Charles Lutwidge Dodgson. Literature

Charles Lutwidge Dodgson

Literature

From a young age, Dodgson wrote poetry and short stories, both contributing(сотрудничать) heavily to the family magazine Mischmasch and later sending them to various magazines, enjoying moderate success. Between 1854 and 1856, his work appeared in the national publications, The Comic Times and The Train, as well as smaller magazines like the Whitby Gazette and the Oxford Critic. Most of this output(выпуск) was humorous, sometimes satirical, but his standards and ambitions were exacting(требовательный, строгий). " I do not think I have yet written anything worthy of real publication (in which I do not include the Whitby Gazette or the Oxonian Advertiser), but I do not despair(отчаиваться) of doing so some day, " he wrote in July 1855. ^[24]Sometime after 1850, he did write puppet(марионетка) plays for his siblings(потомство одних родителей)' entertainment, of which one has survived, La Guida di Bragia. ^[32]

In 1856 he published his first piece of work under the name that would make him famous. A romantic poem called " Solitude" appeared in The Train under the authorship of " Lewis Carroll. " This pseudonym was a play on his real name; Lewis was the anglicised(англицированный) form of Ludovicus, which was the Latin for Lutwidge, and Carroll an Irish surname similar to the Latin name Carolus, from which the name Charles comes. ^[7]

[edit] Alice

" The chief difficulty Alice found at first was in managing herflamingo". Illustration by John Tenniel, 1865.

The Jabberwock, as illustrated by John Tennielfor Lewis Carroll's Through the Looking Glass, including the poem " Jabberwocky".

One of Carroll's own illustrations

In the same year, 1856, a new Dean(священник-глава), Henry Liddell, arrived at Christ Church, bringing with him his young family, all of whom would figure largely in Dodgson's life and, over the following years, greatly influence his writing career. Dodgson became close friends with Liddell's wife, Lorina, and their children, particularly the three sisters: Lorina, Edith, and Alice Liddell. He was for many years widely assumed(вымышленный) to have derived(получать, выводить) his own " Alice" from Alice Liddell. This was given some apparent substance(явное видимое содержание) by the fact the acrostic poem at the end of Through the Looking Glass spells out her name, and that there are many superficial references(внешние ссылки) to her hidden(невидимость) in the text of both books. It has been pointed out that Dodgson himself repeatedly denied in later life that his " little heroine" was based on any real child, ^[33]^[34] and frequently dedicated his works to girls of his acquaintance(знакомство), adding their names in acrostic poems at the beginning of the text. Gertrude Chataway's name appears in this form at the beginning of The Hunting of the Snark, and no one has ever suggested this means any of the characters in the narrative are based on her. ^[34]

Though information is scarce (Dodgson's diaries for the years 1858–1862 are missing), it does seem clear that his friendship with the Liddell family was an important part of his life in the late 1850s, and he grew into the habit of taking the children (first the boy, Harry, and later the three girls) on rowing trips accompanied by an adult friend^[35] to nearby Nuneham Courtenay or Godstow. ^[36]

It was on one such expedition, on 4 July 1862, that Dodgson invented the outline of the story that eventually became his first and largest commercial success. Having told the story and been begged by Alice Liddell to write it down, Dodgson eventually (after much delay) presented her with a handwritten, illustrated manuscript entitled Alice's Adventures Under Ground in November 1864. ^[36]

Before this, the family of friend and mentor ge MacDonald read Dodgson's incomplete manuscript, and the enthusiasm of the MacDonald children encouraged Dodgson to seek publication. In 1863, he had taken the unfinished manuscript to Macmillan the publisher, who liked it immediately. After the possible alternative titles Alice Among the Fairies and Alice's Golden Hour were rejected, the work was finally published as Alice's Adventures in Wonderland in 1865 under the Lewis Carroll pen-name, which Dodgson had first used some nine years earlier. ^[26] The illustrations this time were by Sir John Tenniel; Dodgson evidently thought that a published book would need the skills of a professional artist.

The overwhelming commercial success of the first Alice book changed Dodgson's life in many ways. The fame of his alter ego " Lewis Carroll" soon spread around the world. He was inundated with fan mail and with sometimes unwanted attention. Indeed, according to one popular story, Queen Victoria herself enjoyed Alice In Wonderland so much that she suggested he dedicate his next book to her, and was accordingly presented with his next work, a scholarly mathematical volume entitled An Elementary Treatise on Determinants. ^[37]^[38] Dodgson himself vehemently denied this story, commenting "... It is utterly false in every particular: nothing even resembling it has occurred"; ^[38]^[39] and it is unlikely for other reasons: as T. B. Strong comments in a Times article, " It would have been clean contrary to all his practice to identify [the] author of Alice with the author of his mathematical works". ^[40]^[41] He also began earning quite substantial sums of money but continued with his seemingly disliked post at Christ Church. ^[26]

Late in 1871, a sequel – Through the Looking-Glass and What Alice Found There – was published. (The title page of the first edition erroneously gives " 1872" as the date of publication. ^[42]) Its somewhat darker mood possibly reflects the changes in Dodgson's life. His father had recently died (1868), plunging him into a depression that lasted some years