THE CATCHER IN THE RYE 13 страница

"Sure?"

"Yes."

He got up and poured some more booze in his glass. Then he sat down again. He didn't say anything for a long time.

"I don't want to scare you," he said, "but I can very clearly see you dying nobly, one way or another, for some highly unworthy cause." He gave me a funny look. "If I write something down for you, will you read it carefully? And keep it?"

"Yes. Sure," I said. I did, too. I still have the paper he gave me.

He went over to this desk on the other side of the room, and without sitting down wrote something on a piece of paper. Then he came back and sat down with the paper in his hand. "Oddly enough, this wasn't written by a practicing poet. It was written by a psychoanalyst named Wilhelm Stekel. Here's what he--Are you still with me?"

"Yes, sure I am."

"Here's what he said: 'The mark of the immature man is that he wants to die nobly for a cause, while the mark of the mature man is that he wants to live humbly for one.'"

He leaned over and handed it to me. I read it right when he gave it to me, and then I thanked him and all and put it in my pocket. It was nice of him to go to all that trouble. It really was. The thing was, though, I didn't feel much like concentrating. Boy, I felt so damn tired all of a sudden.

You could tell he wasn't tired at all, though. He was pretty oiled up, for one thing. "I think that one of these days," he said, "you're going to have to find out where you want to go. And then you've got to start going there. But immediately. You can't afford to lose a minute. Not you."

I nodded, because he was looking right at me and all, but I wasn't too sure what he was talking about. I was pretty sure I knew, but I wasn't too positive at the time. I was too damn tired.

"And I hate to tell you," he said, "but I think that once you have a fair idea where you want to go, your first move will be to apply yourself in school. You'll have to. You're a student--whether the idea appeals to you or not. You're in love with knowledge. And I think you'll find, once you get past all the Mr. Vineses and their Oral Comp--"

"Mr. Vinsons," I said. He meant all the Mr. Vinsons, not all the Mr. Vineses. I shouldn't have interrupted him, though.

"All right--the Mr. Vinsons. Once you get past all the Mr. Vinsons, you're going to start getting closer and closer--that is, if you want to, and if you look for it and wait for it--to the kind of information that will be very, very dear to your heart. Among other things, you'll find that you're not the first person who was ever confused and frightened and even sickened by human behavior. You're by no means alone on that score, you'll be excited and stimulated to know. Many, many men have been just as troubled morally and spiritually as you are right now. Happily, some of them kept records of their troubles. You'll learn from them--if you want to. Just as someday, if you have something to offer, someone will learn something from you. It's a beautiful reciprocal arrangement. And it isn't education. It's history. It's poetry." He stopped and took a big drink out of his highball. Then he started again. Boy, he was really hot. I was glad I didn't try to stop him or anything. "I'm not trying to tell you," he said, "that only educated and scholarly men are able to contribute something valuable to the world. It's not so. But I do say that educated and scholarly men, if they're brilliant and creative to begin with--which, unfortunately, is rarely the case--tend to leave infinitely more valuable records behind them than men do who are merely brilliant and creative. They tend to express themselves more clearly, and they usually have a passion for following their thoughts through to the end. And--most important--nine times out of ten they have more humility than the unscholarly thinker. Do you follow me at all?"

"Yes, sir."

He didn't say anything again for quite a while. I don't know if you've ever done it, but it's sort of hard to sit around waiting for somebody to say something when they're thinking and all. It really is. I kept trying not to yawn. It wasn't that I was bored or anything--I wasn't--but I was so damn sleepy all of a sudden.

"Something else an academic education will do for you. If you go along with it any considerable distance, it'll begin to give you an idea what size mind you have. What it'll fit and, maybe, what it won't. After a while, you'll have an idea what kind of thoughts your particular size mind should be wearing. For one thing, it may save you an extraordinary amount of time trying on ideas that don't suit you, aren't becoming to you. You'll begin to know your true measurements and dress your mind accordingly."

Then, all of a sudden, I yawned. What a rude bastard, but I couldn't help it!

Mr. Antolini just laughed, though. "C'mon," he said, and got up. "We'll fix up the couch for you."

I followed him and he went over to this closet and tried to take down some sheets and blankets and stuff that was on the top shelf, but he couldn't do it with this highball glass in his hand. So he drank it and then put the glass down on the floor and then he took the stuff down. I helped him bring it over to the couch. We both made the bed together. He wasn't too hot at it. He didn't tuck anything in very tight. I didn't care, though. I could've slept standing up I was so tired.

"How're all your women?"

"They're okay." I was being a lousy conversationalist, but I didn't feel like it.

"How's Sally?" He knew old Sally Hayes. I introduced him once.

"She's all right. I had a date with her this afternoon." Boy, it seemed like twenty years ago! "We don't have too much in common any more."

"Helluva pretty girl. What about that other girl? The one you told me about, in Maine?"

"Oh--Jane Gallagher. She's all right. I'm probably gonna give her a buzz tomorrow."

We were all done making up the couch then. "It's all yours," Mr. Antolini said. "I don't know what the hell you're going to do with those legs of yours."

"That's all right. I'm used to short beds," I said. "Thanks a lot, sir. You and Mrs. Antolini really saved my life tonight."

"You know where the bathroom is. If there's anything you want, just holler. I'll be in the kitchen for a while--will the light bother you?"

"No--heck, no. Thanks a lot."

"All right. Good night, handsome."

"G'night, sir. Thanks a lot."

He went out in the kitchen and I went in the bathroom and got undressed and all. I couldn't brush my teeth because I didn't have any toothbrush with me. I didn't have any pajamas either and Mr. Antolini forgot to lend me some. So I just went back in the living room and turned off this little lamp next to the couch, and then I got in bed with just my shorts on. It was way too short for me, the couch, but I really could've slept standing up without batting an eyelash. I laid awake for just a couple of seconds thinking about all that stuff Mr. Antolini'd told me. About finding out the size of your mind and all. He was really a pretty smart guy. But I couldn't keep my goddam eyes open, and I fell asleep.

Then something happened. I don't even like to talk about it.

I woke up all of a sudden. I don't know what time it was or anything, but I woke up. I felt something on my head, some guy's hand. Boy, it really scared hell out of me. What it was, it was Mr. Antolini's hand. What he was doing was, he was sitting on the floor right next to the couch, in the dark and all, and he was sort of petting me or patting me on the goddam head. Boy, I'll bet I jumped about a thousand feet.

"What the hellya doing?" I said.

"Nothing! I'm simply sitting here, admiring--"

"What're ya doing, anyway?" I said over again. I didn't know what the hell to say--I mean I was embarrassed as hell.

"How 'bout keeping your voice down? I'm simply sitting here--"

"I have to go, anyway," I said--boy, was I nervous! I started putting on my damn pants in the dark. I could hardly get them on I was so damn nervous. I know more damn perverts, at schools and all, than anybody you ever met, and they're always being perverty when I'm around.

"You have to go where?" Mr. Antolini said. He was trying to act very goddam casual and cool and all, but he wasn't any too goddam cool. Take my word.

"I left my bags and all at the station. I think maybe I'd better go down and get them. I have all my stuff in them."

"They'll be there in the morning. Now, go back to bed. I'm going to bed myself. What's the matter with you?"

"Nothing's the matter, it's just that all my money and stuff's in one of my bags. I'll be right back. I'll get a cab and be right back," I said. Boy, I was falling all over myself in the dark. "The thing is, it isn't mine, the money. It's my mother's, and I--"

"Don't be ridiculous, Holden. Get back in that bed. I'm going to bed myself. The money will be there safe and sound in the morn--"

"No, no kidding. I gotta get going. I really do." I was damn near all dressed already, except that I couldn't find my tie. I couldn't remember where I'd put my tie. I put on my jacket and all without it. Old Mr. Antolini was sitting now in the big chair a little ways away from me, watching me. It was dark and all and I couldn't see him so hot, but I knew he was watching me, all right. He was still boozing, too. I could see his trusty highball glass in his hand.

"You're a very, very strange boy."

"I know it," I said. I didn't even look around much for my tie. So I went without it. "Good-by, sir," I said, "Thanks a lot. No kidding."

He kept walking right behind me when I went to the front door, and when I rang the elevator bell he stayed in the damn doorway. All he said was that business about my being a "very, very strange boy" again. Strange, my ass. Then he waited in the doorway and all till the goddam elevator came. I never waited so long for an elevator in my whole goddam life. I swear.

I didn't know what the hell to talk about while I was waiting for the elevator, and he kept standing there, so I said, "I'm gonna start reading some good books. I really am." I mean you had to say something. It was very embarrassing.

"You grab your bags and scoot right on back here again. I'll leave the door unlatched."

"Thanks a lot," I said. "G'by!" The elevator was finally there. I got in and went down. Boy, I was shaking like a madman. I was sweating, too. When something perverty like that happens, I start sweating like a bastard. That kind of stuff's happened to me about twenty times since I was a kid. I can't stand it.

When I got outside, it was just getting light out. It was pretty cold, too, but it felt good because I was sweating so much.

I didn't know where the hell to go. I didn't want to go to another hotel and spend all Phoebe's dough. So finally all I did was I walked over to Lexington and took the subway down to Grand Central. My bags were there and all, and I figured I'd sleep in that crazy waiting room where all the benches are. So that's what I did. It wasn't too bad for a while because there weren't many people around and I could stick my feet up. But I don't feel much like discussing it. It wasn't too nice. Don't ever try it. I mean it. It'll depress you.

I only slept till around nine o'clock because a million people started coming in the waiting room and I had to take my feet down. I can't sleep so hot if I have to keep my feet on the floor. So I sat up. I still had that headache. It was even worse. And I think I was more depressed than I ever was in my whole life.

I didn't want to, but I started thinking about old Mr. Antolini and I wondered what he'd tell Mrs. Antolini when she saw I hadn't slept there or anything. That part didn't worry me too much, though, because I knew Mr. Antolini was very smart and that he could make up something to tell her. He could tell her I'd gone home or something. That part didn't worry me much. But what did worry me was the part about how I'd woke up and found him patting me on the head and all. I mean I wondered if just maybe I was wrong about thinking be was making a flitty pass at ne. I wondered if maybe he just liked to pat guys on the head when they're asleep. I mean how can you tell about that stuff for sure? You can't. I even started wondering if maybe I should've got my bags and gone back to his house, the way I'd said I would. I mean I started thinking that even if he was a flit he certainly'd been very nice to me. I thought how he hadn't minded it when I'd called him up so late, and how he'd told me to come right over if I felt like it. And how he went to all that trouble giving me that advice about finding out the size of your mind and all, and how he was the only guy that'd even gone near that boy James Castle I told you about when he was dead. I thought about all that stuff. And the more I thought about it, the more depressed I got. I mean I started thinking maybe I should've gone back to his house. Maybe he was only patting my head just for the hell of it. The more I thought about it, though, the more depressed and screwed up about it I got. What made it even worse, my eyes were sore as hell. They felt sore and burny from not getting too much sleep. Besides that, I was getting sort of a cold, and I didn't even have a goddam handkerchief with me. I had some in my suitcase, but I didn't feel like taking it out of that strong box and opening it up right in public and all.

There was this magazine that somebody'd left on the bench next to me, so I started reading it, thinking it'd make me stop thinking about Mr. Antolini and a million other things for at least a little while. But this damn article I started reading made me feel almost worse. It was all about hormones. It described how you should look, your face and eyes and all, if your hormones were in good shape, and I didn't look that way at all. I looked exactly like the guy in the article with lousy hormones. So I started getting worried about my hormones. Then I read this other article about how you can tell if you have cancer or not. It said if you had any sores in your mouth that didn't heal pretty quickly, it was a sign that you probably had cancer. I'd had this sore on the inside of my lip for about two weeks. So figured I was getting cancer. That magazine was some little cheerer upper. I finally quit reading it and went outside for a walk. I figured I'd be dead in a couple of months because I had cancer. I really did. I was even positive I would be. It certainly didn't make me feel too gorgeous. It'sort of looked like it was going to rain, but I went for this walk anyway. For one thing, I figured I ought to get some breakfast. I wasn't at all hungry, but I figured I ought to at least eat something. I mean at least get something with some vitamins in it. So I started walking way over east, where the pretty cheap restaurants are, because I didn't want to spend a lot of dough.

While I was walking, I passed these two guys that were unloading this big Christmas tree off a truck. One guy kept saying to the other guy, "Hold the sonuvabitch up! Hold it up, for Chrissake!" It certainly was a gorgeous way to talk about a Christmas tree. It was sort of funny, though, in an awful way, and I started to sort of laugh. It was about the worst thing I could've done, because the minute I started to laugh I thought I was going to vomit. I really did. I even started to, but it went away. I don't know why. I mean I hadn't eaten anything unsanitary or like that and usually I have quite a strong stomach. Anyway, I got over it, and I figured I'd feel better if I had something to eat. So I went in this very cheap-looking restaurant and had doughnuts and coffee. Only, I didn't eat the doughnuts. I couldn't swallow them too well. The thing is, if you get very depressed about something, it's hard as hell to swallow. The waiter was very nice, though. He took them back without charging me. I just drank the coffee. Then I left and started walking over toward Fifth Avenue.

It was Monday and all, and pretty near Christmas, and all the stores were open. So it wasn't too bad walking on Fifth Avenue. It was fairly Christmasy. All those scraggy-looking Santa Clauses were standing on corners ringing those bells, and the Salvation Army girls, the ones that don't wear any lipstick or anything, were tinging bells too. I sort of kept looking around for those two nuns I'd met at breakfast the day before, but I didn't see them. I knew I wouldn't, because they'd told me they'd come to New York to be schoolteachers, but I kept looking for them anyway. Anyway, it was pretty Christmasy all of a sudden. A million little kids were downtown with their mothers, getting on and off buses and coming in and out of stores. I wished old Phoebe was around. She's not little enough any more to go stark staring mad in the toy department, but she enjoys horsing around and looking at the people. The Christmas before last I took her downtown shopping with me. We had a helluva time. I think it was in Bloomingdale's. We went in the shoe department and we pretended she--old Phoebe-- wanted to get a pair of those very high storm shoes, the kind that have about a million holes to lace up. We had the poor salesman guy going crazy. Old Phoebe tried on about twenty pairs, and each time the poor guy had to lace one shoe all the way up. It was a dirty trick, but it killed old Phoebe. We finally bought a pair of moccasins and charged them. The salesman was very nice about it. I think he knew we were horsing around, because old Phoebe always starts giggling.

Anyway, I kept walking and walking up Fifth Avenue, without any tie on or anything. Then all of a sudden, something very spooky started happening. Every time I came to the end of a block and stepped off the goddam curb, I had this feeling that I'd never get to the other side of the street. I thought I'd just go down, down, down, and nobody'd ever see me again. Boy, did it scare me. You can't imagine. I started sweating like a bastard--my whole shirt and underwear and everything. Then I started doing something else. Every time I'd get to the end of a block I'd make believe I was talking to my brother Allie. I'd say to him, "Allie, don't let me disappear. Allie, don't let me disappear. Allie, don't let me disappear. Please, Allie." And then when I'd reach the other side of the street without disappearing, I'd thank him. Then it would start all over again as soon as I got to the next corner. But I kept going and all. I was sort of afraid to stop, I think--I don't remember, to tell you the truth. I know I didn't stop till I was way up in the Sixties, past the zoo and all. Then I sat down on this bench. I could hardly get my breath, and I was still sweating like a bastard. I sat there, I guess, for about an hour. Finally, what I decided I'd do, I decided I'd go away. I decided I'd never go home again and I'd never go away to another school again. I decided I'd just see old Phoebe and sort of say good-by to her and all, and give her back her Christmas dough, and then I'd start hitchhiking my way out West. What I'd do, I figured, I'd go down to the Holland Tunnel and bum a ride, and then I'd bum another one, and another one, and another one, and in a few days I'd be somewhere out West where it was very pretty and sunny and where nobody'd know me and I'd get a job. I figured I could get a job at a filling station somewhere, putting gas and oil in people's cars. I didn't care what kind of job it was, though. Just so people didn't know me and I didn't know anybody. I thought what I'd do was, I'd pretend I was one of those deaf-mutes. That way I wouldn't have to have any goddam stupid useless conversations with anybody. If anybody wanted to tell me something, they'd have to write it on a piece of paper and shove it over to me. They'd get bored as hell doing that after a while, and then I'd be through with having conversations for the rest of my life. Everybody'd think I was just a poor deaf-mute bastard and they'd leave me alone. They'd let me put gas and oil in their stupid cars, and they'd pay me a salary and all for it, and I'd build me a little cabin somewhere with the dough I made and live there for the rest of my life. I'd build it right near the woods, but not right in them, because I'd want it to be sunny as hell all the time. I'd cook all my own food, and later on, if I wanted to get married or something, I'd meet this beautiful girl that was also a deaf-mute and we'd get married. She'd come and live in my cabin with me, and if she wanted to say anything to me, she'd have to write it on a goddam piece of paper, like everybody else. If we had any children, we'd hide them somewhere. We could buy them a lot of books and teach them how to read and write by ourselves.

I got excited as hell thinking about it. I really did. I knew the part about pretending I was a deaf-mute was crazy, but I liked thinking about it anyway. But I really decided to go out West and all. All I wanted to do first was say good-by to old Phoebe. So all of a sudden, I ran like a madman across the street--I damn near got killed doing it, if you want to know the truth--and went in this stationery store and bought a pad and pencil. I figured I'd write her a note telling her where to meet me so I could say good-by to her and give her back her Christmas dough, and then I'd take the note up to her school and get somebody in the principal's office to give it to her. But I just put the pad and pencil in my pocket and started walking fast as hell up to her school--I was too excited to write the note right in the stationery store. I walked fast because I wanted her to get the note before she went home for lunch, and I didn't have any too much time.

I knew where her school was, naturally, because I went there myself when I was a kid. When I got there, it felt funny. I wasn't sure I'd remember what it was like inside, but I did. It was exactly the same as it was when I went there. They had that same big yard inside, that was always sort of dark, with those cages around the light bulbs so they wouldn't break if they got hit with a ball. They had those same white circles painted all over the floor, for games and stuff. And those same old basketball rings without any nets--just the backboards and the rings.

Nobody was around at all, probably because it wasn't recess period, and it wasn't lunchtime yet. All I saw was one little kid, a colored kid, on his way to the bathroom. He had one of those wooden passes sticking out of his hip pocket, the same way we used to have, to show he had permission and all to go to the bathroom.

I was still sweating, but not so bad any more. I went over to the stairs and sat down on the first step and took out the pad and pencil I'd bought. The stairs had the same smell they used to have when I went there. Like somebody'd just taken a leak on them. School stairs always smell like that. Anyway, I sat there and wrote this note:

DEAR PHOEBE,

I can't wait around till Wednesday any more so I will

probably hitch hike out west this afternoon. Meet me at the

Museum of art near the door at quarter past 12 if you can and I

will give you your Christmas dough back. I didn't spend much.

Love,

HOLDEN

Her school was practically right near the museum, and she had to pass it on her way home for lunch anyway, so I knew she could meet me all right.

Then I started walking up the stairs to the principal's office so I could give the note to somebody that would bring it to her in her classroom. I folded it about ten times so nobody'd open it. You can't trust anybody in a goddam school. But I knew they'd give it to her if I was her brother and all.

While I was walking up the stairs, though, all of a sudden I thought I was going to puke again. Only, I didn't. I sat down for a second, and then I felt better. But while I was sitting down, I saw something that drove me crazy. Somebody'd written "Fuck you" on the wall. It drove me damn near crazy. I thought how Phoebe and all the other little kids would see it, and how they'd wonder what the hell it meant, and then finally some dirty kid would tell them--all cockeyed, naturally--what it meant, and how they'd all think about it and maybe even worry about it for a couple of days. I kept wanting to kill whoever'd written it. I figured it was some perverty bum that'd sneaked in the school late at night to take a leak or something and then wrote it on the wall. I kept picturing myself catching him at it, and how I'd smash his head on the stone steps till he was good and goddam dead and bloody. But I knew, too, I wouldn't have the guts to do it. I knew that. That made me even more depressed. I hardly even had the guts to rub it off the wall with my hand, if you want to know the truth. I was afraid some teacher would catch me rubbing it off and would think I'd written it. But I rubbed it out anyway, finally. Then I went on up to the principal's office.

The principal didn't seem to be around, but some old lady around a hundred years old was sitting at a typewriter. I told her I was Phoebe Caulfield's brother, in 4B-1, and I asked her to please give Phoebe the note. I said it was very important because my mother was sick and wouldn't have lunch ready for Phoebe and that she'd have to meet me and have lunch in a drugstore. She was very nice about it, the old lady. She took the note off me and called some other lady, from the next office, and the other lady went to give it to Phoebe. Then the old lady that was around a hundred years old and I shot the breeze for a while, She was pretty nice, and I told her how I'd gone there to school, too, and my brothers. She asked me where I went to school now, and I told her Pencey, and she said Pencey was a very good school. Even if I'd wanted to, I wouldn't have had the strength to straighten her out. Besides, if she thought Pencey was a very good school, let her think it. You hate to tell new stuff to somebody around a hundred years old. They don't like to hear it. Then, after a while, I left. It was funny. She yelled "Good luck!" at me the same way old Spencer did when I left Pencey. God, how I hate it when somebody yells "Good luck!" at me when I'm leaving somewhere. It's depressing.

I went down by a different staircase, and I saw another "Fuck you" on the wall. I tried to rub it off with my hand again, but this one was scratched on, with a knife or something. It wouldn't come off. It's hopeless, anyway. If you had a million years to do it in, you couldn't rub out even half the "Fuck you" signs in the world. It's impossible.

I looked at the clock in the recess yard, and it was only twenty to twelve, so I had quite a lot of time to kill before I met old Phoebe. But I just walked over to the museum anyway. There wasn't anyplace else to go. I thought maybe I might stop in a phone booth and give old Jane Gallagher a buzz before I started bumming my way west, but I wasn't in the mood. For one thing, I wasn't even sure she was home for vacation yet. So I just went over to the museum, and hung around.

While I was waiting around for Phoebe in the museum, right inside the doors and all, these two little kids came up to me and asked me if I knew where the mummies were. The one little kid, the one that asked me, had his pants open. I told him about it. So he buttoned them up right where he was standing talking to me--he didn't even bother to go behind a post or anything. He killed me. I would've laughed, but I was afraid I'd feel like vomiting again, so I didn't. "Where're the mummies, fella?" the kid said again. "Ya know?"

I horsed around with the two of them a little bit. "The mummies? What're they?" I asked the one kid.

"You know. The mummies--them dead guys. That get buried in them toons and all."

Toons. That killed me. He meant tombs.

"How come you two guys aren't in school?" I said.

"No school t'day," the kid that did all the talking said. He was lying, sure as I'm alive, the little bastard. I didn't have anything to do, though, till old Phoebe showed up, so I helped them find the place where the mummies were. Boy, I used to know exactly where they were, but I hadn't been in that museum in years.

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