boy's passion for a classy wrist-watch that a boy – a friend of mine at school – ________ . I wanted it. I wanted it badly. It had cost a lot of money. A rich godfather had given it to him. Yes, I wanted that, but I didn't think I'd ever have a chance of getting it. Then there was the day we went skating together. The ice wasn't strong enough to bear. Not that we thought of it beforehand. It just happened. The ice cracked. I skated across to him. He was hanging on. He had gone through a hole and he was hanging on to the ice which was cutting his hands. I went across to pull him out, of course, but just as I got there I saw the glint of the wrist-watch. I thought 'Supposing he goes under and drowns.' I thought how easy it would be...   It seemed almost unconsciously, I think, that I unfastened the strap, grabbed the watch and pushed his head under instead of trying to pull him out. Just held his head under. He couldn't struggle much, he was under the ice. People saw and came towards us. They thought I was trying to pull him out! They got him out in due course, with some difficulty. They tried artificial respiration on him but it was too late. I ________ my treasure away in a special place where I kept things now and then. Things I didn't want Mum to see because she'd ask me where I got them. She came across that watch one day when she was fooling about with my socks. Asked me if that wasn't Pete's watch? I said of course it wasn't. It was one I'd swopped with a boy at school.   I was always nervous with Mum – I always felt she knew too much about me. I was nervous with her when she found the watch. She suspected, I think. She couldn't know, of course. Nobody knew. But she used to look at me. In a funny way. Everybody thought I'd tried to rescue Pete. I don't think she ever thought so. I think she knew. She didn't want to know, but her trouble was that she knew too much about me. I felt a bit ________ myself sometimes, but it wore off, fairly soon.   And then later on, when I was in camp. It was during our military training time. Chap called Ed and I had been to a sort of gambling place. I'd had no luck at all, lost every thing I had, but Ed had won a packet. He changed his chips and he and I were coming home and he was stuffed up with notes. His pockets were bulged with them. Then a couple of toughs came round the corner and went for us. They were pretty handy with the flick ________ they'd got. I got a cut in the arm but Ed got a proper sort of stab. He went down under it. Then there was a noise of people coming. The toughs hooked it. I could see that if I was quick... I was quick! My reflexes are pretty good – I wrapped a handkerchief round my hand and I pulled out the knife from Ed's wound and I stuck the knife in again a couple of times in better places. He gave a gasp and passed out. I was scared, of course, scared for a second or two and then I knew it was going to be all right. So I felt - well - naturally I felt proud of myself for thinking and acting quick! I thought 'Poor old Ed, he always was a fool.' It took me no time at all to transfer those notes to my own pocket! Nothing like having quick reflexes, seizing your opportunity. The trouble is the opportunities don't come very often. Some people, I suppose, get scared when they know they've killed someone. But I wasn't scared. Not this time.   Mind you, it's not a thing you want to do too often. Not unless it might be really worth your while. I don't know how Greta sensed that about me. But she'd known. I don't mean that she'd known that I'd actually killed a couple of people. But I think she knew the idea of killing wouldn't shock me or upset me. I said,   "What's all this fantastic story, Greta?"   She said, "I am in a position to help you. I can bring you in touch with one of the richest girls in America. I more or less look after her. I live with her. I have a lot of influence over her."   "Do you think she'd look at someone like me?" I said.   I didn't believe it for a moment. Why should a rich girl who could have her pick of any attractive man she liked, go for me? "You've got a lot of sex appeal," said Greta. "Girls go for you, don't they."   I grinned and said I didn't do too badly.   "She's never had that kind of thing. She's been looked after too well. The only young men she's been allowed to meet are conventional kinds, bankers' sons, tycoons' sons. She's groomed to make a good marriage in the moneyed class. They're terrified of her meeting handsome foreigners who might be after her money. But naturally she's keener on people like that. They'd be new to her, something she's never seen before. You've got to make a big play for her. You've got to fall in love with her at first sight and sweep her off her feet! It'll be easy enough. She's never had anyone to make a real approach to her. You could do it."   "I could try," I said doubtfully.   "We could set it up," said Greta.   "Her family would step in and stop it."   "No, they wouldn't," said Greta, "they wouldn't know anything about it. Not until it was too late. Not until you'd got married ________ ."   "So that's your idea?"   So we talked about it. We planned. Not in detail, mind you. Greta went back to America, but she kept in touch with me. I went on with various jobs. I'd told her about Gipsy's Acre and that I wanted it, and she said that was just fine for setting up a romantic story, we laid our plans so that my meeting with Ellie would take place there. Greta would work Ellie up about having a house in England and getting away from her family as soon as she came of age.   Oh yes, we set it up. Greta was a great ________ . I don't think I could have planned it, but I knew I could play my part all right. I'd always enjoyed playing a part. And so that's how it happened. That's how I met Ellie.   It was fun, all of it. Mad fun because of course there was always a risk, there was always a danger that it wouldn't come off. The thing that made me really nervous were the times that I had to meet Greta. I had to be sure, you see, that I never gave myself away, by looking at Greta. I tried not to look at her. We agreed it was best that I should take a dislike to her, pretend jealousy of her. I carried that on all right. I remember the day she came down to stay. We staged a quarrel, a quarrel that Ellie could hear. I don't know whether we overdid it a bit. I don't think so. Sometimes I was nervous that Ellie might guess or something, but I don't think she did. I don't know. I don't know really. I never did know about Ellie.   It was very easy to make love to Ellie. She was very sweet. Yes, she was really sweet. Just sometimes I was afraid of her because she did things sometimes without telling me. And she knew things that I never dreamt she knew. But she loved me. Yes, she loved me. Sometimes – I think I loved her too...   I don't mean it was ever like Greta. Greta was the woman I belonged to. I was mad for her and I had to hold myself in. Ellie was something different. I enjoyed living with her, you know. Yes, that sounds very queer now I think back to it. I enjoyed living with her very much.   I'm putting this down now because this is what I was thinking that evening when I arrived back from America. When I arrived back on top of the world, having got all I'd longed for in spite of the risks, in spite of the dangers, in spite of ________ a pretty good murder, though I say it myself!   Yes, it was a bit tricky, I thought once or twice, but nobody could tell, not the way we'd done it. Now the risks were over, the dangers were over and here I was coming up to Gipsy's Acre. Coming as I'd come up it that day after I'd first seen the poster on the walls, and gone up to look at the ruins of the old house. Coming up and rounding the bend –   And then – it was then I saw her. I mean it was then I saw Ellie. Just as I came round the corner of the road in the dangerous place where the accidents happened. She was there in the same place just where she'd been before, standing in the shadow of the fir tree. Just as she'd stood, when she'd started a little as she saw me and I'd started, seeing her. There we'd looked at each other first and I'd come up and spoken to her, played the part of the young man who's fallen suddenly in love. Played it jolly well too! Oh, I tell you I'm a fine actor!   But I hadn't expected to see her now... I mean, I couldn't see her now, could I? But I was seeing her... She was looking – looking straight at me. Only – there was something that frightened me – something that frightened me very much. It was, you see, just as though she didn't see me – I mean I knew she couldn't really be there, I knew she was dead – but I saw her. She was dead and her body was buried in the cemetery in the U.S.A. But all the same she was standing under the fir tree and she was looking at me. No, not at me. She was looking as though she expected to see me and there was love in her face. The same love that I had seen one day, one day when she'd been plucking the strings of her guitar. That day when she'd said to me, "What were you thinking of?" And I said "Why do you ask me?" and she said "You were looking at me as though you loved me." I'd said something silly like "Of course I love you."   I stopped dead. I stopped dead there in the road. I was shaking. I said out loud,   "Ellie."   She didn't move, she just stayed there, looking... Looking straight through me. That's what frightened me, because I knew if I thought for a minute I'd know why she didn't see me, and I didn't want to know. No, I didn't want to know that. I was quite sure that I didn't want to know that. Looking straight at the place where I was – not seeing me. I ________ then. I ran like a coward, up the rest of the road to where the lights were shining in my house, until I pulled myself out of the silly panic that I was in. This was my triumph. I'd got home. I was the hunter home from the hills, back to my house, back to the other thing that I'd wanted more than anything in the world, to the wonderful woman whom I belonged to body and soul.   And now we'd get married and we'd live in the house. We'd get all we'd played for! We'd won – won hands down!   The door wasn't latched. I went in, stamping my feet, and through the open door of the library. And there was Greta standing by the window waiting for me. She was glorious. She was the most glorious and the most lovely thing I'd ever seen. She was like a Brünnhilde, a super Valkyrie with shining golden hair.   I came straight into her arms, a sailor home from the sea to where he belonged. Yes, it was one of the most wonderful moments of my life.   II   ________ we came down to earth. I sat down and she shoved a small pile of letters towards me. I picked out almost automatically one with an American stamp. It was the air mail letter from Lippincott. I wondered what he'd put in it, why he'd had to write me a letter.   "Well," said Greta with a deep satisfied sigh, "we've made it."   "V-Day all right," I said.   We both laughed, laughed wildly. There ________ champagne on the table. I opened it and we drank to each other.   "This place is wonderful," I said, looking round. "It's more beautiful than I remember it. Santonix – but I haven't told you. Santonix is dead."   "Oh dear," said Greta, "what a pity. So he really was ill?"   "Of course he was ill. I never wanted to think so. I went and saw him when he was dying."   Greta gave a little shiver.   "I shouldn't like to do that. Did he say anything?"   "Not really. He said I was a damned fool - I ought to have gone the other way."   "What did he mean – what way?" "I don't know what he meant," I said. "I suppose he was delirious. Didn't know what he ________ about."   "Well, this house is a fine monument to his memory," said Greta. "I think we'll stick to it, don't you?"   I stared at her. "Of course. Do you think I'm going to live anywhere else?"   "We can't live here all the time," said Greta. "Not all the year round. Buried in a hole like this village?"   "But it's where I want to live - it's where I always meant to live."   "Yes of course. But after all, Mike, we've got all the money in the world. We can go anywhere! We can go all over the Continent – we'll go on Safari in Africa. We'll have adventures. We'll go and look for things – exciting pictures. We'll go to the Angkor Vat. Don't you want to have an adventurous life?"   "Well, I suppose so… But we'll always come back here, won't we?"   I had a queer feeling, a queer feeling that something had gone wrong somewhere. That's all I'd ever thought of. My House and Greta. I hadn't wanted anything else. But she did. I saw that. She was just beginning. Beginning to want things. Beginning to know she could have them. I had a sudden cruel foreboding. I began to shiver.   "What's the matter with you, Mike - you're shivering. Have you caught a cold or something?"   "It's not that," I said.   "What's happened, Mike?"   "I saw Ellie," I said.   "What ________ (you), you saw Ellie?'   "As I was walking up the road I turned the corner and there she was, standing under a fir tree, looking at – I mean looking towards me."   Greta stared.   "Don't be ridiculous. You – you imagined things."   "Perhaps one does imagine things. This is Gipsy's Acre after all. Ellie was there all right, looking – looking quite happy. Just like herself as though she'd – she'd always been there and was always going to be there." "Mike!" Greta took hold of my shoulder. She shook me. "Mike, ________ things like that. Had you been drinking before you got here?"   "No, I waited till I got here to you. I knew you'd have champagne waiting for us."   "Well, let's forget Ellie and drink to ourselves."   "It was Ellie," I said obstinately.   "Of course it wasn't Ellie! It was just a trick of the light – something like that."   "It was Ellie, and she was standing there. She was looking – looking for me and at me. But she couldn't see me. Greta, she couldn't see me." My voice rose. "And I know why. I know why she couldn't see me."   "What do you mean?"   It was then that I whispered for the first time under my breath:   "Because that wasn't me. I wasn't there. There was nothing for her to see but Endless Night." Then I shouted out in a panic-stricken voice "Some are born to Sweet Delight, and some are born to Endless Night. Me, Greta, me.   "Do you remember, Greta," I said, "how she sat on that sofa? She used to play that song on her guitar, singing it in her gentle voice. You must remember.   "'Every night and every morn,'" I sang it under my breath, "'Some to misery are born. Every morn and every night some are born to sweet delight.' That's Ellie, Greta. She was born to sweet delight. 'Some are born to sweet delight, some are born to endless night.' That's what Mum knew about me. She knew I was born to endless night. I hadn't got there yet. But she knew. And Santonix knew. He knew I ________ that way. But it mightn't have happened. There was just a moment, just one moment, the time Ellie sang that song. I could have been quite happy, couldn't I, really, married to Ellie? I could have gone on being married to Ellie."   "No, you couldn't," said Greta. "I never thought you were the type of person who lost your nerve, Mike." She shook me roughly by the shoulder again. "Wake up."   I stared at her.   "I'm sorry, Greta. What have I been saying?"   "I suppose they got you down over there in the States. But you did all right, didn't you? I mean, all the investments are all right?"   "Everything's fixed," I said. "Everything's fixed for our future. Our glorious, glorious future."   "You speak very queerly. I'd like to know what Lippincott says in his letter."   I pulled his letter towards me and opened it. There was nothing inside except a cutting from a paper. Not a new cutting, it was old and rather rubbed. I stared down at it. It was a picture of a street. I recognised the street, with rather a grand building in the background. It was a street in Hamburg with some people coming towards the ____________ . Two people in the forefront walking arm in arm. They were Greta and myself. So Lippincott knew. He'd known all along that I already knew Greta. Somebody must have sent him this cutting some time, probably with no nefarious intention. Just amused perhaps to recognise Miss Greta Andersen walking along the streets of Hamburg. He had known I knew Greta and I remembered how particularly he had asked me whether I ________ or not met Greta Andersen. I had denied it, of course, but he'd known I ________ . It must have begun his suspicion of me.   I was suddenly afraid of Lippincott. He couldn't suspect, of course, that I'd killed Ellie. He suspected something, though. Perhaps he suspected even that.   "Look," I said to Greta, "he knew we knew each other. He's known it all along. I've always hated that old fox and he's always hated you," I said. "When he knows that we're going to marry, he'll suspect." But then I knew that Lippincott had certainly suspected that Greta and I were going to marry, he suspected that we knew each other, he suspected perhaps that we were lovers.   "Mike, will you stop being a panic-stricken rabbit. Yes, that's what I said. A panic-stricken rabbit. I admired you. I've always admired you. But now you're falling to pieces. You're afraid of everyone."   "Don't say that to me."   "Well, it's true."   "Endless night."   I couldn't think of anything else to say. I was still wondering just what it meant. Endless night. It meant blackness. It meant that I wasn't there to be seen. I could see the dead but the dead couldn't see me although I was living. They couldn't see me because I wasn't really there. The man who loved Ellie wasn't really there. He'd entered of his own accord into endless night. I bent my head lower towards the ground.   "Endless night," I said again.   "Stop saying that," Greta screamed. "Stand up! Be a man, Mike. Don't give in to this absurd superstitious fancy."   "How can I help it?" I said. "I ________ my soul to Gipsy's Acre, haven't I? Gipsy's Acre's never been safe. It's never been safe for anyone. It wasn't safe for Ellie and it isn't safe for me. Perhaps it isn't safe for you."   "What do you mean?"   I got up. I went towards her. I loved her. But love, hate, desire – aren't they all the same? Three in one and one in three. I could never have hated Ellie, but I hated Greta. I enjoyed hating her. I hated her with all my heart and with a leaping joyous wish – I couldn't wait for the safe ways, I didn't want to wait for them, I came nearer to her.   "You're not safe, Greta. You're not safe from me. Do you understand? I've learnt to enjoy – to enjoy killing people. I was excited the day that I knew Ellie had gone out with that horse to her death. I enjoyed myself all the morning because of killing, but I've never got near enough to killing until now. This is different. I want more than just knowing that someone's going to die because of a capsule they swallowed at breakfast time. I want more than pushing an old woman over a quarry. I want to use my hands."   Greta was afraid now. She, whom I'd belonged to ever since I met her that day in Hamburg, met her and gone on to pretend illness, to throw up my job, to stay there with her. Yes, I'd belonged to her then, body and soul. I didn't belong to her now. I was myself. I was coming into another kind of kingdom to the one I'd dreamed of.   She was afraid. I loved seeing her afraid and I fastened my hands round her neck. Yes, even now when I am sitting here writing down all about myself (which, mind you, is a very happy thing to do) – to write all about yourself and what you've been through and what you felt and thought and how you deceived everyone – yes, it's wonderful to do, yes, I was wonderfully happy when I killed Greta...     REST     WRITE   LIVE     NEAR     BELONG   PRETEND     RICH   GIVE     HIDE     GUILT     KNIFE   SECRET     PLAN     DO     RUN     PRESENT     BE     TALK   MEAN   NOT SAY   HEAD   PHOTOGRAPH     MEET LIE     SELL  

 

 



  

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